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Master of erotica Alis Locanta returns to SexArt!

It’s been a year since celebrated director Alis Locanta took the helm at our sister site Viv Thomas, reinvigorating the classic lesbian marque with his unique erotic vision. Today heralds Locanta’s triumphant return to SexArt with a spectacular boy-girl movie, “Here I Am Again.”

Shot in 4K and starring busty Asian beauty Paula Shy, the film employs the groundbreaking auteur’s trademark visual flair to full effect, playing with time, location, sound and vision as Paula sucks and fucks Spanish stud Juan Lucho’s huge cock with energy and passion.

Next week brings the release of another new movie from Locanta, “Last Chance,” which introduces stunning French fox Clea Gaultier to SexArt. The elegant babe looks sensational in sexy lingerie and stockings as she sucks Joel Tomas voraciously and rides him in multiple positions, the lyrical soundtrack giving way to graphic noises of sexual pleasure.

Locanta’s mastery of erotica has never been more in evidence, as he manages to convey physical and emotional heat on a grand scale through intimate vignettes. It’s powerful, it’s Art, and it’s most certainly Sex at its most visceral. Prepare to be aroused…

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Alis Locanta wins two AVN Awards for SexArt!

We’re on a roll! Hot on the heels of one very exciting accolade (SexArt just won Adult Site of the Year – Erotic at the 2016 Xbiz Awards), we’re adding two more trophies to the shelf. I’m so proud to announce that our esteemed SexArt director Alis Locanta won big at the prestigious 2016 AVN Awards, bagging not only Best Foreign Non-Feature for his SexArt series "Waltz With Me," but also the coveted Best Director – Foreign Non-Feature award for the same series.

If you haven’t watched "Waltz With Me" yet, you surely don’t need any greater incentive. The four-part series features gorgeous Alexis Brill and her studly mate Franck Franco as they open up their relationship to other sexual partners, both male and female. Filmed in a gloriously fluid, lyrical style, it’s stunningly original and powerfully erotic – a worthy winner.

Look out for more groundbreaking erotica from award-winning director Alis Locanta here at SexArt – as well as on our sister site Viv Thomas, where he took the helm recently. 

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SexArt is officially Adult Site of the Year!

You knew it anyway, right? – but we’re feeling all sparkly with pride at having it officially confirmed.

Xbiz, the esteemed home of adult industry news, just announced the winners of its 2016 Xbiz Awards – and the prestigious Adult Site of the Year – Erotic award went to none other than SexArt!

We love what we do here and we hope you do too, so it’s very cool indeed to win such an amazing accolade. And you’d better believe we’re going to do everything in our power to live up to the title in 2016. Prepare to be surprised, delighted and very, very aroused. 

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Tracy takes Timanfaya!

If you’re wondering what SexArt superstar Tracy Lindsay has been getting up to lately, wonder no more. Here she is in Timanfaya National Park, Lanzarote, with her gorgeous girlfriends Linda Sweet, Vanessa Decker and Candy Belle. The girls are on location with director Andrej Lupin, producer Ariel Piper Fawn and their talented team, shooting some amazing new movies for SexArt. And from the sneak previews I’ve seen so far, it’s not just Timanfaya volcano that’s heating up!

Don’t worry though, you don’t have too long to wait for your next fix of Tracy. Check out next Wednesday’s update for a little bit of movie magic from our blonde bombshell…

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SexArt nominated for 2016 AVN Awards

We don’t like to blow our own trumpet, but getting nominated for an AVN award is a pretty big deal. Often described as the ‘Oscars of adult entertainment,’ the awards celebrate all that’s fun and fabulous about the adult movie world.

This year, SexArt is proud to receive five nominations:

Alis Locanta’s dazzling and groundbreaking series ‘Waltz With Me’ has grabbed the accolades, with nominations for Best Cinematography; Best Foreign Non-Feature; Best Director – Foreign Non-Feature; and Best Sex Scene in a Foreign-Shot Production for the threeway between Alexis Brill, Taylor Sands and Franck Franco.

The sensational series ‘The Writer 2,’ also directed by Alis Locanta, is nominated in the Best Foreign Non-Feature category.

