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French beauty Clea Gaultier talks about her tiny pussy!

So slender and elegant you’d guess she was a fashion model, not an erotic star, French fox Clea Gaultier is simply irresistible. The 26-year-old green-eyed babe made her SexArt debut recently in director Alis Locanta’s “Last Chance,” showcasing her beautiful face and perfect body with kinky pierced nipple, as well as her voracious appetite for screen partner Joel Tomas’s cock!

Sexy Clea recently gave a behind-the-scenes video interview to our sister site Viv Thomas where she revealed, “I think I am a kind girl. I love sport and animals, modeling, dancing. In my personal life I am submissive, with men and with other girls. There isn’t just one type of man I like, it’s more about how they think, not their physical appearance. The kind of woman I like is… Alexa Tomas! Brown hair, tall, beautiful eyes, very sporty, very sexy.”

Asked about sex in public, Clea said, “I am an exhibitionist, I love to be naked. I’ve had sex on the beach and in a cemetery… I love to have sex in strange places but I also like it very simple – with just one man, face to face. My best orgasm was in a car in a station parking lot, waiting for a train, with an ex-boyfriend.”

Clea admitted that she enjoys masturbating, but added, “I only use one finger because I have a little pussy! I can’t put two fingers in unless I just had sex. I have a cute sex toy too, pink with a cat on the top.”

If that’s got you imagining how that sweet, tight little pussy looks stretched around Joel’s big cock, watch “Last Chance” to find out. You can get the full effect of Clea’s sexy French accent in the interview here.



“Presenting” Maria N - a pretty, pink, premiere…

Maria N: Presenting, by Ingret, perky breasts, first nudes, pretty pix

Photographer Ingret‘s set design for this MetArt new model debut series is sweetly feminine. The walls are papered in shades of pink, and two French doors, the floor, and other furnishings are white which ties in nicely with the model’s white necklace, stockings, and garter belt.

This sweet, girlish, youthful setting provides a fine backdrop for a sweet, girlish, young model. Despite the fact that Maria N is topless and bottomless from the first shot, there’s a hint of innocence here, and the wreath of delicate flowers in her hair in the introductory shots ads a pleasantly angelic touch. The stylized presentation has an almost greeting card flavor, and I mean that as a compliment - see #012 for a perfect illustration of my point.

This is a generally confident performance for this lean and well shaped 21-year-old. Certain telltales - stiff hands, for example - give away her presumed lack of modeling experience, and I think she works a touch too hard at projecting a calm, serious mood when something more spontaneous and energetically girlish would be more in keeping with the design of the pictorial. But she is a charming and pretty girl and I offer these minor complaints in the spirit of constructive, encouraging criticism.

Ingret does suffer from the tilting frame from time to time, but he also delivers some extremely pretty images in this collection. The lighting is soft and effective in #047, a subtly moody shot. The absence of pink design elements in #056 adds a feeling of mature sophistication than the more girlish compositions in the set contain. I like the backlight and the bold, seated pose (but could do without the tilt) in #098. And with #114, her beautiful body partially hidden by an open door, model and artist arrive at absolute perfection. “Presenting” Maria N is a very pretty premiere, indeed.


“Presenting” Taylor A - blonde beauty on board…

Taylor A: Presenting, by Alex Iskan, MetArt HD erotic movie

Although I’m certain it has happened in the past, this new model debut is notable in that it’s a MetArt HD erotic movie, and not the far more typical first time pictorial. And the format of this premiere appearance is but one intriguing feature that make this relatively short film long on viewing pleasure.

For one, the entire production takes place on a sail boat as it plies the waters of a broad river. Poised on the bow, with the wind in her short, stylish blonde hair, Taylor A is wearing a floor length dress, but gravity - assisted by the telepathic wishes of the viewing audience - pulls it down in short order and the leggy beauty is totally nude for the rest of the voyage. Taylor is completely at ease and uninhibited, and even waves cheerily to the crew of a passing vessel just after the two minute mark.

This appears to be the end of a day on the water and the sun is low in the sky. If I have a single complaint with Alex Iskan‘s production it can be attributed to the time of day - I’d prefer to get my first look at this beautiful new MetArt model at midday, when the details of her tan, long-limbed and elegant body would be revealed with greater clarity and detail.

Even so, “Presenting” Taylor A is a pleasure to watch, and combined with the water, the surrounding scenery, and the evocative soundtrack, this brief video voyage accomplishes its goal skillfully and successfully. I look forward to seeing more of Taylor A, whether it’s at sea, on dry land, in still photos, or in more movies.


“Presenting” Pammie Lee - steam in the studio…

Pammie Lee: Presenting, by Tony Murano, busty exotic beauty nude pix

This is one of those MetArt erotic photo galleries that hooked me after a single, casual glance at the cover. Say what you will about big, splendidly shaped, stunningly symmetrical breasts, but there’s no denying that Pammie Lee has them. And the perfection of her bosom is complemented by the intriguing expression of her undeniably beautiful face. And when I notice that this set was shot by Tony Murano I anticipate a rewarding and enjoyable experience.

Presenting” Pammie Lee more than lives up to the promise of its cover, and it also brings up some interesting points about erotic art photography and the entire MetArt experience.

In yesterday’s post I evaluated a set that I quite liked. What I find interesting is that yesterday’s set and this one could not be more dramatically different. Yesterday it’s a girl-next-door type, shot by day in natural light, in a casual, natural style. Today it’s an exotic bombshell, styled to the nines, photographed in the controlled environment of the studio. These two sets have very little in common, but this diversity, this range, this type of variety is makes them both fit perfectly at MetArt.

There’s a steamy, dreamy, late night feel here, with perhaps a hint of New Orleans (or is it Amsterdam?) in the mood, style, decor, and costuming. Dressed, but only barely, in black lingerie, Pammie Lee presents a truly striking figure. #035, framed from the neck down and the thighs up, captures the superb curves of that hourglass shape masterfully. I also like the mood conveyed in #008, the formality of the pose in #027, the implied action in #028, the relaxed stance and smile in #049, and several of Tony Murano‘s signature explicit images, including #097 and #122. The moody, stylish presentation makes a fine showcase for this impressive new model.


“Presenting” Nastya K - her place in the sun…

Nastya K: Presenting, by Catherine, hot nude pix of 18-year-old beauty

Of all the many decisions facing an artist preparing for an outdoor photo shoot, the choice of location may be the most important. No matter how skilled the photographer, and no matter how beautiful and talented the model, the wrong setting can ruin a pictorial before the first click of the shutter. I’m not suggesting the location must be beautiful - some wonderful art has been created in challenging and unlikely locations, but a beautiful setting never hurts - and in the case of this new model debut, it’s an absolute blessing.

MetArt contributing photographer Catherine has chosen a simply beautiful location for this series, and Mother Nature has been a particularly helpful assistant. She’s bathed a sprawling meadow crowded with blooming dandelions with warm, bright sunlight, a barely perceptible breeze blows lightly across the verdant landscape, and she’s dotted the sky with puffy clouds. What could possibly improve this bucolic, pastoral environment? A beautiful young girl, of course!

And in that role first-time MetArt model Nastya K is perfectly cast. Positioned on a cream-colored sheepskin throw and wearing a lacy, frilly summer dress, this dark-haired nymphet fairly glows with youthful vitality. I’m immediately struck by the radiant beauty of her skin. Just 18 years old, Nastya has a dewy, glowing complexion that, as we eventually discover, is virtually flawless. And these photos capture the soft, warm texture of that smooth skin brilliantly.

A beautiful location, on a beautiful day, with a beautiful nude girl - that’s a winning combination, and Catherine takes full advantage of it. We find a range of stylish figure studies (#020 and #089 to cite a representative pair); joyous, youthful exuberance (#056); images that are both explicit and thoughtful at once (#057 and #059); and a range of creative and boldly erotic poses that reveal this 18-year-old in gorgeous, thrilling, graphic detail (#065 through #074). The sun isn’t the only thing that shines in “Presenting” Nastya K - the artist and model do, as well.


“Presenting” Mango A - pictures and an exhibition…

Mango A: Presenting, by Vlad Kleverov - new model + new artist

They don’t happen terribly often, but when a new MetArt erotic photo series marks the debut of two first-time contributors, it’s an event worth noting. “Presenting” Mango A not only presents a new model, it’s also photographer Vlad Kleverov’s premiere creation for the site, so I approach it with a two-scoop serving of anticipation.

And that anticipation is more than satisfied by what I find in the series. Mango A is a natural beauty and - particularly considering her age and lack of modeling experience - acquits herself quite well in her debut sitting. From her bio I learn that she’s “a true nudist,” and that certainly results in a relaxed and uninhibited on-camera demeanor.

Vlad Kleverov‘s concept and execution of the set, barring a couple of minor missteps, is inventive, unusual, and enjoyable. The model is nude throughout. She’s positioned on the hardwood floor of a naturally lit room with a package of mounted photographs - half a dozen urban landscapes. Much of the set features Mango scrutinizing and arranging the photos. It’s an interesting device, but it isn’t completely successful. Is she the proprietor of a nudist art gallery? Is she decorating her own living space? Some of these posing-with-pictures shots, #038 or #120 for example, verge on the silly.

Even if the idea isn’t entirely successful, I give the photographer credit for coming up with an interesting new approach to a set - it really was quite clever of him.

There are a couple of underexposed images, these could (and should) have been omitted (see #022) but I have no trouble choosing favorites from the remaining shots. In #029 the model assumes what I’m told is known in yoga circles as the “happy baby” pose with a pleasing result. I like the casual, thoughtful, naturalistic feel of #049. I like the explicit abstraction of #060. #061 is an interesting head-and-shoulders shot. #070 offers an explicit and creative pose. And additional explicit highlights include #089 and #091. “Presenting” Mango A is a promising debut, times two.


“Presenting” Ashley Doll - a pretty premiere…

Ashley Doll: Presenting, by John Emslie, natural light and beauty

When I sit down to review a MetArt erotic photo series I strive to remain objective and arrive at an honest opinion based on what I see in the photos. I never review a pictorial’s rating before I’ve looked at it, I don’t peruse the various descriptive tags MetArt members have given a set or a model, and I don’t look at member comments or e-mails regarding a set before I write my review.

But, even though this is Ashley Doll‘s first appearance at MetArt, and my first time seeing her, I couldn’t help but make the smallest of prejudgments before opening the set. And that prejudgment is based on her name. While it isn’t always the case, when a MetArt model uses a first and last name it implies two things: she is likely, but not necessarily, an American; and it is also likely that she has embarked on, or is considering a career in other forms of erotic entertainment. I don’t know if Ashley Doll is going to follow a career path similar to Malena Morgan or Rilee Marks, but if she does, she certainly has the beauty - and the name - for it!

A petite and exotic brunette, Ashley Doll receives a extensive and stylish introduction in this John Emslie pictorial. The set is big - it contains a bumper crop of 185 images. And the set is, on the whole, very nicely executed. The lighting is natural and flattering, and the colors of the set are particularly complimentary to Doll’s complexion and coloring. My only gripe with Emslie’s work here is a tendency to tilt the camera for no obvious reason. When he’s framing his subject tightly it’s hardly noticeable, but when he pulls back it can be distracting.

My gripe aside, there is much to like and a lot of variety to be found here. The lighting, wardrobe, poses and Doll’s subtly steamy attitude make even a clothed shot like #014 sizzle. There’s an almost retro/Playboy magazine quality to #067, a pretty prone pose. Of the many explicit shots #157 is both moody and inviting. And, as “Presenting” winds down, #177 and #181 are two finely rendered standing body shots of this beautiful and promising newcomer.


“Presenting” Surime A - good “news” comes in twos…

Surime A: Presenting, by Koido, busty, 19-year-old, nude newcomer

This MetArt erotic photo gallery marks the arrival of two new talents. This is 19-year-old Surime A’s debut appearance here, and while photographer Koido isn’t completely new, this is only his second contribution, and the first I’ve seen. Short story: two impressive “new” talents.

I was somewhat surprised to learn that Surime A is just 19, and only recently graduated high school. As I went through the set I was struck by the model’s natural and spirited expressiveness. While she is lively and energetic, she also has a knowing, worldly quality that implies a certain maturity - certainly more maturity than we expect from a 19-year-old. Her performance is that much more impressive when one considers her youth and (presumed) lack of experience.

An expressive and physically impressive model makes any photographer’s task easier and more enjoyable, and Koido demonstrates his own considerable artistic ability both in his design of the set and the wide variety of compositions and poses he manages to include with only a minimum of set decoration. I’m particularly impressed by how the slate gray floor blends seamlessly into background. It’s a slightly unusual color choice - strong yet still neutral - and it flatters Surime A’s natural coloring.

A simple, light gray stool makes an effective prop, particularly in the sequence of shots spanning #020 through #030 - whether standing next to it, her back to the camera, in #027, or seated on it, in a playful pin-up pose, in #022, model and artist get maximum effect with minimal decor. Even knocked over, as it is in #049, the stool adds a hint of graphic interest to an already interesting figure study.

Two more favorites from this series dispense with props entirely. Totally nude, curling her body up off the floor and eyeing the camera, in #062. And #063, flat on her back, eyes closed, face relaxed, hands above her head, is another beautifully posed and composed image from this talented new twosome.


“Presenting” Gracy Taylor - oil in a day’s work…

Gracy Taylor: Presenting, by Luca Helios, greased girl, arty/oily nudes

Frequent MetArt contributing artist Luca Helios‘ design and execution of this new model debut gallery is interesting and effective. A white, high-gloss floor blends seamlessly into a bright white background. There is just one prop - a wooden cube, minus two of its sides - and it is used sparingly as a seating surface.

The first time model also receives a minimal treatment. Apart from a string of black beads, Gracy Taylor is totally nude in every image in the gallery. The only additional item she has in the way of costuming is a generous coating of shiny, shimmering, oil that slicks her body from neck to toe. Quite a dramatic and eye-catching presentation.

Gracy Taylor seems confident and self assured here - particularly in view of her complete nudity and greased condition. I wouldn’t say she is the most dramatic or expressive model, but she more than compensates for this with her complete inhibition and posing skill.

One thing that struck me about the set, early on, was the model’s seeming reluctance to smile. In image #040 I found my answer. It’s a headshot, one of the more spontaneous images here. Gracy’s eyes are averted, her head tilted forward and down, and her lips are parted just enough to reveal a row of braces. The model does an excellent job of concealing her orthodontic appliances throughout the set, but in so doing she mutes her natural expressiveness.

The lighting here, coupled with the stark, glossy white set, does a wonderful job of highlighting the contours of Gracy Taylor’s body. And the coating of oil on her skin amplifies the effect markedly. The oil also adds considerable impact to the generous assortment of explicit anatomical close-ups. Gracy Taylor is a slick piece, so to say - and “Presenting” is a slick piece of work.