It’s great to see nominations for Female Foreign Performer of the Year include several popular SexArt stars too: Samantha Bentley, Alexis Crystal, Tiffany Doll, Anissa Kate, Amarna Miller, Lola Reve and Taylor Sands.

On our sister site Viv Thomas, Guy Ranieri Sblattero is up for Best Director – Foreign Non-Feature for ‘Reading Room’; and director Andrej Lupin and his team are up for Best Sex Scene in a Foreign-Shot Production for Brandy Smile and Lexi Dona’s scene in ‘Art.’

And most exciting of all, our flagship site MetArt.com is nominated for Best Membership Website!

Wish us luck!

 

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'What Happens When' – Ariel Piper Fawn talks about major new series!

 

One moment can change everything. That’s the theme of ‘What Happens When,’ an incredible new six-part series from acclaimed director Andrej Lupin. The story, which spirals out from a vibrant party into diverse erotic encounters, demonstrates how one little thing can influence how events unfold, with multiple possibilities all coexisting up until that moment. It’s an extremely complex and satisfying idea, and one of the most ambitious projects yet seen on SexArt!

“What Happens When’ brings together some of the hottest new girls – Eva Berger, Kiara Lord, Bella Blond and Cristal Caitlin – along with a bevy of horny guys and cool supporting actors (see who you can spot!). The action takes in steamy boy-girl and girl-girl sex in various locations, and with a different mood to each scene. You’ve certainly never seen anything like it.

I asked producer Ariel Piper Fawn whether it was the most difficult shoot that she, Lupin and their talented team had yet embarked upon. She told me, “We don’t really have difficult shoots; maybe only from the point of view of getting the emotions we need from the actors to create the mood of the movie. As far as the technical side of shooting goes, our most difficult movie was ‘The Game.’ It took four days, 20 hours a day in the middle of the woods – sleeping in caravans, not too much water! But all of us remember this shoot as one of our best and most fun!

“The most difficult thing about ‘What Happens When’ was to think of really great coincidences and create them on screen so that everyone could understand the concept. We came up with the idea a while ago, and then when we were shooting in Lanzarote, we saw a location that really fitted the story. And to tell the truth, the script was created one night before the actual shoot! All of us had to come up with at least one coincidence and then we took the six best ones and used them.

“What I like most about the movie is how complex it is. The story all takes place in one night, at the same time, in alternate realities. I hope people will like it.”

I think it’s sensational – exciting, creative and very arousing. I’d love to hear what you think!

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A new director for Viv Thomas!

Breaking news! Viv Thomas has a new director at the helm… and when I say new, I really do mean new. I’d like to introduce Guy Ranieri Sblattero, an amazing Spanish filmmaker who has an incredible vision for the future of VivThomas.com.

Sblattero was discovered by Jonathan, creator of SexArt and co-owner of the Metart Network, and has been lucky enough to be mentored by renowned SexArt director Alis Locanta, who acted as production designer on his first VivThomas shoots. The creative direction, however, is all Sblattero’s own; though already very successful in other fields, this is his first foray into erotica, and he brings a fresh eye to his artistic endeavours. While holding true to the VivThomas ethos of beauty, sensuality and love of the female form, I think you’ll notice a raw energy and immediacy that is extremely invigorating!

The first movie from Sblattero and his talented crew is called Look at Me, and it will be released on VivThomas.com at the end of the week. It has an incredible cast of delightful new discoveries – Jimena Lago from Spain, Ana Rose from the Czech Republic, Ava Courcelles from France – and a fan favorite, the inimitable Suzie Carina, who takes her skill in pleasuring her female partners to a whole new level in this production.

Sblattero has the camera take a voyeuristic role in Look At Me, capturing many titillating and unique moments as his beautiful girls share the enjoyment of their sexuality with each other, and with us. It feels natural, real and so satisfying – and I hope that like me, you’ll experience a jolt of pure pleasure when you watch it!

 

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The DeltaGamma Interview: an erotic artist opens up...

If you've a member of Sexart (or Metart or The Life Erotic) you're most likely familiar with the photographer known as DeltaGamma. As I write, the artist has published 126 erotic photo galleries across the three sites — 39 at Sexart, 67 at Metart, and 20 at The Life Erotic — and he's earned an enthusiastic and vocal fan following. The fact that he's also an active participant in the comment sections has only added to his popularity and reputation — DeltaGamma isn't content simply to create a photo set, he's also keenly interested in the way it's received by the audience.