“Cordella” starring Ganna B - particularly pleasing perpetual motions…

Ganna B: Cordella, by Slastyonoff, MetArt HD erotic movie

“Cordella” is interesting and unusual for several reasons. For one, it is the model’s first appearance at MetArt. This isn’t actually unusual - new models are added to the site on a near-daily basis. It is unusual, if not unprecedented, for a model’s debut to occur in a MetArt HD erotic movie, however.

It is also notable for being the first Slastyonoff-directed movie I’ve had the opportunity to review. The artist’s MetArt portfolio is truly massive - it numbers 515 galleries at the moment - but a relatively small number of those are films.

Finally, the entire concept and execution of this production is unlike any that I’ve yet critiqued. It is not a video recording of a still photo shoot, so we need not revisit that tiresome conversation. But it doesn’t attempt to create a narrative or tell a story, either. “Cordella” through simplicity, artistry, creativity, and energy is a unique erotic motion picture, with extra emphasis on all three elements.

We pan up a figure wrapped in a cobalt blue satin sheet. The sheet is parted, mimicking the curtains in a theater, and Ganna B.’s completely nude body is revealed. The camera pans back down, and the motion begins - the screen will be filled with near constant motion until the film’s end.

Think of this as a combination of nude figure posing and modern dance. Ganna moves her body creatively, easily, gracefully, and constantly. And she makes fine use of her single prop, turning that shimmering sheet of blue fabric into a tactile, physical, dynamic, and kinetic dance partner.

While the performance has a fluid, spontaneous feeling, it is also completely free of repetition. There is a varied pace, and an involving tempo to the model’s movements. And there is s similar variety in the cinematic framing and style. The use of slow motion is a particularly pleasing enhancement, as well.

And all this creativity - both physical and technical - doesn’t obscure the explicit and erotic aspects. Indeed, the various elements combine in balanced harmony to yield a fine piece of vigorous and engaging erotic artistry.


“Presenting” Firebird A - debut on a dune…

Firebird A: Presenting, by Erik Latika, simple, sexy, outdoor nude pix

MetArt contributing artist Erik Latika chose to keep things simple for this new model debut pictorial. I, for one, think this was an excellent idea.

The “set” is a sand dune. For those who are counting, we may also include the blue sky as a second element of the design. The model has been given a single long piece of fabric. When she wraps it around her body it can function as a shroud, a robe, a skirt, or a gown. When she spreads it on the sand it also functions as a beach blanket.

And Firebird A., the first time MetArt modelPresenting” presents, doesn’t have one stitch of clothing, no shoes, only minimal make-up - her only adornment, besides the flowing fabric, is a chunky bracelet.

Happily, this minimalist simplicity proves, yet again, that less is quite often more. Firebird A. seems genuinely at ease in this simple setting, and she experiments with a wide assortment of poses, presentations, and emotional attitudes. But even when she’s being thoughtful or putting extra effort into her pose selection, I get the feeling she’s enjoying the entire experience - and that translates directly into extra enjoyment for the viewer.

Her oval face framed by a pleasingly unruly head of long, dark hair has a brooding quality in #018 an evocative topless shot. Totally nude, in #053, Firebird A. reveals all, including her refined profile. Numbers 044, 045, and 046 are three subtly different but extremely pretty figure studies. And on all fours, in #106, with her beautiful backside to the camera, the over-the-shoulder expression adds a jolt of not at all subtle eroticism.

From playful to passionate, from explicit to artistic, Firebird’s first flight, with Erik Latika as her copilot, is a solid success.


“Presenting” Bony A - a dramatic (and demure) double-debut…

Bony A: Presenting, by Ivan Harrin, dark, dramatic, demure erotic art

This MetArt erotic photo gallery is cause for two celebrations. Not only is it the first appearance of an appealing model, it’s also the premiere pictorial from a new contributing photographer. Before getting into the particulars, let me say that both artist and subject demonstrate considerable talent and much potential.

With her refined features, dark, brooding eyes, and long, luxurious mane of deep-sable hair, and splendidly proportioned body, Bony A. is certain to draw many admirers. Although I can’t confirm this, I do feel that she is new to modeling, and not simply new to MetArt. She tends to hold herself, particularly her head, in the same way from shot to shot, a habit displayed by many inexperienced models. But her looks are so striking it’s easy to forgive this mistake, and I certainly hope additional time in front of the camera will result in a wider variety of expressions in future sessions.

Photographer Ivan Harrin has a clean, simple style, both in his compositions and in the design of his set. Simple, unobtrusive lighting illuminates a hardwood floor, a white, S-shaped chaise, and a boldly patterned background. The shape and the color of the chaise provides a fine contrast to Bony A.’s coloring, and a bit of geometric drama, as well. With the clean lines, pleasing colors, and intriguing shapes, I do have to wonder how tilting the frame - #066 is one example - is of any aesthetic benefit. I’d call it a minor quibble.

My only other criticism is that this series lacks any truly revealing intimate images. All viewers are different, of course, but when a model is as attractive as Bony A., I would prefer to see everything she has to offer - and I certainly hope we will in future pictorials.

Despite the tilt, I like #073, #074, and #075 very much. Perhaps because the “upside down” pose is unusual, and also because it forces the model to break out of her typical posture. #067, eyes closed, long hair flowing, is beautiful both for the mood and the model’s facial and physical features. And #096 and #113 are two beautiful, thoughtful, figure studies.


“Presenting” Swan A - spreading wings and other things…

Swan A: Presenting, by Rylsky, new model, explicit, sploshing, sticky

This MetArt erotic photo series is a bit of a jumble. There’s a casual, thrown-together flavor to the set design. The model’s costume - a shirt and panties - seems somewhat randomly chosen. And there’s an odd and - to my eyes - unappealing and completely unexplained and unexpected twist that appears later in the set (and which I’ll discuss later in this post).

Here Swan A. makes her first appearance as a MetArt model. Long-limbed and with a sweet, girl next door demeanor, Swan poses eagerly and freely, offering explicit, intensely suggestive poses along with demure images that seem more in keeping with her youthful, genial personality.

Rylsky is no shrinking violet, either - he maneuvers his lens as close as can be and some of these intimate views are almost startling in their proximity and detail.

Oddly enough, but in keeping with the slightly odd nature of the entire pictorial, there are also a group of shots that appear to have been subjected to rather extensive image editing. #023, for example, almost looks like a piece of airbrush art circa 1980. Interesting and curious.

As mentioned earlier, the oddness here extends to the set design with includes various curtains for background, a red leather couch with a white frame, and flooring composed of photographic tiles of white button-tufted leather cushions. Interesting, yes (in an odd way) but the effect is far from harmonious.

The unexpected twist comes in the form of dessert - an orange filled with ice-cream on a plate of sticky fruit syrup. Like a good girl, Swan plays with her food and makes a mess of herself in the process. Certainly a memorable debut, but perhaps not for the right reasons.


“Presenting” Katherine A - if you need a new nubile…

Katherine A: Presenting, by Alex Sironi, new nubile in nude art pix

Time marches on…and new beauties never stop marching into the ever-growing MetArt model collection. MetArt members all have their favorites among the thousands (!) of established models the site has to offer, but they can also count on the frequent arrival of fresh talent.

Katherine A., makes her debut in “Presenting,” and if you’re in need of a new nubile, she seems destined to please. With her long hair and willowy build this 18-year-old has a lithe, graceful appearance and seems comfortable fully (and explicitly) posed and exposed in these photos. In many of the shots in this collection she is consciously “modeling,” and she is quite good at it, particularly in view of her youth and (presumed) lack of experience. More spontaneous, candid moments are captured here, however, and in #019 I can’t help but respond to her natural smile.

The set is something of a stylistic departure for Alex Sironi, and it is entirely successful. Here the colors bias more towards warm earth tones than is his custom, and there is less of a “photo studio” feel to the art direction. His compositions are, however, true to his masterful form. And the lighting, always a signature, is particularly skilled. Katherine is blessed with beautiful skin, and Sironi photographs it in a way that makes it positively glow. Detail shots are plentiful here, but #055 - a hand, a breast - illustrates my point well.

Lighting, pose, and composition combine to produce a handful of varied but equally notable headshots in this series. If I had to pick just one it would probably be #109, a romantic abstraction. It’s a simply beautiful image.

Explicit shots in the set provide a comprehensive view of Katherine A.’s intimate delights. And if one prefers something tamer, with a painterly flair, there is much to enjoy. #049 is just one of many high style figure studies here, and it artfully presents a body that is something of a masterpiece in its own right. And, for a bit of humor mixed with the beauty, I direct you to #118, in which this welcome newcomer plays peek-a-boo with her photographer and audience.


“Presenting” Lexi Bloom - little house on the drawing board…

Lexi Bloom: Presenting, by Bo Llanberris, MetArt HD erotic film review

In the MetArt HD erotic movie archives, and on the cover art, this new release is titled “Presenting,” due to the fact that it marks the debut of a new MetArt model. However, as the movie begins, we see a title card: “Architect.” As we soon learn, that is the “story” of this exercise in short-form erotic cinema.

The new model introduced here is Lexi Bloom, a slim, petite, native of Portland, Oregon. We learn this bit of biographical background during an informal interview that’s been interspersed throughout the first half of the movie. Based on reader comments, such interviews are a polarizing issue. Some viewers enjoy them, others don’t, and there doesn’t seem to be a middle ground. I place myself in the former group, however. I find that the casual, candid style of these little chats help round out my understanding of the model’s personality. In Lexi’s case I find her to be a mix of lively, spirited, and uninhibited, with a subtle undercurrent of shyness.

The action in this offering is deliberate and languidly paced. The model, wearing a short, tight, black skirt, a crisp white shirt, and black stiletto heels, is seated at a drafting table working on renderings of a single family dwelling. Perhaps in an effort to free up her creativity, she takes off her skirt. Finally she repairs to a nearby chair to reflect on her design in progress - and to rid herself of her white bra and panties. The session in that seat gives us a long, leisurely opportunity to view Ms. Bloom’s totally nude body, and she offers herself quite freely. Still nude, she goes back to the drawing board before strolling from the room, shirt in hand.

Typical of works by director Bo Llanberris, “Presenting” allows us the opportunity to experience a model in a stylish, artistic setting, as well as in an uninhibited and off-the-cuff interview. As an introduction to a new model, I think it does the job quite nicely. What are your thoughts? You’re invited to share your impressions in the comments, below.


“Presenting” Kate E - The light, the hands and the wardrobe…

Kate E: Presenting, by Catherine, first-time model in nude MetArt pix

The vast majority of MetArt‘s erotic photographers are male. This makes perfect sense, given the subject matter. But one need not be male to be drawn to the nude female form, and several of our contributing artists are, themselves, women. Of these, Catherine is certainly among the most prolific.

Her latest subject, and a first-time MetArt model, is Kate E. Based on the first shot in the series, I can easily see much potential. Kate’s face is particularly pretty, her lips full, her eyes a deep blue, and all this framed by long, wavy brown hair. In the second shot, although I do not yet realize it, she exhibits one of the telltale errors made by inexperienced models. Her hands - one held above her head, and one down at her side - are stiff and self-consciously “posed.” Indeed, there are few images in the set in which this isn’t the case. Now, I admit, the style and placement of her hands may well have been at her photographer’s request or direction. But, no matter the origin or motive, these rigid hands impart a stiff, artificial feel to the set.

And, for the second post in a row, I must grumble about two other factors here, both of them chosen by the artist. There is a light in an adjoining room that casts a coppery glow on the subject. In certain compositions, headshots in particular, the effect is flattering. But when there is more skin on display it skews the flesh tones in an unfortunate direction. Catherine also throws in a selection of oddly tilted frames. Between the light and the illogical tilt, I can now say I’ve had the opportunity to voice my two current pet peeves.

Because Kate E. has a “go-to expression” (lips neutral to almost pouty, head turned slightly to her right), the best shots are where she strikes an unusual or surprising pose. In #016, leaning against a large wardrobe, her costar in the set, she’s on her knees, with her feet raised, toes pointing skyward, and regarding the camera over her left shoulder. In #038, a stylish figure study, captures Kate from the rear, her face in thoughtful repose. And, for sheer, what-the-hell, variety, #084 provided a spontaneous laugh. Here Kate performs a graceful handstand and provides an unusual and eye-catching view of her body. Similar displays of spontaneity and athleticism will prove valuable in future sets.


“Presenting” Cloud A - plenty of pink (but not what you think)…

Cloud A: Presenting, by Luca Helios, long-legged, shapely new model

Another day, another new model makes her first appearance at MetArt. Life is good! And the same can be said of the model herself. Cloud A. is unquestionably appealing. Long-limbed, lithe, but not at the expense of alluring curves and a full, shapely bosom. Everything she displays to the camera - and I will have further comments on this in a moment - is inviting and enticing. So far, so good.

The art direction and execution of this series shot by Luca Helios is at best interesting, and at worse curious. Whether the background wall is white, and has been tinted pink through the use of gelled lights, or if it is painted pink, and is bathed in additional pink light I cannot say. But it is pink - and that pink tends to tilt the entire color scheme of the photo set towards the red/pink section of the spectrum.

And, speaking of “tilt,” in the overwhelming majority of images here the camera is tilted one way or the other. One grows accustomed to it after a while, just as a passenger on a ship gets used to sailing on choppy seas, but I can’t help but wonder what these same poses would look like if they were square, plumb, and true.

In #044 we have fine, totally nude introductory image that captures Cloud standing, tall and tempting - and that little smile sweetens it further. There’s a bigger smile in #064, showcasing her breasts as she holds her hair up with both hands. And #066, a headshot with just a tiny glimpse of nipple, even if it does suffer from the pink tint syndrome, is another loveable headshot with a lively, candid feel, and great dimples, too!

Cloud A. is a charming and eye-pleasing model, and I look forward to seeing more of her. And not just more sets, but more of her body - there isn’t a single explicit image, hardly even a suggestion of one, in the entire collection. Next time, I hope.


“Presenting” Romina A - a new romance…

Romina A: Presenting, by Rylsky, young, natural, beautiful - hot, too!

Have I ever mentioned that I love to see new MetArt models in their debut photo sets? Yes, I have. And more than once. A new set featuring an established, well-loved model is something to eagerly anticipate and to savor. But the “thrill of the new,” is a unique experience, and once you’ve enjoyed that rush of discovery it can’t be repeated. There can only be one “first time” after all.

I will cut to the chase in the case of Romina A.’s MetArt debut: She’s a winner, without reservation. Of course my assignment here is to provide details, opinions, and observations, so, feel free to read on. If however, you’d rather go straight to the “Presenting” Romina A., by all means, do so!

I believe Romina is something of a “natural.” The techniques and skills of modeling come easily to her and there’s not a false move in the entire collection. It’s also particularly fitting that Rylsky, in his wisdom, has chosen to present this naturally talented model in a natural setting, and employing a naturalistic style of photography.