As it happens, my first contact with DeltaGamma was in the comments section at the Metart blog. After chatting, online and off, I suggested we do an interview. He agreed, I prepared an extensive list of questions, and then things got complicated. In the interview that follows DeltaGamma discusses his background, his inspiration and evolution as an artist, and the unforeseen event that profoundly effected his career as an erotic photographer. And what's included here is only part of the DeltaGamma story, Part 2 of the interview will appear here in the near future.

First of all, why "DeltaGamma," what's the significance of the name?

D: I simply picked the initials of my real name from the Greek alphabet, as a tribute to the classic beauty concept developed in ancient Greece, the reference and inspiration for my earliest work and my art in general. The name I used when I started with nude photography was actually "DeltaVenus," which was inspired by the novel "Delta of Venus" written by Anaïs Nin, and later adapted as a movie that was directed by Zalman King and released in 1995.

What's your background?

D: I was born in a small seaside city on the eastern coast of central Italy, forty years ago. Since then I have lived in several different Italian towns, from the north to the south of the country, and now I'm living in Rome. I attended an international Art Academy after showing some unusual drawing skills when I was very young, at the primary school, where I had also started studying English. And I attended a scientific high school, studying not only scientific subjects but also philosophy, Latin, and the arts. I can't go too deep in details about my life and my "regular" job since it's outside the world of photography and very far from erotic art, but I can say that I've worked for twenty years in a very professional and challenging environment that has allowed me to travel a lot and learn many different skills, meet many people from all over the world — including my wife — and learn to adapt myself to different situations, react quickly, and plan my activities efficiently. I would describe myself as a self-made, happy and lucky man, an artist, a photographer, a traveler, a biker, a sailor in love with the beauty of this world and the beauty of women.

What first got you interested in the artistic potential of photography?

D: Back in 2000, during the longest of my travels — an unforgettable experience spending six months at sea — I had brought with me a photo camera. At the time I had been on a break from oil painting due to lack of time and therefore inspiration, and in a way approaching photography awakened my inspiration again. Photography perfectly integrated my paintings and drawings, which were already oriented towards the search for harmony and beauty in reality without too much intermediation/manipulation of forms and colors, but rather a realistic interpretation of existing subjects, which were mainly female nudes.

How long had you been working as a photographer before you began to shoot nudes?

D: The beginning of my career as a photographer could actually be identified with shooting nudes, except for the very first steps when I transitioned from drawing/painting to shooting photos. I learned the basics of photography by myself, trying to catch the subject the way it was in my mind already before taking the picture, according to my own personal vision coming from my artistic path and from observing other photographers' work.

I started using my first photo cameras in 2000 and I got my first DSLR — a Canon EOS 350D — in 2007. In my early years I shot mainly reportages of my travels and then I started shooting portraits/glamour with a Czech girl I met in my hometown during her summer holidays with her parents. That's probably when my special feeling towards Czech girls and their country started. I went there many times, first in 1992 on a school  trip to Prague — soon after the country's first democratic elections after the fall of the Berlin wall — and I was fascinated by the beauty of the town and its unique atmosphere, and a few years later also by the beauty of the local girls, my favorite subjects for my nudes.

I shot my first amateur art nudes in 2003 with an Italian girl I met on a train, then I started with soft erotic shootings in a couple of workshops in Venice  in 2006, and then in 2007 I finally started with my first semi-professional erotic shootings in Czech Republic and Poland — both countries I was familiar with due to my several trips riding my motorbike in the summer across central-eastern Europe.

You started contributing photo sets to Metart in early 2012, later that year you began contributing work to Sexart, and to The Life Erotic in 2013. Had you published any of your erotic photography before your work for the Metart Network?

D: Publishing my work at Metart had always been my aspiration since the beginning of my erotic shootings and I never really thought of submitting to any other website. Although my very first exposure to soft nudes was with Playboy magazine — I bought my first issue in August 1990 — my view of erotic nudes was shaped and influenced by Metart some years later. I had created my first e-mail account in 2000 and a few months later I subscribed to the Metart newsletter, soon after discovering the site. I remember I saved all the 16 preview images of the featured sets and was amazed by the beauty of models and their erotic attitude captured by the perfect photography. Metart has been my leading influence in erotic photography and one of the biggest influences on my erotic vision.