Wearing a simple white frock, Romina A. sits in the sandy beach (I can’t be certain if it’s a large lake or an inlet from the sea). A light breeze teases her long, brown hair. And there’s a playful, youthful glimmer in her dark eyes - after viewing only a handful of images there is no doubt: this girl is enjoying herself. And that always adds an extra layer of enjoyment to the viewer’s experience. Look at her face in #006, as she runs, still dressed, in the soft sand and see what I mean. Or #045 and its companion, #047 - this little doll is delighted to be sharing herself with the camera. And I’m delighted to be viewing the results.

Let me list some favorites. #015 is a great butt-shot. In #061 we have a fine detail shot of two petite breasts (and two particularly stiff nipples). Numbers 037 through 040 find the totally nude minx on all fours in the water, capturing her natural beauty as well as the beauty of the location. There’s a wonderful pin-up quality to the cluster of shots spanning #100 through #105 (love those legs, love that smile). And #095, with her face in soft focus in the background while her eagerly displayed succulence is revealed in the foreground is one of many tempting explicit shots. A most welcome new addition to the MetArt talent roster!


“Presenting” Flavia A - some welcome winter warmth…

Flavia A: Presenting, by Rylsky, blue-eyed babe shows all in erotic pix

When we first meet Flavia A., in her first MetArt erotic photo series, she’s outdoors and fully dressed. She had better be! The skies are dark and leaden, and there’s a dusting of snow on the frigid ground - it’s cold out there. But the model, in her boots and stylish, hooded, fur-trimmed, coat cuts a striking figure in this wintry scene, and even in the chill her warm smile and beckoning blue eyes are certainly enticing. Thankfully, she soon retreats to a far more cozy interior space, in a far more revealing outfit.

My notes contain repeated references to Flavia’s eyes. This girl has a beautiful body, and numerous admirable assets, but her eyes have a particularly powerful allure. There are several simple, direct headshots that showcase those blue beauties - I’m thinking of #059 and #078, both lovely shots of a lovely girl - but my favorite of these is something less than direct. In #015 our Mr. Rylsky stands close to and above his seated subject, and she tilts her head back and to the side. It’s an interesting pose, and a beautiful composition, to be sure.

I sometimes find myself shocked - perhaps impressed is the better word - by how readily and completely some first-time MetArt models reveal themselves in their debut pictorials. That is most certainly the case here. If Flavia A. possesses a single inhibition I can find no evidence of it in this series. She gives the photographer full and complete access to her most intimate areas, and he moves in for a series of exceptionally detailed close-up images. While these may not be to every viewer’s taste, those who appreciate them will do exactly that!

Flavia A. has a lively, inviting personality and considerable physical appeal. She also has an intriguing bit of “attitude” that adds an undeniable spice to those images where she chooses to employ it. A shot like #116, with the frank and unusual pose, and strong, playful spirit, leaves me eager to see what this model will deliver in future offerings.


“Presenting” Tacia A - mild and mellow…

Tacia A: Presenting, by Tony Murano, artful, moody, erotic images

With its nighttime lighting and predominantly dark decor, there’s a distinct mood to this new model introduction from photo artist Tony Murano.

And that mood seems in keeping with the personality projected by first time MetArt model Tacia A. While there’s definitely a lively spark in her dark blue eyes, and a playful pout on her plump lips, in this series the prevailing tone is understated and restrained.

That’s not at all a bad thing, either. In a shot like #020, with her eyes downcast, rich auburn tones of her lush hair subtly warmed by a key light, pale skin glowing against frilly white lace lingerie, one can sense the silence of the night and no small amount of romance.

Of course, this being a Tony Murano erotic photo series - first time model or not - there are numerous explicit close-ups that glisten and sparkle extremely invitingly.

The power of color to create mood is illustrated, via contrast, in a couple of interesting images. While most of the set finds Tacia against a dark backdrop of rich red, brown, and gold tones, in #087 she’s backed by a white and blue wall, and in #104 she’s seated on the white carpet. Both of these shots have a distinctly different flavor, while still obviously being integrated parts of the entire collection.

As to favorites, I like #034, with Tacia topless, eyes closed, on her back, in some romantic reverie. Another topless shot, #043, this time standing, is particularly sweet.


“Presenting” Stacie A - no time for tease…

Stacie A: Presenting, by Arkisi, engaging beauty, explicit erotic pix

This MetArt erotic photo gallery doesn’t waste any time. The model is nude from the first image to the last, and explicit close-ups appear early on, and continue in abundance.

This might be surprising in a debut set, but Stacie A. has fewer inhibitions than she has clothes in this series - and her wardrobe consists only of a pair of high heels and a necklace. There isn’t a single suggestion of any discomfort with the frank nature of the set and Stacie A. delivers an energetic and confident performance.

Although it is not immediately clear where in this home Stacie is posing, in #018 we find a clue. Here the model’s legs open wide and she’s flashing a broad smile. Just behind her we catch a glimpse of a washing machine. Perhaps her clothes are being cleaned? She doesn’t seem to miss them, however, and her curvy body more than compensates for the lack of garments to strip off and tease us with.

As Arkisi‘s pictorial unfolds we also learn that the laundry room does double duty as a luxuriously appointed W.C. I’m being completely sincere when I say that a few of my favorite shots in this set have Stacie posing adjacent to a bidet and toilet. Even though there is nothing explicit on view, the pose, composition, and Stacie’s expressions make #024, #025, and #026 quite delightful.

I can’t say why, exactly, but the shots where Stacie A. stands in the suds-filled bathtub didn’t make complete sense to me. The set, in general, is a bit short on logic, so maybe it makes perfect sense after all. It may not even matter as the model’s beauty and engaging energy make “Presenting” plenty pleasurable.


“Presenting” Nichole A - delight in a doorway…

Nichole A: Presenting, by Arkisi, young beauty in fine art photos

Some models - and some MetArt erotic pictorials - take a while to work their magic on me. With others, the attraction is immediate, and that is the case with this, Nichole A.’s MetArt debut. From the very first image in the series I found the model appealing, and there was also a difficult to define quality to that first image that also piqued my interest in the photographer.

Although he has contributed several photo essays to MetArt, this was my first opportunity to review Arkisi’s work, and I’m happy to say that I like it very much. In that introductory image, #001, Nichole A. is standing in a doorway. I’m not sure why, but at first I thought the image was a reflection in a full length mirror. At any rate, I was intrigued and immediately drawn into the series.

This young model has a warmth and confidence that enhances her physical beauty. And Arkisi’s lighting and technical style present her in a particularly appealing manner. The lighting is truly notable. In a shot like #015 the darkness of her hair and eyes is enhanced at the same time the smooth pale textures of her skin and lips are highlighted. In #031, a distinctly different image from the previous example, the background glows with a striking and effective yellow radiance.

Arkisi tends to favor a shallow, limited depth of field that places the emphasis exactly where he wants it, while also lending his images a soft, painterly, almost pastel quality. See #096 for one beautifully posed, composed, and lighted example. While Nichole’s breasts are petite her other feminine attributes are quite dramatic and Arkisi provides numerous explicit close-ups without sacrificing his unique artistic touch. And when I look at a shot like #020, a haunting headshot, or #077 with Nichole A.’s spontaneous smile, I have to say I’m roundly impressed.


“Presenting” Milagres A - a subtle session at sunset…

Milagres A: Presenting, by Antonio Clemens, natural light and beauty

In her debut MetArt erotic photo series , Milagres A. displays a natural beauty and an easy-going personality. And the design and technical aspects of the pictorial combine to capture these qualities with a relaxed, effortless style that is in perfect harmony with the subject.

Although she’s quite pretty, Milagres A. does have a girl-next-door quality that is a big part of her appeal. Here “next door” happens to be the balcony of a house with a commanding view of the ocean and coastline. While Antonio Clemens has chosen to minimize the views and keeps his focus on the model, he does employ the location in some very interesting ways.

Whether it was by design or accident, the set was created towards the end of the day. The setting sun appears to be the sole light source. Clemens masterfully employs the natural light to give these images a soft, informal feel. But he also captures reflected views of the glowing golden orb as it descends through scattered clouds in the windows behind the model - see #026, #036, and #050 for three examples. In other shots a flash of warm sunlight reflects off the blue metallic window frames to add a pleasing bit of color and contrast – #065 is one example, and #074 is another very pretty shot that employs the effect.

Milagres A. has a relaxed demeanor and a natural warmth that Clemens really captures here. She is not at all inhibited, and eagerly displays every inch of her body. Her physique is delicate and understated, from her petite breasts to her intimate anatomy, but not at the expense of curvaceous hips and long, shapely legs. The final shots in the series, #133 and #134 manage to showcase her mood, her beauty, her build, and a bit of the landscape in an effortlessly artful manner. A successful debut, to be sure, and I look forward to more from both model and artist.


“Presenting” Diana I - young, blonde, and nude…

Diana I: Presenting, by Luca Helios, a young blonde arrives at MetArt

When it comes to women, you’ve got to admit that those three traits are a difficult combination to beat. At a tender and tempting eighteen years of age, Diana I. is certainly young. And while we have some latitude to determine the precise shade of her hair color, it is overwhelmingly and without question, blonde. When it comes to her nudity, and it certainly will, Diana does start out wearing a stylish pair of shoes and a particularly fetching lingerie set. So, for the sticklers among you, she isn’t totally and completely nude for the entire set.

But I don’t think that’s desirable or necessary. Some of the introductory images in this introductory series, when her shoes, bra and panties are still in place on her nubile frame, are quite pleasing. In fact, one of these non-nude shots, #024, is one of my favorites in the collection. It is such a pleasing photo that I will give it a paragraph of its own.

Image #024 is a beautiful photo of a beautiful young model. But Diana’s beauty is only one component in a sophisticated, artful composition. The more I study the image the more I’m impressed by how Luca Helios has composed it. The texture of the various surfaces, the lighting, the strong geometry of the various architectural elements – this would be an interesting shot even if the model wasn’t in it. But look how her long hair harmonizes with the vertical planes of the wall to her right. And notice how the sculpted curves of her body act as a visual bridge between the straight lines on one side, and the curved arm and spherical head of the lamp to her left.

The set is packed with an abundance of explicit images, and that is never a bad thing, in my estimation. But as is often the case, a handful of headshots have captured my attention here. There is an odd mystery to #012, for example, perhaps due to the averted eyes. And #097, with her eyes wide open (although not directed at the camera), the lighting, the model’s expression, and the texture of her blonde hair is very pleasing, indeed.


“Elle” starring Elle E - an enticing introduction…

Elle E: Elle, by Bo Llanberris, MetArt HD erotic movie review

The last MetArt erotic HD movie I reviewed was the first effort from filmmaker Bo Llanberris to appear on the site. “Watercolors” was obviously the work of an abundantly skilled director, and it made a fine showcase for Top Model Malena Morgan.

For his second offering, Llanberris recruits not a MetArt Top Model, but a complete newcomer to MetArt. The film titled “Elle” not only confirms the director’s abilities, it also makes for a fine MetArt debut for newcomer Elle E.

Bo Llanberris has a genuine knack for crafting erotic motion pictures that are very much in the MetArt mode. This isn’t a film of a still shoot, but it manages to capture the visual flair and flavor of the finest erotic art photography without sacrificing the dynamics and potential of motion pictures.

As with his first outing, the “beauty” footage in “Elle” is inter-cut with casual, candid, interview segments with the star. While the questions are suitably provocative, the chance to view Elle E. in a natural, conversational setting provides far more insight into her personality and character than still photos - or movie footage without any dialog, for that matter - could ever convey.

The movie consists of two segments. In the first we see the model walking along a road at dusk, riding in a car, and bathing in a clawfoot bathtub outdoors. While none of the nude footage here is particularly explicit, the mood and suggestions of autoerotic pleasure are undeniable. Combined with the interview clips, this first part is roundly enjoyable.

The second segment, while lacking dialog and possessing a distinctly different style and tone, is equally satisfying. Here the flavor is grittier, the images more explicit. The film closes with a snippet of behind the scenes action that is better seen than described - view it for yourself and share your impressions in the comments, below.


“Presenting” Amelia C - do the limb, oh…

Amelia C: Presenting, by Tony Murano, artistic, erotic, nude photos

The gnarled branches of dead trees on a rocky and desolate beach provide the props and decor in this new MetArt model debut. While it might not sound like an appealing combination, when it works, it works quite well.

The tone is established in the first image. Amelia C. strikes a somewhat formal pose, her left hand is raised and resting on a rough limb, her arm mimicking it’s form. Topless, she stands on tiptoe, subtly arching her back, her right arm at her side. A sheer “skirt” of golden metallic fabric encircles her hips, and an elaborate bracelet graces her wrist. There is something intriguing about the contrasts here. The few items of “wardrobe” suggest an exotic element that is in direct opposition to the natural, weathered setting. This contrast is emphasized in the photos that follow.

In many of these artful nude erotic images Tony Murano has Amelia C. assume formal, stylized poses. In others she’s more relaxed and natural. And when these natural images happen to capture a sudden gust of wind ruffling the model’s hair, there’s a candid, documentary quality to the photos that I particularly enjoy. Compare #015 and #020, for an example of the two styles, natural versus formal. Or consider #101 and #106. Both are carefully composed, artfully posed photos, but I prefer the latter for its more relaxed feeling.

Even when the setting presents a physical challenge, however, Amelia and her photographer conspire to create artful images. I’m referring to a shot like #070, where the model is reclining on an uneven carpet of large stones while resting her feet on a desiccated tree limb. Despite the seeming discomfort of the pose, there’s genuine beauty and skill both in Amelia’s stylish and graceful presentation, and in Murano’s framing and composition.

When it began I wasn’t sure I was going to enjoy it, but by the time it ended I most certainly did. “Presenting Amelia C” is plenty pleasing.


“Presenting” Yanika A - a stylish start…

Yanika A: Presenting, by Alex Sironi, beautiful redhead, stylish pix

There is little in the way of distraction to detract from this debut MetArt nude pictorial. There isn’t anything at all in the way of clothing, as the model is totally nude from the first image to the last. There is but a single piece of furniture - a simple sofa in the modern style, upholstered in white, without so much as a throw pillow or any other extraneous accessory. In view of the spare setting, it’s almost surprising that the model has been allowed the luxury of a single piece of jewelry - a turquoise medallion on a silver chain around her neck. But the blue of the stone picks up the blue light shining in the background, and it fits perfectly with photographer Alex Sironi‘s simple and stylish art direction.

With no props to pose with and no costume to hide behind, new model Yanika A. is front and center from beginning to end. And this is a good thing. Yanika is exposed from the word “go,” and doesn’t have the benefit of easing into the experience of nude modeling by slowly removing her garments, one piece at a time. And, while tease certainly has an honored place in erotic photography, here the tease must come from the model’s personality and attitude. Yanika A. has both of these qualities, and they are both engaging and appealing.

Yanika’s physical attributes are also quite fine. Her body is long and lean, her breasts are full and in perfect proportion to her frame, and that frame is encased in flawless, glowing skin and topped with a thick mane of auburn hair. And Yanika is quite adept at positioning her beautiful body. In fact some of the poses she assumes here are truly notable. The cute expression on her face in #032, for example, only serves to enhance her floating stance. And 022, 023, and 024, three variations on a theme, also showcase this new MetArt model‘s posing skill. Additional favorites in this set include #027, a figure study with classical overtones; #104 for the pose, the reflective mood, and the composition; and #113 for the natural smile and kittenish sexuality. A stylish start, indeed.


“Presenting” Suzanna A - an improvised introduction…

Suzanna A: Presenting, by Goncharov, busty, buxom, chesty, stacked

For this MetArt nude erotic photo series, frequent contributing photographer Goncharov does a bit of improvisation in the studio. A can of gold spray paint adds a bit of surface glitz to a Grecian stool. Two lengths of white seamless, rolled into tubes and placed vertically, suggest columns from some ancient temple. Add lighting and a statuesque new model and - hey, presto! - instant erotic pictorial.

The model showcased on this casually constructed set is beautifully built Suzanna A., making her first appearance in a MetArt gallery. Her costuming is interesting and eye-catching. Black thigh-high stockings, a sleek blouse with a plunging, ruffled neckline, and, well, that’s it. No shoes, and more conspicuously, no panties, either. Both interesting choices. Despite the exposed cleavage, the ample size and stunning shape of Suzanna’s breasts comes as a bit of a surprise when they are revealed, beginning with image #016. A generously proportioned and beautifully sculpted bust may not appeal to every viewer, but those who appreciate such things will find much to enjoy here. The model’s bosom is so bountiful that, even when her back is turned to the camera, as in #093, the glory of her chest is still readily apparent.

Suzanna A. seems to be comfortable with the camera, but there is the slightest hint, a mere breath of stiffness in some shots. This may be amplified by the somewhat slapdash nature of the art direction and technical execution of the set. Additional experience, in a more polished setting, can only help. But Suzanna’s impressive physical gifts make “Presenting” a worthy introduction, despite its somewhat improvised flavor.


“Presenting” Kaitlyn A - in bed with a bendy blonde…

Kaitlyn A: Presenting, by Catherine, pretty pictures/fine new model

Last week, here in the United States, we celebrated our Thanksgiving holiday. In that spirit, I think it’s worth noting that MetArt members have much to be thankful for. We have access to the largest archive of erotic art photography in the world. We can view the work of the finest photographers in the field. And we can feast our eyes on thousands of the most beautiful young women ever lensed. Plus, to top it off, new models appear on the site with dazzling frequency.

Kaitlyn A., a fresh-faced new arrival, inspired these thoughts of gratitude - along with several other thoughts and emotions. This tiny-top treat, with her bright blonde hair, energetic smile, and tanned and flexible body is nothing if not inviting. And photographer Catherine‘s stylish pictorial presents her subject in a broad range of poses and compositions that make for a fine and detailed introduction.

I wasn’t at all surprised to learn that Kaitlyn A. has previous modeling experience, albeit non-nude. She’s clearly at ease with the camera. And she has a confidence that is particularly impressive in view of her youth - she is only 19, after all.

As I review my notes I’m struck by the wide variety of photos in this series. There are several notable extreme facial close-ups, for example (#004 is my favorite, but #005 and #006 are also interesting, as is #019, a study of Kaitlyn’s lips and nose). In #053 and #054 extends her hand or foot towards the lens with an intriguing result. For a pretty headshot, free of distractions, #062 is perfect. And check #045 and #048 for a demonstration of the model’s flexibility. There’s a lot more in this MetArt gallery to enjoy, and for that - and this appealing new model - I am, indeed, thankful.


“Presenting” Hannah E - a new tilt on tempting…

Hannah E: Presenting, by Jam Abelanet, beautiful erotic photos

While this set is the first appearance at MetArt of a promising new model, it is also the second contribution by this photographer - and the first example of his work I’ve examined. In a nutshell, model and artist both deliver fine performances.

I’m most impressed by the art direction and lighting. The set unfolds on a white sofa, in a white room, in front of sheer white curtains, which diffuse but do not block the bright daylight. Working in a skillfully limited depth of field, Abelanet keeps the emphasis on the model while creating interesting effects in the background. An introductory shot, like #015 is just one example of this: Hannah E. occupies the foreground while the background glows dreamily behind her.

Hannah E. took her time working her magic on me. I liked her from the start, but I found myself picking nits. This girl has a habit of tilting her head to her right. The habit is so ingrained that I started noting those rare shots in which she tilts her head to the left - #024 is a particularly cute one.

As the set unfolded I was completely won over by 19-year-old Hannah. She’s sweet without being too sweet. She manages to blend a subtle shyness with a natural boldness that is quite endearing. And her body can look girlish in one image, and womanly in the next. There are a cluster of shots - from #079 to #087 - that capture her (not at all girlish) posterior and other charms particularly well.

Some of Hannah’s posing is particularly inventive, and Abelanet makes the most of it. Have a look at #099, an exceptional shot. And then treat your eyes to #104, same pose, from a nearly reversed angle. Great stuff.


“Presenting” Rita H - it’s all about the girl…

Rita H: Presenting, by Egon Schneider, great girl, funky setting

I like this girl. I like this girl a lot. And I expect others will share my affection. But, having made that explicit declaration, I must admit, I like this girl despite this set, not because of it.

The level of effort expended here is minimal. The room and its decor is ugly. And busy. And distracting. Any “art direction” is so subtle as to be undetectable. The lighting? As far as I can tell, it’s limited to ambient room light, and a single, camera-mounted flash. No bounce, no fill, no diffusion. In fact, the set has a casual, almost candid feel. It’s almost as if Egon Schneider and his model were under the gun. Shoot this set, right here, right now. You will have no time to prepare, start now, finish, and that will have to do.

The fact that it does succeed is due to Rita H. For a newcomer, and a 19-year-old newcomer at that, she has a real poise and confidence. And her exotic beauty and voluptuous body are truly striking. The combination of professional poise, an engaging on-camera personality, and a voluptuous physique are more than enough to overcome the slapdash nature of the set.

The room is dark, cluttered, and the various patterns clash and clang. The colors are all wrong. In a shot like #041, with a nice pose and composition, Rita’s dark hair disappears into the dark background – an elementary level error. And the series is filled with similar compromised images.

There are, despite its handicaps, plenty of pleasing shots, most of them due to the model’s charm and beauty, and the photographer’s skill under less than ideal conditions. I like #018 for pure vah-voom. #011 packs a physical/sexual punch. #053, a reclining nude, is somewhere between a snapshot and a masterpiece. In #123, suddenly outside, on a balcony, the model is clothed, the background flattering, the light natural, and Rita H. is undeniably appealing, as is the entire image. More like this, please.


“Presenting” Mia D - lighting up the night…

Mia D: Presenting, by Leonardo, stylish, explicit erotic photography

There are two principal sources of illumination in this debut MetArt gallery. One is the model’s smile, the other is Leonardo’s lighting design. And this makes for a very effective combination.

Mia D. has striking features. Her body is long and lean, her breasts petite, her skin tanned to a warm bronze glow. Her smile is bright and brilliant. At times it feels just a bit theatrical, but when it’s spontaneous, as it is in #085, it’s impossible to resist. Her eyes are also exceptional, and an image like #080 captures their depth and beauty.

Although it may, at first glance, seem like a relatively simple series, there is a great deal of care and craft in Leonardo‘s design and execution of this pictorial. One of the more subtle elements is his choice of colors. Mia is wearing pink panties the color of which is a perfect match to the flowers on a bush in the background. The most dramatic element, however, is the lighting. Mia poses on an upholstered chair on a balcony or patio. As the set begins the sky behind her is darkening, and by the end night has fallen. There is a light source, out of view above and towards the right edge of the frame. This not only illuminates the vivid pink flowers, it also creates flattering highlights in Mia’s hair, and brings out the contours of her body (see #136). It also hints at the bright light of a full moon, adding more than a taste of interesting atmosphere.

Mia D.’s bright smile and sunny disposition is mated to a pleasing lack of inhibition, and explicit poses are offered in abundance. An eager model and a stylish presentation make “Presenting” a success for both Mia D. and Leonardo.


“Presenting” Nikia A - pert flirt in a man’s shirt…

Nikia A: Presenting, by Rylsky, perty, flirty, playful, sexy photo set

The first image in this gallery is notable. Nikia A., making her first appearance at MetArt, is seated on the edge of a bathtub. She is nude or seemingly so, but for a man’s dress shirt that has fallen from her shoulders leaving her breasts exposed. She’s looking at the camera with an expression that is very nearly neutral - it is not a bland expression though, there’s an intriguing depth, and room for interpretation.

If the set had continued in this thoughtful mode it might have been quite fine. However, this is only a tantalizing hint of what’s to follow. The inscrutable mood Nikia A. projects in that introductory image quickly gives way to a bold range of expressions and the set contains more than enough variety to keep the viewer guessing and thoroughly engaged. This girl has personality, to be sure, and photographer Rylsky does a wonderful job of capturing as many different elements of it as he possibly can.

By #007 Nikia reveals a subtly sly smile. And in #043 there’s an impish light in her eyes as she teasingly sticks out her tongue. #050 shows a young woman - the model is only 18 - in full, confident possession of her sensual allure. In #064, with water unexpectedly dripping on her face from the faucet there’s a vivid sense of play.

The shirt serves admirably, and there are several revealing back shots that are dramatically enhanced by it. The full nude compositions that follow - including several images where Nikia is partially immersed in clear bathwater, are pleasingly explicit. And when Nikia A. dons a plush, white, Turkish towel robe, it’s logical, consistent, and completely adorable - #115 and #117 are favorites from this section. A fine first effort for a promising and very “watchable” new model.


“Presenting” Malena Morgan - a star on the rise…

Malena Morgan: Presenting, meet the star of MetArt's Kamikaze Love

When I learned that MetArt was producing a feature length erotic movie - directed by an unrivaled master of that genre, Zalman King, no less! - I was more than intrigued. This is a truly enticing prospect, and, like so many of who left a comment or otherwise conveyed your support and enthusiasm, I eagerly await the premiere of Kamikaze Love. But, while I am quite familiar with Zalman King’s oeuvre, I had yet to experience the film’s star…until today.

This is Malena Morgan‘s first MetArt photo gallery, and, based on her beauty, confidence, and erotic allure, I hope there are many more to follow. And viewing her here only makes the prospect of seeing Malena in a full-blown Hollywood feature film written and directed by one of the legends of erotic cinema all the more enticing.

Jason Self‘s art direction and pacing are both nicely handled. Malena Morgan’s costume is extremely sexy, and perfectly suited to an erotic star on the rise, and she takes it off with tantalizing expertise. And each teased-out bit of body is worth waiting for. Malena’s physique strikes a pleasing balance between slim and curvaceous, and the details are lovingly captured in an ample number of explicit close-ups. A shot like #070, with its shallow depth of field, the pose, the composition, the texture of the model’s skin, and a little burst of color is a standout among these.

Although she’s not looking directly at the camera in #023, I love the smile on her face as she toys with her costume and breasts. And #086 and #091, two variations on a breasts-up headshot, help convey not just Malena’s beauty, but her emotional range, as well.

An impressive MetArt debut for Malena Morgan, and an abundance of compelling reasons to eagerly anticipate the release of Kamikaze Love.


“Presenting” Oliwia A - in praise of puffies…

Oliwia A: Presenting, by Antonio Clemens, pretty model, puffy nipplesIf you are a member in good standing of I.A.I.P.A.P.N. - the International Association for the Identification, Preservation, and Adoration of Puffy Nipples - this MetArt gallery is one you do not want to miss!

While first-time MetArt model Oliwia A.’s nipples are fine specimens of the so-called “puffy,” they are by no means her only outstanding attributes. Her breasts in general - full but without a hint of pendulousness - are splendid, and the rest of her body is womanly and proportioned to perfection. In my mind, the word “womanly” implies a certain sense of maturity. And I was somewhat surprised to learn, after reviewing this series, that the model is only 19 years old. If I had to guess, I would have said she was somewhat older. That is a trivial concern, however, because Olivia is a more than welcome addition to MetArt.

This is neither a flashy or complicated pictorial. Pillows and sheer fabrics of green and blue decorate the floor of Antonio Clemens‘s studio, and the backdrop is glows a light shade of blue. Dressed in heels and a paisley print peasant dress, Oliwia A. makes a fine first impression. And that impression only improves as she teases off the dress, necklace, and shoes as the set progresses.

When the dress comes off her shoulders to reveal her bust the effect is stunning (see #017), and #045, a tempting topless shot, will put a look on the viewer’s face to match the broad, genuine smile the model is wearing. Oliwia A. smiles throughout the pictorial, and she has a very warm and engaging presence. And when the smile falls away she’s capable of generating sensuous heat, and she does just that in #098 (among others) an explicit view of the model, on all fours, captured from behind.


“Presenting” Toxic A - particularly pretty poison…

Toxic A: Presenting, by Angela Linin, odd name/outstanding new model

Not too long ago, in this space, I made mention of the difficulty I have comprehending many of the names appended to MetArt photo galleries. Now I come face to face with a far greater mystery in the moniker manufacturing department.

Look for even the briefest of moments at the cover of this series. Pick any image from the pictorial, totally at random, and glance at it. Or, study every last shot, at the highest resolution available, and scrutinize each one on a color corrected and finely calibrated monitor. And, after doing one - or all - of those things, answer a question for me. Tell me why in the world this gorgeous girl goes by the name of “Toxic?” I just don’t get it.

I might have named her “Sunny,” or “Honey,” or “Joy,” or any number of appellations synonymous with beauty, sweetness, and bliss. This darling girl is an absolute delight, and Angela Linin‘s photography, simple and naturalistic, captures her energy and enthusiasm beautifully.

The setting is a pebbly patch of shoreline. The model - I will struggle every time I have to type “Toxic A.” - poses at the water’s edge, gets splashed by breaking waves, and wades into slightly deeper water. She’s nearly always smiling, and that smile is entirely, engagingly, natural – check #024 and #025 for two examples. She isn’t smiling in #020, however, and that shot is gorgeous, as well. And while I’m naming favorites I should mention #092. Here the model, is lying prone on the pebbles, drops of water dot her skin. Her hair is mussed, and it glows with the light of the lowering Sun. Truly an idyllic day at the beach - and a truly impressive new MetArt model.

But I’m left wondering. What were her (undoubtedly proud) parents thinking when they christened their daughter? And if the name was chosen by the model, what message is she attempting to send? If Toxic A. really is poison, I will happily and repeatedly consume as much as I can get, consequences be damned!