My early erotic work was closer to The Life Erotic's style in terms of lighting and models' facial expressions, then evolved towards Sexart's main features in a way, while I was still a bit distant from the average Metart style, with crystal clear images and brighter lighting and models smiling and in a happy mood.

Paradoxically I started publishing on Metart first, with "Presenting" Grace C, then Sexart with Mia Sollis,  and finally on The Life Erotic, also with Mia.

I only decided to give publishing a try in 2010, when I sent my first submissions to Metart. After the first feedback (good work/style but models not interesting or already published) I let some time go by, then tried again in 2011 with a few other submissions which were not interesting enough, and then finally had my first sets published in April 2012, with Grace C.

In the summer of 2011 I actually collaborated with a Metart photographer who got in touch with me, Peter Guzman. We arranged a few combined shoots to share costs and models, and I integrated some of his sets with Edwige A, As well as Mia Sollis, and Marjana A.

By the end of the summer 2011 I decided to start shooting and submitting alone, and I started with Mia Sollis and Edwige, two of the models I knew better.

Back to the question: I have actually thought of expanding  and publishing my work on other erotic websites, especially when I didn't have many sets released on the Metart Network. But recently, when I had my work released on a more frequent basis, I started thinking to be loyal to the Network for a number of reasons. One of them is that I consider Metart the top erotic website, the first and only for me, which keeps evolving in a thoughtful way, taking into account ideas and suggestions by members. The other reason has to do with a fact which happened this summer and made me reconsider several things in my life and my career, I'll explain later.

Metart, Sexart, and TLE each have a distinct, unique style, focus, and format. Your work has appeared on all three sites. How do you adjust your style and approach when you're shooting for Metart as compared to TLE, or TLE compared to Sexart?

D: When I shoot a model for Metart my main goal is to simply bring out the model's beauty and her happiness of showing her intimate beauty to the viewer, connecting with him, using a location and a lighting that match this overall feel, possibly in a simple and not too distracting setting. The focus is on the model's beauty and sensuality. One of the first sets embodying this aesthetic feel is my first with Mia Sollis, Voile, which was also reviewed by you in the Metart blog,  and that's where I actually started exchanging comments with some members back in February 2013.

For my TLE work, if we speak about open legs style, the focus is not only on beauty and sensuality but also on a more intriguing side of the model's mood, or  a fetish such as shaving, sometimes combined with the silver mirror insertions, like the one with Tess B, along  with an overall "darker" feel given by the lighting, with lower intensity and higher contrast, making the setting look a bit more undefined and mysterious, like in my first set with Mia Manarote.

For TLE masturbation, and some fetish sets, the model also has to appear involved in the erotic action showing her sexuality in an almost dramatic way, the darker side of her erotic potential, pretending to be aware that someone is watching hidden in sort of a voyeuristic situation.

For Sexart I ask my models to "make it real." Once I show them the setting and the outfit I tell them what the story is about and to believe in it, acting in a continuous action as if I was shooting a video, so that the flow of the action looks more natural, only stopping for the single shot. I also ask them to pretend I am not there and to concentrate on their own pleasure in a natural/realistic way, without exaggerating with facial expressions, but they're allowed to glance at the camera from time to time, when they feel like or when I tell them to do it, in order to keep the contact with the viewer and remind him that the action is for him and also to give a flirty taste to some headshots which I include to let the viewer see what's in the eyes of the model while feeling the pleasure. One of the most satisfying sets is my second with Sapphira.

Have you ever shot something for, say, Metart, but then ended up submitting it to Sexart, instead?

D: When I plan a shooting with some model in a certain location of course I already have an idea of what site I'm going to submit it to. If I had to give a priority that would be Metart, Sexart, TLE for a number of reasons, and this also reflects the number of sets. But sometimes when I am actually shooting it happens that some factors make me change my mind and switch to a style suitable for a site which is different from the initial idea. But it also happened that after taking a look at the photos before editing I realize that the overall feel of a certain set is more suitable for another site, but that's possible from Metart to TLE, or from Sexart to TLE, seldom vice-versa (for lighting reasons) and never from Metart to Sexart (because of the poses/style). Once, after initially scheduling a Metart shooting with some models who had never done masturbation in photos, we ended up giving a try to a Sexart or TLE set (none of these sets has yet been published). And I've submitted sets to Metart and Sexart but then it was suggested I submit them to TLE because the photo editor found the set or the model more suitable for that site, like in the case of the first sets with Paula Shy, Sunshine, and Chloe Coco, and there are a few more.