“Presenting” Liz Ashley - a dreamy and delicious double-debut…

Liz Ashley: Presenting, by Kent Hepburn, masterful erotic artistry

MetArt adds two extremely promising new talents to its ever-expanding roster of models and artists with this impressive and eye-pleasing new series. This is very much a collaboration, where both participants contribute, and in the process create something far greater than the sum of its parts.

I don’t know what happy series of events brought Liz Ashley and photographer Kent Hepburn together, but I am grateful that they met and had the opportunity to create this work of erotic art. The model’s voluptuous body and steamy, glamorous, seductive nature seems tailor made to compliment Mr. Hepburn’s refined, painterly style.

And that style is consistent throughout. Whether she’s fully clothed in #018 (a white bra and panties are as fully clothed as she gets), or totally, unashamedly nude, in #118, the soft light, subtly manipulated diffusion, and gauzy, pastel tonal palette imbues this gallery with a rich, romantic sensuality.

I’ve spoken before of “bedroom eyes” or a “bedroomy expression,” and both those terms apply here. Truly, Liz Ashley doesn’t even need to open her eyes to project an inviting sexuality. Indeed, a great number of shots here are of the model with her eyes closed as if in some erotic reverie, and the effect is powerful. But when she confronts the camera and gazes directly into the lens the effect is even stronger. In an image like #040, the combination of an inviting pose and that direct eye-contact is wonderfully alluring.

Towards the end of the set model and photographer play a subtle trick. Up until now we’ve viewed Liz Ashley from somewhere near the foot of her elaborate bed. She has either averted or closed her eyes, or directed them at the camera. In #091 her attention shifts. Could she be looking at her reflection in a mirror? Yes, she could (and is), as #092 pulls back to reveal. And after that we reverse and see her remarkable reflection in #096. A masterful sequence in a most impressive gallery - for model and photographer, alike.


“Presenting” Domenica A - meet and greet on a sheet…

Domenica A: Presenting, by Domenic Mayer, new model, stylish nude pix

If regular readers have sensed that I’ve been griping a little more than usual lately - you’re not alone, I’ve noticed it, too - I’ll do you a favor and wait until the very end of this entry to voice my sole complaint about this MetArt erotic photo gallery.

A girl - Domenica A. - sprawls on the crisp white sheets of a bed in what appears to be a hotel room. She is wearing a matching camisole and panties set, her eyes aimed at the ceiling. That’s the introductory image here, and it’s a bit of a puzzler. But she quickly directs her attention at the camera and the results are quite pleasant.

Domenica has a build that straddles the divide between girlish and womanly. Her breasts are petite, her nipples puffy, but there is a pleasing fullness to her hips and a generally plush look to her body that is quite inviting. And, in the many included explicit images, she absolutely glows with active, vital - and perhaps recent? - sexual energy.

The artist guiding Domenica through her MetArt debut does so with considerable skill. Domenic Mayer fully documents all of his subject’s varied physical attributes. And, in the process, he captures her engaging, friendly nature as well as flirtatious and sensual aspects of her personality. Some of my favorite shots in the series are beautifully composed and posed figure studies. #038 begins in mid-thigh and ends towards the top of Domenica’s torso, and the contours of her body are beautifully revealed. #080, an unusual pose, is almost a geometric abstraction. And #094 combines equal measures of artistry and old fashioned pin-up style.

As promised, I will now air my personal grievance: For a model who has been so nicely styled and strategically shaven, I do wish the shadow line of down decorating her upper lip had been dealt with. Some may not mind it, some may even like it, but I don’t care for it. That is all.


“Presenting” Rylee A - the girl next door, or something more…

Rylee A: Laukos, by John Emslie, first-time MetArt model debuts

My initial reaction to Rylee A. in her first MetArt gallery is that she is very much a girl next door type. And, just so I’m understood, this is a simple description, absent of any negative judgment, and it’s a type that I’m generally fond of. With her big, brown eyes, and gentle demeanor, she’s got a genuine sweetness. And when those pretty lips part into a smile - and reveals her braces - I can’t help and smile back at this fresh-faced 19-year-old.

While John Emslie has done a good job of capturing Rylee in this series, the choice of costume is a curious one. Here’s this girl who radiates sweetness and unaffected, natural, next door appeal. But he’s chosen an outfit that would better suit a stripper or big city streetwalker. The red pleather hot pants and matching bikini top are sexy, to be sure. And Rylee wears them well. But they create a conflict. Based on first impressions, I think we’d be a bit closer to reality if she was wearing denim shorts, say, or a boyfriend’s oversized plaid shirt – the sort of outfit the girl next door might wear.

The series has a pleasant pace and includes enough variety in terms of poses and compositions to satisfy viewers with many specific preferences: fully clothed images, headshots, full length figure studies, detailed close-ups (a close shot of those revealing shorts like #022, for example), demure poses, as well as explicit anatomical renderings. I’ve made note of #039, for those round breasts, those braces, and that sweet, smiling face. Also #075, a rear three-quarters view that emphasizes hair, face, and haunches. And #129, in which Rylee A. is seated, completely revealed, but with downcast eyes adding a bit of thoughtful mystery.


Sara D. in “Presenting” - a new model + a new photographer…

Sara D: Presenting, by Adam Livos, flame-haired model, skilled photog

Things fresh, new, and never before experienced are a staple of the MetArt experience. Our members crave it, and the company works around the clock, and around the world, seeking it out and presenting it with pride and unrivaled frequency. Here we have a set that delivers a double debut - model and artist are both making their first appearances at MetArt.

Sara D. has a particularly strong look. And it goes well beyond her flowing crimson curls and pale, creamy complexion. She has a particularly strong face – a very strong, square jaw and a dimpled chin. Her eyes also have an unusual quality that is difficult to define. To say that they have a feline quality is not far off, however. This type of beauty may be polarizing. She is at ease in front of the camera, though, and has no difficulty projecting a varied range of looks.

First-time MetArt artist, Adam Livos, has a lot to work with in this model. And he’s chosen a location that provides a lot of variety. The series falls into (roughly) three sections.

Early on, Sara D. is wearing a sheer, filmy dress over a pair of sheer panties. She’s standing barefoot in the sand and tall grass next to (and sometimes in) a body of water, an indistinct ironwork structure is in the background. Later on, there is a grouping of shots - my favorites in the collection - where she’s totally nude, and reclining in a luxuriant patch of tall, green grass. The sun behind her lights up her hair like fire, and in many shots of the images in this section the grass throws fascinating shadows on her luminous skin.

The third group comes as something of a surprise. Now Sara is on her back, laying on an expanse of sand, and the photographer is shooting from some height - pale skin, shapely body, feet tracing patterns in the gray sand, flame-red hair providing a brilliant burst of color. An interesting debut, times two.


“Presenting” Amanda B. - finding her niche…

Amanda B: Presenting, by Goncharov, long blonde hair, big round breasts

Another day, another new model appears in her first MetArt erotic photo gallery. Life is good!

And the model is good, as well. Amanda B., a leggy blonde with a particularly impressive superstructure, will have no trouble at all attracting admirers.

The series itself is something of a mixed bag, at least in my humble estimation. While some of my niggling complaints might spring from the model’s lack of experience before the camera, I choose to lay the blame behind it. But bear in mind that my complaints are minor.

Amanda B. is, for much of the set, positioned in a tall, narrow niche in a blue wall. For no apparent reason, there is a saxophone next to her. Thankfully, she never picks up the horn, but I still find it an unnecessary addition. It adds nothing, and when it is hidden, or removed from view, the images are far more pleasing.

As he has done before, photographer Goncharov places a mirror on the floor in front of the niche. Although this does allow the most explicit images in the pictorial, it seems contrived. Surely explicit close-ups could have been achieved through some other means.

Some, but far from all, of the posing has a similar feeling. With arms and legs akimbo, Amanda’s natural charm is sacrificed in the name of artifice. And it is exactly that natural charm - not to mention that stellar physique - that combine to create the most impressive and pleasing photographs in the set.

In #008 Amanda opens her vest (the only piece of clothing here) to reveal her chest to breathtaking effect. In #020 we get to take in a full length view of Amanda B., and it really is something to see. Seated in #038, and with the sax hidden from view, Amanda strikes a pose that’s both formal and relaxed. And in #084 the model is at ease and extremely pleasing.


“Presenting” Denisa Heaven - unadorned introductory images…

Denisa Heaven: Presenting, by Koenart, redheaded model, natural pixIn her first MetArt gallery, Denisa Heaven is totally nude from beginning to end. She isn’t wearing a single stitch of clothing. She is completely free of jewelry of any kind. And she is very nearly bereft of makeup.

The set - a sofa and a couple of throw pillows in front of a window shaded with vertical blinds - is nearly as simple and stripped down as the model. The combination provides and opportunity to view Denisa Heaven in a natural, unembellished state.

Denisa’s most striking physical attribute has to be her hair. This lush mane of wavy red is truly eye-catching, and she can attain widely varied looks with a shake of her head. In some shots she looks somewhat plain, freshly-scrubbed and natural, as if she’s recently taken a shower. In others she has a polished, glamorous look that is entirely different. With no real props to play with, aside from the pillows, and no clothing to remove, Denisa’s hair becomes one of the most important visual components of the series. Those with a weakness for redheads will be rewarded.

Koenart has a way of presenting his unadorned subject that captures the full range of her expressions. Some images - #027 for example - have a natural, nearly candid quality. Others are beautiful, formal compositions - I like #018 - and there is a very generous, very frank series of explicit, intimate close-ups.

One appealing aspect of seeing a model in this type of pared down presentation is that one can get a clear, unobstructed view of her physical assets as well as her basic ability as a model. Here Denisa Heaven is a bit like a blank canvas, and the potential for embellishment and erotic artistry is virtually limitless.


“Presenting” Liza J - an extremely pleasing premiere…

Liza J: Presenting, by Egon Schneider, beautiful girl/beautiful photosBefore I opened this MetArt pictorial I made a mental note: The set only includes 100 images, shorter than usual. This can be a bad omen. Sometimes, due to technical concerns, an artist has to pick the “least worse” images from a photo shoot to come up with an acceptable product. Happily, that is most definitely not the case here!

From the first image to the last, “Presenting” Liza J. is exceptional. The model, in her first series for MetArt, is a natural beauty with a face and figure that the camera simply loves. And her fresh, youthful beauty is flattered by the lush setting and masterfully handled natural light.

The set begins and ends with Liza in a simple summer dress. It soon comes off and she (and we, the viewers) enjoy an au natural, al fresco interlude. She puts the dress back on the last few shots, adding a delightful bit of “reverse tease” and adding a happy conclusion to what appears to have been an experience she’s looking forward to repeating. I certainly hope so!

This is the first gallery shot by Egon Schneider I’ve reviewed, and I’m thoroughly impressed. I made mention of the lighting here earlier, and it really is exceptional. In a shot like #016, the model is totally nude. Her body is softly and fully lighted, her skin tones warm and inviting, her hair picking up subtle highlights. The background, however, a lush meadow of tall grass, is brightly sunlit and in soft focus. Balancing the two extremes, foreground and back, took real finesse, and the result is perfection.

Too many favorites to list, but I can’t resist calling out a few: #068 (beautiful face, beautiful light, beautiful breast, beautiful photo!); #089, #090, and #091(three views of a reclining nude, a truly beguiling body). I hope to see more, much more, from this model and her photographer. And I doubt very much I am the only one!


“Sheila” starring Sheila C - jumping in with both feet…

Sheila C: Sheila, by Fenix, MetArt HD erotic movie reviewIt has, doubtless, happened before. But, in my own admittedly limited experience, I’ve never know a model to make her first appearance at MetArt in a movie. And that’s precisely the case with this production.

The location is interesting and unusual. It’s a large body of water, or at least a portion of one. I’d guess that it is freshwater, a lake, or perhaps an estuary or inlet. And the potion of it that Sheila C. is filmed in is extremely shallow, not much more than ankle-deep. She walks, runs, spins and cavorts, covering some distance, all the while remaining in the shallows. When she steps out of the water, but hardly on to dry land, she has a bit of fun rubbing sandy mud on her trim torso before rinsing it off with handfuls of cool, clear water.

This doesn’t appear to be a day that’s ideally suited to frolicking in the water wearing nothing but the merest breath of a “skirt,” one made from coarse fishnet, however. There is a steady breeze to disturb the water’s surface, and the clouds in the background suggest that a storm is not far off. Despite the seemingly chilly conditions, this new MetArt model projects an exceptionally sunny attitude throughout.

Director Fenix remains at a distance for much of the movie, and we have ample opportunity to examine Sheila’s nubile body. While she does indulge in some proper posing, many of the most enjoyable moments here are when the model runs, splashing, through the water towards the camera. The look of glee on her face, and the bounce and jiggle of her firm breasts are absolutely delightful.


“Presenting” Lida C - first views of a new addition…

Lida C: Presenting, by Dmitry Maslof, willowy model, artistic nude pixLet me dispense with a minor complaint - perhaps clarification is the better word - about this set. It is my routine to download the low resolution file for a set I’ve been assigned to evaluate. I then start at the beginning and work my way to the end, in numerical order. I don’t look at the set online, and I never “jump around” a set, at least not during the first look. A vast majority of MetArt photo galleries have an arc, an order, a linear logic. The model appears fully dressed, she slowly disrobes, she poses while gradually offering up more detailed views.

This is an easily understood convention. Unfortunately, somewhere along the line, this series has been scrambled. In the first 33 images the model is nude but for a necklace. At #034 she is suddenly wearing white fishnet stockings and a garter belt. As the numbers mount the nude and “clothed” shots are randomly mixed. And now I’ve given more than enough space to my “minor complaint.”

Lida C. is slender, willowy, and I think she acquits herself quite nicely here. Some of her poses are really quite creative - I’m thinking of shots like #017 and #043. And she has a quiet, understated type of natural beauty that is admirably showcased in #014 and #015, a pair of headshots.

#014 leads me to one of this set’s outstanding qualities. Nearly all of the series finds Lida seated on a countertop with windows behind her. The natural light is very bright, but Dmitry Maslof skillfully finds a perfect balance to his exposures. Lida C. is never in shadow or blown out, and what might result in blinding glare for a less skilled technician is transformed into a diffusion that gives a wonderful texture to the model’s hair and skin. A confident debut for this new model, and a nicely crafted effort from her photographer.


“Tory” introducing Tory D - red is the color…

Tory D: Tory, by Leonardo, gorgeous, glamorous, new MetArt modelThis gallery is a dramatic and, in many ways, impressive debut of an appealing new MetArt model. With her flowing auburn hair, pale and creamy skin, and dark, ever-erect nipples, Tory D.’s look is somewhat out of the ordinary - a very pleasing change of pace. Although it’s certainly amplified by the styling and art direction of the set, she also has a particularly glamorous look and a face with a real “screen star” quality.

Photographer Leonardo has chosen a stylish and stylized treatment for the series. Apart from the furry throw she’s posing on, a couple of pillows, and a chair that appears towards the end of the set, everything is one or another shade of red. Tory’s marabou-trimmed, kitten-heeled mules, her silk shorty kimono, even the stones in her necklace are red. The backdrop is a dark shade of reddish pink, and, in a dramatic flourish, an arched window frame casts it’s angled shadow on the wall.

The lighting is somewhat inconsistent here, and the shadows create complications the artist doesn’t entirely come to grips with. There are more than a few shots that are severely compromised by the exposure/shadow problem (#069 and #075 are just two examples).

But, when the art direction works, it works very well indeed. From the first, Tory D. is an eager and self-assured performer. She is aware of her own beauty (a fact she admits to in her bio), and she has a real knack for posing, be it in a natural style or something far more stylized. Her look and attitude, combined with the visual style of the set, result in some truly exceptional pin-ups. Of these, #058, #062, and #065 are my personal choices. In #011 Tory D. displays her natural, sexy, attitude (as well as her splendid breasts). And #085 is another fine introduction to this pretty and promising new arrival.


“Presenting” Candice B - new and notable…

Candice B: Presenting, by Leonardo, bosomy beauty, cute and hotI never cease to be impressed - perhaps awed is the better word - by the seemingly endless procession of new models into the MetArt galleries. Day after day, week after week, nubile beauties of every description shed their clothes and pose for our photographers. And day after day, week after week, MetArt members log in to feast on this fresh and ever-changing bounty.

Candice B. is one of the latest arrivals at this banquet of beauty, and she has all the attributes and endowments to make a major impression. I will overstate the obvious and say that this model is gifted with simply magnificent breasts. Really. Spend even the slightest bit of time examining that prodigious pair and prepare to be impressed. Generously scaled, superbly symmetrical, splendidly shaped, and capped by perfectly puffy nipples, those knockers are truly notable.

There is more to Candice than her stellar bosom, of course. Indeed, her long-limbed, 19-year-old body is a complete treat. And this model’s charm extends well beyond her physical body - she has a warm presence and eager lack of inhibition that belies both her youth and her presumed lack of erotic modeling experience.

Leonardo has given this newcomer a dramatic yet simple presentation. The set is a vivid, glossy orange. Candice wears a string of black beads, a barely there breath of black lace around her waist, and a pair of bejeweled stiletto heels. While these ingredients allow for a roundly pleasing collection of images, the decorative elements never detract from the physical and personal splendor possessed and projected by Candice B.


“Presenting” Catherine A. - an exotic set for a sweet pet…

Catherine A: Presenting, by Dolce, flawless body, blue-eyed beauty

This MetArt gallery serves to introduce a brand new Met model, Catherine A. Photographer Dolce has chosen an exotic theme, a set dressed in a Middle Eastern motif, complete with hookah. Although the pipe isn’t lit in any of the photos the model does pose with it early on. Thankfully, this odd prop is put aside relatively early in the set.

Catherine A. is right at that wonderful stage of her development when she can look like a sweet young girl in one shot, and a knowing, mature woman in the next, but her youth and innocence do tend to have the upper hand. There are images in this collection that have just the slightest bit of “let’s play dress-up” to them, but that may be amplified by the set dressings and art direction.

While every inch of her nubile young body is a visual delight, her eyes must be among her most outstanding assets. Indeed, those crystal blue gems are exquisitely lit and make several headshots here truly striking - #013 and #015 are two of my absolute favorites. There is an almost surreal flavor to the first, and the second one really captures her youthful, natural beauty. Oh, and #010, pulls back to include her perfect breasts to make a beautiful headshot even more pleasing.

While the exotic elements of this pictorial seem slightly out of synch with the subject, there is more than enough here to thoroughly enjoy - and to whet one’s appetite for more!


Brigitte C. - new talent by the pool…

Brigitte C: Presenting, by Majoly, new model, pretty smile

Brigitte C. makes her MetArt debut in this informal offering from Majoly. The setting - a backyard pool - is somewhat cluttered and the primary piece of furniture is upholstered in a vivid shade of green that may be a bit too loud. The off-hand, casual nature of the series suggests that it’s something of a test sitting, a chance for a new model and photographer to get comfortable with one another.

Brigitte C. has a pleasing shape, delicate breasts, and a ripe and round rump. Her long, dark hair and big, brown eyes may be her finest assets, though, particularly when she treats the camera to a big, energetic, and genuine smile. She’s pretty when she’s pouting, or thoughtful, or seductive, but when she smiles the photos really come alive. See for yourself in #0023 and #0046.

The bulk of the set takes place on the chartreuse chair mentioned earlier, and there is a certain sameness as the series unfolds. When Majoly asks for major changes in position or alters his framing dramatically the monotony is broken. There is a sequence at the very end of the set, for example, when Brigitte C. stands up, the chair is minimized, and the sky becomes the backdrop with a very nice result. If I had to pick a single favorite image, however, it would be #0067, a somewhat formal composition that captures Brigitte’s gifts artfully.


Karen A in “Presenting” - a modest offering…

Karen A: Presenting, by Goncharov, slim young girl, nude photosConsisting of 83 images in total, this set from Goncharov is limited in size, and it is also somewhat limited in scope. The setting – a niche set into a wall just large enough for a model to sit in, and a mirror placed on the floor in front of it – is tightly framed, as well. There are no sweeping panoramas here.

This treatment puts first-time MetArt model, Karen A., front and center. Youthful and modestly proportioned, Karen has an understated, natural, and approachable style. Her charm is very much in the girl-next-door category. When – given the limiting constraints of the set on which she’s posing – she steps out of her sweet persona and reaches for something a bit more artistic the result is my single favorite image in the series, #0036. Reclining on the mirror, knees up, elbows out, her gaze averted from the lens, photographer and model arrive at a composition that is erotic and artistic in equal measure.

In an attempt to inject some pizzazz into his series Goncharov gifts his subject with a saxophone. As props go, this one fails to move me. I don’t see this petite femme making music, and certainly not with that tarnished apparatus. This may be a personal problem, however, and perhaps the sax will appeal to jazz aficionados. Having said all that, let me add that in #0078, posing with the horn, Karen A., minus her usual smile, delivers one of the stronger images in the collection.


“Presenting” Patrizia A. - a bit of before and after…

Patrizia A: Presenting, by Dolce blue eyed beauty, casual and formal pix

This debut set - the first MetArt appearance for Patrizia A. - falls into two distinct segments. It opens in the dressing room. Fully clothed, the model relaxes with a cup of coffee, peruses a magazine, and tends to her hair and make-up. Of these initial images my favorite might be #0010. Shot in profile, with a hank of her long hair combed down in front of her face, we get a sense that this is a dedicated model who takes her job seriously, and we also get a hint of the beauty of the body she will soon be revealing to us.

The bulk of the set is a stylized, formal studio shooting that stands in stark contrast to the casual quality of the opening shots. Wearing white stockings and a lacy white garter belt, Patrizia A. stands on a light blue seamless backdrop, her sole prop a clear umbrella.

Of the umbrella shots, #0047 is an excellent example. It provides a flattering, full length view of the model’s slim and shapely body, and the stylized nature of Dolce‘s concept and composition is fully realized. I must also mention #0069. This is a simple headshot, it almost has a passport photo quality, but the beauty and clarity of Patrizia’s pale blue eyes is anything but simple.


“Presenting” Alysha A. - a splashy debut…

Alysha A: Presenting, by Rylsky, MetArt HD erotic movie reviewAlysha A. makes her MetArt debut in a movie, rather than a pictorial, and it’s an extremely pleasing first-time effort. She appears in a glittering dress and high heels. After a bit of tantalizing strutting and preening, off comes the dress with a playful kick. A bathtub in the background beckons, and the svelte blonde makes the most of it.

Alysha wears her long, blonde hair in two impressive braids that frame her pretty face and accentuate her lissome physique. Her proportions are delicate and her features refined – this is a model who should have no trouble building a large and enthusiastic fan following.

My sole complaint here, and it is indeed minor, is that the soundtrack to this satisfying bit of cinematic artistry doesn’t quite fit the content. It’s a pleasing composition for solo piano, but I find it somewhat dour and serious, and the highlights of this high quality offering from the mind and lens of Rylsky are light and humorous. There is a bit of conflict between the visual and aural. My solution? Turn down the sound – problem solved!

With that trivial pursuit put to bed, I must mention something I find particularly entertaining in this production – and endearing in this model. Alysha performs admirably throughout. She takes her job seriously and I expect she’s following Rylsky’s direction to the letter. There are moments, however, when things don’t go as planned. At around the 2:52 mark, while playing with a red rose, one of the petals sticks to her lip. Alysha smiles at the “error” and looks right at the camera. In this “imperfect” moment, I find perfection. If your reaction at all matches mine, I think we can flatly state that we’re eager to see more of Alysha A., in movies, in stills, in whatever form we can get her!


“Presenting” Susanna A. - a sticky situation…

Susanna A: Presenting, by Albert Varin, naked girl, sticky cake

I like naked girls. And I like food. But, where possible, I prefer to enjoy them separately. Call this an eccentricity, a quirk, a personal problem, but that is my preference. If you are someone who finds the combination of nudity and foodstuffs erotic, I don’t judge you. Satisfy your appetites in whatever way you wish. And I shall do the same.

Sadly – for me, at least – Albert Varin has chosen a cake as the central, omnipresent prop in “Presenting” Susanna A. She poses with the cake. She plays with a candy strawberry. She makes a show of eating the creamy icing. She places a strawberry in her naval. The cake is in the great majority of images here, and the model wears or interacts with parts of it throughout the series. This is either a stroke of erotic genius, or something quite the opposite. Have I made myself clear enough, dear readers?

Susanna A. has a very nice body. I rarely address the issue of non-head hair, but in her case I believe some depilation is in order. The sometimes harsh lighting in this set isn’t always flattering to the model’s coloring and I think she might be better presented in natural light - and without any baked goods. Please.


“Presenting” Bianca C. - new beauty, via Balius…

Bianca C: Presenting, by Balius, new model, superior erotic art photosI was impressed with the work of photographer Balius when he contributed his first series to MetArt. Now, several months later, I have the opportunity to examine more of his work. Will it validate my initial impressions?

The short answer is an emphatic “yes!” Balius has a distinctive style and the technical skills to realize it fully. An unusual and intriguing prop is employed in this pictorial and the result is genuine erotic artistry. Of course, erotic artistry is nothing without a suitable model, and here we find newcomer . making a truly impressive debut.

Large-breasted with a curvaceous build, Bianca, a ballet student, rises to the challenge of this set with admirable skill. The sole prop, a thick rope suspending from the studio ceiling, is well suited to her knowledge of dance. Indeed, in many images she creates the undeniable illusion of motion – #0005 is just one example of this dynamic effect. Other favorites include #0027 (which highlights her face a breasts); #0031 and #0054 (for her stunning body and dancer’s poise). Beautiful model, clever concept, superior execution.


“Presenting” Ekaterina D. - a tempting tangle…

Ekaterina D: Presenting, by Alex Sironi, fresh beauty, erotic art photosAlex Sironi utilizes an interesting and unusual prop - a handful of brightly colored lengths of ribbon - for the MetArt debut of Ekaterina D. Shot against an inky backdrop, the bright strips of shimmering fabric serve as improvised clothing, and as dynamic, colorful set decoration. And, like the very best costumes and props, the ribbons serve to enhance emphasize the model’s beauty, not distract or detract from it.

Ekaterina is both cute and beautiful. At 18 she’s young, and I think it’s reasonable to suggest she’s inexperienced as a model. There is a hint, a mere suggestion, of uncertainty in some of her expressions. It’s charming, by the way, and I fully expect that she has the potential to acquire the skills simply by appearing in more pictorials. Physically, she is a nubile treat, and her personality is lighthearted and sweet.

As for favorites: #0021, standing tall, surrounded by airborne ribbons, illustrates the perfection of her body and the art direction, as well. In #0031, seated, her body draped with ribbon, puts the focus on long limbs and foxy face. In #0050 Ekaterina assumes a fetal position and Sironi frames a delightful composition. And for sheer, tousle-haired, blue-eyed beauty, I can’t resist #0075.


Rylsky: Skillfully “Presenting” Kristel A….

Kristel A: Presenting, by Rylsky, beautiful model, skilled photographerMetArt members have a vested interest in and seemingly insatiable appetite for new models. But consider the photographer for a moment, in this specific case, Mr. Rylsky. When he photographs an experienced model he knows what to expect, both visually and behaviorally. His challenge is to make something familiar feel fresh and new. But when he works with a new model he is starting with a clean sheet, a blank canvas – a model he has never seen, and who may have little or no experience. When Kristel A. entered Rylsky’s studio, it was an opportunity brimming with potential, and I’m pleased to say that both participants - model and photographer - took full advantage of it.

In my notes I’ve called out over half a dozen headshots – #0097 is but one stellar example – this is a testament to Kristel’s beauty. But a wide selection headshots are just one element of this broad, varied and exquisitely detailed photo essay. There is a shot, #0003, of the model’s hands as she unbuttons her blouse. Yes, just her hands. And it is a truly beautiful image. There are several pictures of Kristel A. holding her braided ponytail that are both playful and stylish at once. Explicit poses and body shots provide all the expected views, and each image is subtly enhanced by the clever composition and pastel colors of the set design – see #0038 for instance.

An arresting premiere appearance by a talented new model as captured by the skilled lens of a talented photographer.


Jenya G. in “Presenting” - a dewy debut…

Jenya G: Presenting, by Ron Offlin, moist, plush, erotic, bedroom pix

An old friend of mine had an expression he’d use to describe a girl who was attractive, but who wasn’t really his type. If someone in our group said he thought a particular girl was beautiful, my friend might say: “She has her days.” No disrespect, just a statement of opinion.

And that’s pretty much my feeling about Jenya G. She is a bit more plushly upholstered than I generally prefer. I can easily imagine her fulfilling any number of fantasies and even being someone’s absolute ideal. But, for me, she has her days. Or, in this case, she has her images.

To my eye, she’s particularly pretty in #0053, a topless shot in which she’s frozen in the act of removing her white panties. #0072, 0073, and 0074 are evocative, extremely erotic images. I tip my hat to photographer Ron Offlin for #0082, a dreamy, inverted headshot. And for joyous bedroom flavor it’s hard to resist #0092.


Proudly “Presenting” Janice A….

Janice A: Presenting, by Antonio Clemens, sweet young blonde, hot pics

On the day this set debuted at MetArt, the model received so many high rankings from the membership that she temporarily held the title Top Model. Janice A. has dropped back, slightly – as I write, she’s currently #15 – but the strength of her performance is still impressive, and not at all surprising.

This blonde sweetheart radiates a cheerful, youthful energy and vitality wholly appropriate in an 18-year-old. And for a model so young and, presumably, inexperienced, she appears to be completely at ease in front of the camera. She delivers formal, complex poses that are truly impressive, as well as spontaneous, off-the-cuff stances that seem entirely unrehearsed. Although she is smiling in many of the images, her happiness isn’t forced, and she also exhibits a wide range of expressions and moods. Impressive.

Working with a natural beauty with such well developed modeling instincts must surely be a pleasure for a photographer, and Antonio Clemens has kept the session simple and free of distraction. A vivid background color, an unobtrusive chair, and a black bra and panties for the model. A noteworthy debut, a very enjoyable series, and a model with a bright future.


“Presenting” Amelia B. - winner is served…

Amelia B: Presenting, by Catherine, curvy blonde, delicious imagesTo extend the dining metaphor, this set by Catherine is a three course meal. The appetizer consists of two dozen images, give or take, and in all of them the model is fully clothed. First time MetArt model Amelia B., in elegant street clothes, appears in what might be a shopping mall. The second shot, #0001, is quite arresting – a “simple” headshot made complex by a partial reflection.

The main course, shot inside, with a yellow leather sofa as the only prop, consists of a wide variety of images of creamy-complected, plushly curvy Amelia. This is a very appealing girl, and she appears to enjoy working with the camera. I think the use of her tongue to flirt and tease is unnecessary – she can flirt and tease quite well simply with the look in her eyes. In fact, she can close her eyes and still speak volumes (see #0059 and #0060).

The third course finds Amelia B. dressed in completely different lingerie, wearing different jewelry, on different furniture. Is this a preview or an outtake from an entirely different series? I can’t say. But it does include some beautifully explicit images (#0114, for example), and serves as a fine conclusion to a satisfying visual feast.


“Presenting” Janette A….

Janette A: Presenting, by Luca Helios, new model, erotic photosMetArt members are well aware that several new sets are added to the site on a daily basis, come rain or shine. They’re also aware than new models are also constantly joining our ranks. Still, there are times when I have to pause and marvel at the quantity and quality of new material and new models we have access to. Which brings us to Janette A.’s debut appearance.

From the first image, my impression is favorable. Janette has, to my eye, a slightly “American” flavor, despite her Slovakian extraction. It may be her make-up, her hair, perhaps her elaborate manicure. Her sheer black bra and panties flatter what is obviously an impressively shapely body.

As the lingerie comes off, bra first, her shape is even more impressive than I’d guessed. #0024, a topless shot, is all long legs and beautiful breasts. And #0061, a similar pose but this time totally nude, is also pleasing. Some of the poses feel a bit too posed, but that will fade with experience, I expect. And when she is more dynamic (throwing rose petals in the air in #0114), or relaxed and pensive (#0127) her talent and beauty are fully expressed.


Malina A. meets MetArt…

Malina A: Presenting, by Alex Iskan, debut MetArt erotic photo series

Separately, they are both fine words, filled with promise, mystery, and potential. But put them together and those words - “new” and “model” - become even more powerful. When those two words are attached to a set I’m drawn to it like a moth to a flame. But, unlike the flying insect, I enjoy feeling the heat and haven’t been burned yet!

Malina A.’s debut opens with a topless shot. I immediately like what I see. The styling is a shade peculiar, but Malina’s body, even only partly revealed, invites, and her expression intrigues. When the gloves come off - both literally and figuratively in this case - what we have is a young, nubile, and very appealing model. It may not be an obvious choice, but I lingered over #0050, a subtly lit frontal view that artfully reveals the architecture of her body - hip bones, belly, naval. #0113 has a spontaneous feel and is less self conscious than some of the other poses here.

The series concludes with a handful of outdoor shots, in which Malina is wearing stylish street clothes and we get a greater sense of who she is on an everyday basis. A pleasing conclusion to a promising MetArt debut.


Lera D., cowgirl style…

Lera D: Presenting, by Catherine, first nudes, hard body, erotic pixSome interesting choices were made in the conception and design of this new model debut series. Some of them I can approve, heartily. Others, I am not so sure about. My main area of concern is the costuming. I don’t hate the cowboy hat (but I wish it would have come off, at least for a moment or two). I don’t completely loathe the fur stole, although it is in far, far too many of the shots. And I’m not really delighted by the “gunslinger” undertones. All of these things serve to distract, not enhance.

Remove them and what do we have? Lera D., posing for her first-ever nude photos. Her confidence is quite impressive. And so is her body. Lera has a fit, curvaceous physique. There is a distinctly feminine strength and power to her lower body, in particular. I very much get the sense that the harder you make love to her, the harder she loves you back. There are some wonderful leg and ass shots in the collection, and even #0083, a seated back shot, conveys some of this subtle power.

The last shot, #0110, may be my favorite. Seated backwards on a stool, feet hooked into its legs, she does a backbend towards the photographer and the glory of her body is driven home. Too bad the hat didn’t fall off!


Sophie F.’s “New Star” quality…

Sophie F: New Star, by Antonio Clemens, cute, new nude model, erotic pix

When I reviewed her MetArt debut, I was particularly pleased by Sophie F. Her sophomore effort, “New Star,” once more photographed by Antonio Clemens, serves to confirm my initial impressions.

Once more, Clemens keeps the set-up simple. Once more Sophie F. is wearing an outfit that seems a little too “racy” for the persona she projects. And once more she is as adorable as can be.

A red key light, high and to the model’s right, throws a warm accent and gives the series a hint of thematic unity. There is a chair, a dress, a pair of panties, and high heeled shoes. And there is Sophie, radiating that delightful warmth that is her defining quality. Foot fanciers get a selection of images to cherish, there are explicit shots, front and back, to please that audience. And Sophie, charming and cheerful, enjoys every minute of it.

Sophie F. has big, beautiful eyes, full lips, lovely, long hair, firm, jutting breasts, a slim build, long legs – she’s a visual delight. But I’m convinced that it’s her personality that give this new model her “New Star” quality.


Woman on top…

Divina A: Presenting, by Peter Guzman, MetArt Top Model, explicit nude debut As I sit down to write this, Divina A. is the reigning MetArt Top Model, and it is my singular pleasure to congratulate her on this achievement. But let us delve a little deeper and discover what a truly impressive achievement it really is.

The series titled “Presenting,” by frequent contributor Peter Guzman, is Divina A.’s debut. It is her first appearance here. She has not built up a following of devoted admirers over time. She has shot straight to the top with her maiden effort.

It is a further tribute to Divina’s crowd-pleasing beauty and allure that the set in question, is actually very simple. It is, in some ways, even odd. Consider the set: A chair placed on top of a bare mattress. A curious arrangement. And yet, with a model as stunning as Divina A., it doesn’t matter.

This is a very beautiful young woman. She is slender, but curvy. Her pert breasts are perfectly balanced by her round rump. Her brown eyes are big and doe-like, her features are refined, and her chin bears the slightest hint of a dimple. And she reveals the remainder of her beautiful all completely and without reservation. The membership has spoken! The votes have been tallied. Divina A. is our new Top Model. Now all we can ask is that she appears again soon, and often!


Two new for you…

Marta D & Rosa A: Twins, by Marlene, playful, arty, erotic pixThe prospect of a series featuring a new model is always enticing. Doubly so in the case of a girl-girl set. And we’ll need to significantly up the multiplier if those two girls are twins (whether identical, fraternal, or simply by some coincidence or quirk of fate). But if that isn’t enough to pique your interest, you might also note that this set is the debut MetArt contribution by a new photographer. And a female photographer, at that!

Although Marta D. and Rosa A. are very, very similar in appearance and presentation, they are not identical. But they are certainly close enough to create an impressive and intriguing pair. The mood here is light, playful, with a hit of “sleepover party” thrown in for good measure. There is a bit of mock pillow fighting, and a good natured “truth or dare” aspect when it comes time to strip down.

I also enjoyed a faint surreality in some of the compositions, the just perceptible sense of something slightly, but pleasingly, off-kilter. The set didn’t knock me over or take away my breath, but it did intrigue. I wonder how members will react?


New on the menu…

Dasha K: Presenting, by Pasha, beautiful woman, erotic nude photosI have no way of knowing whether Dasha K. has any previous modeling experience, all I know is that “Presenting,” by Pasha, marks her first appearance at MetArt, and it is an impressive debut.

The understated art direction and Pasha’s moody, naturalistic lighting bring out the planes and angles in Dasha’s exquisitely featured face. And that lighting, combined with a nice range of poses and bits of costuming, allows us a detailed and artful examination of her lean, delicate, yet distinctly womanly body.

In her high heels or out of them, Dasha is sure to appeal to leg lovers, and when she’s on tip-toes the shapeliness of her long limbs is further emphasized. I need hardly point out her plump, erect nipples – they do a fine job of that throughout the series! While this is far from an explicit set, there is intimate detail to satisfy that craving, and it’s delivered in a relaxed and unforced manner.

With her high fashion face and svelte build, Dasha makes a delicious addition to the MetArt model menu.


Blue and new for you…

Nadya D: Presenting, by Anry V, nude debut, new model, photo erotica

A tie-dyed backdrop adds vibrant color to the MetArt debut of Nadya D., as photographed by Anry V. The outfit she’s wearing as the set opens, and some oddly incongruous animal print fabric are both soon removed and the series is better for it.

Nadya is a welcome addition to the MetArt talent pool. She projects and engaging personality and she is both facially and bodily beautiful. The pictorial stops short of anything overly explicit, and I will confess that I would have preferred to see a bit more in the way of intimate detail. One can never know with any degree of certainty whether this type of modesty is due to the model’s reluctance or is a choice the photographer made. At any rate, what I see here makes me want to see more, and I hope I have that opportunity sooner rather than later.

One quirk of the studio lighting caught my attention, and it’s something I don’t recall noticing in other pictorials before. There is a light, behind the photographer, that puts a dot of white in the middle of each of the model’s dark eyes in many of these images. A curious effect, and a bit of a distraction. But not enough to detract from a solid performance by a new model with much potential.


Three 3-letter words…

Gia C: Presenting, by Erro, exquisite erotica, hot, sex, art photos

Actually, I’m thinking of two words and one proper name. That name is Gia, the model who makes her MetArt debut in Erro’s “Presenting.” After viewing the series in its entirety, the two words that best captured its essence were: Hot. Sex. Make no mistake, this set is about sex, and it is exceptionally hot. Oh, it is artistic, masterfully so. It is beautifully styled and photographed. The composition of individual frames, the lighting, the clever manipulation of depth of field — the set offers a concise introduction to the art of erotic photography.

And Gia C., certainly has a firm grasp on the technical skills required of a model. This is particularly impressive in a newcomer. She projects a broad and involving range of emotions with only the most minor changes of expression. She has a soft, subtle smile, for instance, that can’t fail to intrigue. Oh, and I needn’t point out that she is exceptionally pretty.

But, we’re adults here. This set is about Sex. With a capital “S.” Raw, hot, hard, passionate, Sex. It’s there in the explicit poses, in the body language, in the close-ups. It’s even in the headshots where not much more than Gia’s face is visible — see #0137 for a perfect example. Look at that face! Look in those eyes! Look at her skin, she’s glowing with it! Feel free to disagree, but if this set leaves you cold, you might want to visit a doctor. Or a coroner.


From the MetArt mailbox…

Tamara F: Presenting, by Alex Sironi, new model, nude debut, hot, sexy

Dear MetArt,

Hello. I just wanted to say that Tamara F. is So Beautiful, Hot, and Sexy!!!!!!!!!!! She is one of the prettiest women I have EVER seen! She is the PERFECT MODEL! Please make her a MET Art exclusive girl and have lots more upcoming photo sets of her! GREAT JOB! THANKS FOR THE AWESOME PICTURES OF HER!

- Brian

Dear Brian,

Thank you so much for your enthusiastic email. It is so very nice to hear that you enjoyed the series with one of our new models, Tamara, so much. I must agree that she did an excellent job with her first series on MetArt - we definitely hope to see much more of her in the future, and soon! Working with new models can present challenges to a photographer, but I think you’ll agree that our Alex Sironi did a masterful job on Tamara’s debut pictorial. Please feel free to continue to contact me with your thoughts and suggestions. Have a great weekend!

Kind regards,

- The MetArt TeamTamara F: Presenting, by Alex Sironi, new model, nude debut, hot, sexy


Cheeky charmer...

Anita E: Presenting, by Leonardo, wholesome beauty, close-up erotica

Anita E., making her MetArt debut in Leonardo's "Presenting," has a curvy body and an ovoid visage with full, plump cheeks. Her facial structure somehow amplifies the magnitude of her frequent smiles and she projects an extremely cheery demeanor. While Anita has ample opportunity to display her sultry side here, her defining characteristic, to my eyes, is a wholesome, personable, girl-next-doorness.

The set begins outside, and with no small amount of drama. Anita, wearing a semi-transparent tunic and colorful stiletto pumps, is standing against the heavy white balustrade of a marble-floored balcony somewhere high in the hills. Below and behind her, the seashore and the sky. The clouds swirl and the sunlight shifts from shot to shot. This may be the immediate aftermath of a storm, or perhaps a lull between squalls. Anita is bubbly throughout, and nature provides a truly impressive backdrop.

The bulk of the series continues indoors, against a railing of dark hardwood, at the top of a staircase. A muted pattern of stylized stars lights the background. And, in the foreground, the model undresses and reveals her truly beautiful body. There is nothing tentative about this debut, Anita withholds nothing - and Leonardo captures everything with his signature skill. Count me among the charmed.


Two new for you...

Alise A: Presenting, by Balius, new nude girl, new erotic photographer

Ah, a double debut - Alise A. makes her first appearance at MetArt, in the series photographed by Balius for our site. Will it sink or swim? Will one succeed and the other fail? These are my casual musings when I receive the set. Then I open it, and begin my evaluation.

The very first image is promising, indeed. In her floral top and pink lace panties, hand on hip, there is a frankness, an honesty, to Alise that definitely fits the MetArt formula. And the image itself, with the soft, natural light and hint of diffusion, is also pleasing. A good start. Will it get better?

The answer is an unqualified: Yes! It is a simple set, shot in the corner of a room where two windows meet. A curtain filters the light. Outside, there is snow on the trees, but inside it is warm - and getting warmer by the minute. Alise is a natural beauty, with an intriguing smile and a wonderfully proportioned build. And Balius certainly knows how to pose his subject and how to compose his images - there is a distinctive style in evidence here, and it flatters and enhances the model. To conclude I can only say: Bravo! And, of course: Brava!


Maiden Brazil...

Astrud A: Presenting, by Rylsky, first nudes, outdoor erotic photos

In the first image in this set - her debut appearance at MetArt - Brazilian native Astrud A. is wearing no more than a bracelet, a belt of plaited leather, and a smile. One is equally struck by the beauty of her nude body, and the radiant warmth of her expression.

The smile is present through much of the set, and it is remarkably fresh and genuine. It is impossible not to sense an underlying feeling of joyful inhibition as the model experiments with poses and presentation. In headshots and in explicit anatomical images, Astrud is participating fully and enjoying the experience heartily.

Monochrome photos dot the series, adding a bit of unexpected variety. And when a shawl and a pair of white jeans make brief appearances late in the set they impart distinct flavors to the collection as a whole, and hint at possibilities that, one hopes, are soon to be captured and presented in future pictorials.


Testing the waters...

Polya A: Presenting, by Zlatko, first MetArt photos, tasteful erotica

The slightest sense of reserve permeates Zlatko's photos of MetArt newcomer, Polya A. She is self-confident and assured in her posing, and she is both spontaneous and formal, by turns. But, whether by her choice or her photographer's, I get the feeling that pretty Polya is holding just a little bit back. Call it a hunch - only future offerings will confirm or disprove my intuition.

As to the set itself, I can find much to praise. It is simple, and very much a product of the studio setting. A deep blue backdrop, soft, diffused lighting, a key light to highlight the model's golden hair, a single chair in contemporary style, the sole prop. Polya is wearing only a necklace, a white shirt, a pair of black heels. From there it is up to the model to execute her performance, and for the photographer to record it.

There is a sweetness this young woman projects, a gentle quality. She is proud and confident in sharing her nude body, but she does refrain from more brazen revelations. Still, we certainly see enough to want to see much more. So if Polya is "testing the waters" here, I can only say she's passed that test with flying colors.


Bench warmer...

Alexandra D: Presenting, by Rylsky, new model, busty, nubile, eroticaIn this post's title I refer to the primary piece of furniture Alexandra D. heats up with her splendid body, I don't mean to apply the sports metaphor of a player who never gets into the game. Indeed, based on her first MetArt appearance, it appears that this rookie has a bright future.

The set opens with Alexandra, dressed for brisk weather, in boots, a heavy coat, and carrying an umbrella. From the earliest images she projects a bright, bubbly enthusiasm that rarely flags during the course of the series.

Moving indoors, Alexandra takes to the bench and proceeds to rid herself of clothing. As garments come off anticipation builds - that heavy coat was concealing a seriously impressive body! The model appears to delight in sharing her beauty with the camera, she smiles with joy throughout. In fact, her smile is so constant that the few shots where she isn't smiling are particularly striking (I'm thinking, for example, of #0099). And in #0084 she reclines at full length on the bench and her abundant gifts are artfully displayed.


'Round midnight...

Ella D: Presenting, by Tony Murano, stylish, artistic, explicit eroticaThere is much going on in this set. Much, much more than first meets the eye. It is filled with intriguing images, dripping with mood, it is subtle at one moment, then thrillingly explicit in the next. And with 153 photos, in total, there is a lot of content to consider.

But, first, let us consider the subject, a newcomer to MetArt, the dark-eyed Ella D. Her physical particulars are as fine as one could want, and, oh - what an air of mystery surrounds her! The late night feel of the lighting only serves to enhance this alluring trait.

And what a breadth of imagery we find here. Some are formal, almost sculptural (see #0016). Others are romantic and painterly in a classical, old fashioned way (see #0034). In several the model projects more sensuous emotion with her eyes closed than other models can manage with both eyes wide open.

After dissecting the abundant style, we're then gifted with stunning extreme close-ups that may very well sear the retinas of unsuspecting admirers. I could easily go on, but you really must examine this series for yourself to fully appreciate it.


First time online...

Ilona C Little black dress? Check. High-heels? Check. Laptop computer? Check. Hold on. At first glance that final prop may seem out of place, but as the set unfolds it makes perfect sense - you'll just have to trust me on this point.

Ilona C. is the debutante in this Domenic Mayer-lensed series. She has a sweet demeanor and is remarkably free of inhibitions. She teases her way out of the dress at a pleasant pace, and turns her attention to the computer in many of the shots. Is she in a chat room? Catching up on current events? Shopping for a pair of panties (she isn't wearing any in the set)? But her secret is eventually revealed - this adorable young minx is studying the nude models at MetArt! And by learning from the best models in the world of erotic photography she has acquired valuable skills. In her more explicit poses she is self-assured and suitably sultry. And in more demure poses, or in headshots (I'm thinking of #0125, in particular) she is equally inviting.

Shot #0067 captures the essence of this set. On her belly, thighs spread wide, feet in the air, she studies the MetArt model on her computer screen. Life imitates art - and becomes art in the process!


A taste of things to come...

Svetlana B: Presenting, by Natasha Schon, first nudes, gentle eroticaA new model. The prospect is always enticing. Will she be an overnight sensation, a break-out star? Or will she be shy, tentative, just learning her craft?

The first image here finds an undeniably beautiful Svetlana B. seated on a couch. She is smiling, perhaps laughing, while fiddling with one of her shoes. It is a candid shot, almost a throw-away, but it marks the beginning of a new career, an adventure. In the dozens and dozens of shots that follow, we watch as the model relaxes into her task. There is the merest hint of stiffness in some shots, in others compete ease. She may be the slightest bit shy, or perhaps photographer Schon doesn't push her to reveal more as she might with a more experienced subject. Still, what Svetlana offers is enticing. There is a sense of play, of experimentation in the poses, the props, and the relaxed style of the photography.

In the final frame, #0151, all that changes. Svetlana is wearing an entirely different outfit, posing on a completely different set. Here she exudes confidence and polished allure. Is this a taste of things to come? I most certainly hope so!


Beauty on a back road...

Evgeniya A: Presenting, by Angela Linin, new model, outdoor nude artA dirt road, a sunny day, a new model. With these simple elements photographer Angela Linin has all she needs to create a fresh and engaging en plein air pictorial.

The model, Evgeniya A., is a type I find particularly pleasing. She has a trim yet curvy body, dark hair, and a very natural sort of beauty. She is pretty, and she seems confident and comfortable with that, but there is an ease and a "down to earth" quality being projected here that makes her seem friendly and approachable.

The outfit she's wearing early on - a girlish tank top, very short denim cut-offs, and sandals - is youthful, casual and effortlessly sexy. Of course, once it comes off, the sexy factor increases dramatically. But this isn't an extreme or lurid set, the mood is always light, carefree, and playful. Whether she's standing in the untravelled road, sitting or lounging on a cushion of her cast-off clothing, or using a fallen tree trunk as a prop, Evgeniya is an extremely playful and engaging model in her MetArt debut, and I look forward, eagerly, to future appearances.


Of sunsets and melons...

Sophia E: Presenting, by Koenart, new model, new erotic photographer

A balmy summer's day is coming to an end. The sea is placid, glassy. The air is still, the sand retains the day's warmth, the sun hangs low. It is this setting that a photographer has chosen for his first submission to MetArt. The subject he has chosen, Sophia F., is also making her first appearance in erotic photos. This combination of ingredients, it becomes immediately clear, holds prodigious promise!

Sophia has a cheery, almost bubbly presence. Her blue-eyed beauty is entirely natural, and she has a bit of a "girl next door" air about her. Wearing only jeans and a necklace, she poses and plays with a ripe melon. Indeed, the model's own melons, to speak in the vernacular, are at the peak of ripe perfection - round, firm, and visually delicious. And, when those dungarees hit the sand, the rest of her is no less enticing.

Sophia E, first-time nude model, juicy erotic art photos by Koenart

A setting sun presents unique challenges to a photographer, but Koenart has the situation well in hand. His model is always pleasingly lit, yet he also manages to render the subtle colorations of the sky as evening falls. While the sun sets and the model smiles - see #0096 - I am more than pleased to welcome Sophia and Koenart to MetArt.


Don't judge a book...

Yuta A: Presenting, by Rylsky, first-time model, explicit art photosThe cover is always the first image I view when I sit down to write a post about an upcoming photo series. In the case of Rylsky's "Presenting," my reaction was only lukewarm. I am being candid. The cover simply didn't inspire, intrigue, or otherwise capture my interest. But it is my responsibility to examine each set I'm assigned, so I opened it up and had a look.

Well, I'm certainly glad I did! Yuta A., a 20-year-old newcomer to the world of erotic modeling, is as cute and as sexy as can be. There is a teasing sparkle in her eyes and her physical attributes on display evoke an extremely pleasant and powerful physical response.

The set begins in a cafe with simple documentary photos of the model enjoying a cup of coffee. In these images Yuta's warm personality is well captured. The bulk of the series is shot against a white, seamless backdrop. Clad in a flirty bra and micro-skirt, Yuta presents herself without reservation. She's a real cutie, but these explicit views inspire thoughts that are purely carnal.

In the final shots she's back in the cafe, enjoying a sweet piece of pastry. Funny. I was just then thinking along those very lines!


Beginning to blossom...

Grace A: Grace, by Albert Varin, first time nudes, young girl erotic artAt the still tender age of 19, Grace A. enters the word of nude art photography under the tutelage of Albert Varin. Props and costumes are few: a room, a bed, several red roses, a necklace and a black merry widow. This last, the garment, seems a touch too mature for this young subject - what better reason can there be for her to remove it?

Although she is young and without much experience in front of the camera, Grace brings a smoky, sultry sensuality to many of these images. #0136 is a favorite of mine. In this shot, captured from behind, the expression on the model's face is relaxed - un-posed, if you will - and her body delivers an invitation that is impossible to misinterpret, or resist!

A handful of images, perhaps six in total, were shot in a bathroom. The mood and lighting of these photos is dark and dramatic, and stand in stark contrast to the warm, bright style of the bulk of the series. Is this to illustrate Grace's versatility, or a preview of a future series? Both, I hope!


Fox hunt...

Katrin D: Katrin, by Peter Guzman, first nudes, natural erotic artWhere do they find these girls? This is a question every member of MetArt has surely asked himself. Yes, there are many beautiful girls in the world, but many of them won't give even the most polite and well meaning gentleman the time of day. And yet Met's photographers manage to not only locate supremely appealing young women, they also convince them to shed their clothes (along with their inhibitions) and pose for photos that will be viewed by millions all over the world! Whether it is skill, luck, magic, or some combination of the three, I'm certainly grateful that our lensmen continue discover and uncover these gems.

Here, thanks to photographer Peter Guzman, is an exquisite addition to MetArt. I doubt this verdant bower is where Guzman found Katrin D., but it makes a fine backdrop for this nubile natural beauty. Her dress comes off quickly, and the delights so revealed instantly induce salivation and other involuntary reactions. From head to toe, with notable highlights in between, Katrin is a truly foxy young female.

I imagine I speak for much of the MetArt membership when I say: Thank you, Karin, for sharing your beauty with us. And thank you, Mr. Guzman, for finding her!


New nubile on the block...

Olga W: Presenting, by Alex Sironi, first nudes, new model, new photographerOne of the key factors in the success and longevity of MetArt is our focus on a three letter word: new. We're constantly adding new pictorials of our established models, new sets from our veteran photographers, new series featuring new models, and new photos from new photographers. That's a lot of new!

This set, "Presenting," starring Olga W., photographed by Alex Sironi, packs as much new as possible into a single set. How so? Well, Olga W. is making her first ever appearance here. And the same is true of Mr. Sironi. How successful is this double-debut? In a word...very! Girlish and naturally gorgeous Olga displays the skills of a gifted model right out of the starting gate. Youthful and petite, Olga is a more-than-welcome addition to the MetArt talent pool.

Her photographer, as well, boasts genuine ability. The set is spare but inviting, the lighting warm, natural, and unobtrusively effective. Sironi not only has the technique required to produce photography that meets MetArt standards, he also appears to have a native grasp of our aesthetic, without compromising his own unique stylistic vision. I welcome both of these talented new contributors with unqualified enthusiasm!


The thrill of the new...

Ilona B: Presenting, by Goncharov, first nudes, subtle eroticism

If you've only been a member of MetArt for just a few days, perhaps even hours, you have probably already chosen a few favorite models. Over time those favorites may change, but you're always awaiting their next set, and you always feel an extra thrill when something new featuring one of your favorites is added to the site. The familiar face and body of a favorite model is a pleasure to be savored, repeatedly. But there is also much to be said for the pleasures of a new discovery. And so it is with the latest gem unearthed by Goncharov, the beguiling Ilona B.

Shot in natural light, on a somewhat overcast day, the mood of these photos is matched by Ilona's often understated and subtle expressiveness. This isn't a girl who dazzles or overpowers you with her beauty. She seduces you, quietly. A smile is often on her full lips, but she rarely reveals her teeth. Her sexual allure is strong, but it's more akin to a whisper than it is to a scream. There is joy in her eyes, but there is also mystery. The more I looked at Ilona, the more I wanted to see. And then, to my surprise, the series ended. With 89 photographs in total, the set is a bit short. But isn't fitting? Ilona's debut leaves the viewer craving more. We can only hope to get just that...soon!


A star of tomorrow…today!

Anika A: Presenting Anika, by Ron OfflinIt's been said that you don't get a second chance to make a first impression. In that case, Anika A. has absolutely nothing to be worried about - her first appearance at MetArt is a knockout! The set, aptly titled "Presenting Anika," by Ron Offlin, reveals a young model brimming with self-confidence and radiating fresh, sultry sensuality.

And there is a lot of very skillful "Presenting" going on here: photographer Offlin has chosen an exceedingly simple set - a wall, a headboard, a bed dressed in simple white linens. This unembellished background lets the mouthwatering glory of eye-pleasing Anika fill the frame. And, particularly for a newcomer, Anika A. has skills that other models take many sessions to master. This 19-year-old knows exactly how to present every inch of her body to the viewer. She's not simply posing for the camera, one gets a real sense that Anika has us - the viewing membership - in mind as she moves around on those crisp white sheets.

Thank you, Ron Offlin, for your photos of this stunning new discovery! And thank you, Anika, for sharing your beautiful self with MetArt! We can only hope you'll continue to appear here - repeatedly - in the near future!

And speaking of future appearances - how would you like to see Anika A. presented in future photo sets?


Lola and a new movie


As some of you might be aware, last week we shot a new production. You can read all about it here.

This blog is to basically share with you my enthusiasm for a new girl we have been working with called Lola. She is, I believe, a wonderful new discovery. For three days Lisa was giving me comparisons with one of her favourite girls, Jo, who she shares a long history with in our movies. Lola’s eyes, her soul, her smell and her taste were all that of a young Jo, apparently. Lisa’s words, not mine.

Lola not only encompasses young natural femininity and female beauty, but she is really great to work with too. I can’t say enough about this young girl right now, but I think she is something special and I hope it’s going to come across over the next few films she is in.

Below are a few quick snips of raw footage I threw together, just from skimming quickly through a tape while reviewing the footage. It’s nothing special, I just wanted to include something. Sorry I didn’t bring in a funny dialogue section or something like that, but I don’t want to give anything away about the movie just yet, as I said, this is just from forwarding through some footage this morning.

I couldn’t believe just how incredibly beautiful Lola’s face was, she didn’t need any make-up at all, all I had to do was point a camera at her and the shot just came alive. It was incredible.

Lola will next be seen in Portrait Of A Lesbian. Teaser trailer here.

The post Lola and a new movie appeared first on The Viv Thomas Raunch Report.


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