In the studio or on location — which do you prefer?

D: I generally prefer to shoot indoor with a soft natural light from the window and a realistic setting, because I have everything in control, the ambience is relaxed  with some good music, and posing is generally more comfortable for the model.

I set up a small studio in my old apartment, with a few backdrops in front of a big window, so I could use it either with natural light or with studio light, or combining the two. I have in mind my own private studio for the future, it would be halfway between a painter's and a photographer's studio, with plenty of natural white light during the day.

When the weather is nice and the temperature warm enough for the models, I have a nice location nearby that's also a great option to go shooting outdoor, but it depends also on how happy the model is, because posing is usually not as comfortable as indoor, then there may be some interruptions for various reasons — the lighting conditions may change more dramatically than indoor, then there may be some logistic issues that could distract from me from focusing on the model and the posing.

But basically it's the light of the moment that inspires me and drives me.

A typical set has about 120 images, give or take. How many total images do you shoot during a single session? And how do you approach the task of editing a set for submittal? 

D: I usually shoot 160-200 images, depending on the model's skills/attitude (beginner/experienced, willing/bored) and the lighting conditions (affecting shutter speed, therefore risk of motion blur). When I have the feeling I have at least 130-140 good images I check quickly on the display the variety of poses and if I think it's enough I stop. But there are times when the model is so good that I just can't stop, when we are both in good mood and the poses keep coming different and sexy. I know that I am not going to use all of the images but I can't help, I still shoot for the fun of it. And I also like to show the model many nice pics of herself, especially portraits.

I start editing the set usually after my regular job, at night, or in the weekends, when I am not too tired. I take a look at the whole set, deleting the bad pictures, separating the repetitive shots, and selecting the good images, usually no less than 120. Then I work on the RAW files, starting to give the image the light temperature/tone that best matches the model, the setting and the feel of the set.

My wife Phi — a member suggested this nickname, the ancient Greek letter for "F," because it's the initial of her real name — is there for this phase. She both helps me find the right settings — sometimes it gets too subjective, especially when the lighting during the shooting varied — and she also does most of the editing herself, especially when the photos also need to be retouched. I prefer not to retouch unless it's necessary to comply to the standards of photography on Metart or other sites in the Network. So there are tattoos to get rid of and skin imperfections to fix, as well as details in the setting which are not nice to be seen, in order to make the image look pleasant and eliminate unnecessary small details distracting from the main subject. This phase, for the most complicated sets, can even take up to two or three days for just one set.

Lately, as you may have noticed, my sets have become larger. I've started to extract some images that inspire me for artistic black and white and desaturated color treatments. These are usually images that normally would look like repetitions or be too serious in the set, but that are good for a different image style. I also include close-ups and interesting details. I decided to add these shots as a bonus to a standard set, because I felt the need to let the viewer see the model in other ways, like I do whenever I shoot, trying to imagine the photos in different styles as if they were different techniques of painting or drawing.

It's still kind of an experiment for me, especially if you consider that I started working on black and white and desaturated images not so long before including this type of work in my sets, although B&W is very close to pencil and charcoal drawing, which are one of my favorite techniques.

Members seemed to have appreciated enthusiastically so far, so I consider it kind of a trademark and even if it takes time to do it I will keep doing it willingly. The first set where I included some extra images was my first with Michaela Isizzu, although it was mostly some plain black and white backstage images, so actually the very first attempt was with one of my sets with Sunshine, also reviewed by you in the blog.

All your work for the various sites in the Metart Network have been still galleries. Do you have any interest in shooting motion pictures?

D: I would really love to start shooting movies. I did shoot a few videos with my DSLR a couple of years ago, but I haven't edited them, and anyway I don't consider them good enough yet. I have also shot some backstage video for fun. Videos are very challenging, and I think I have the eye to shoot them, but at the moment it's a matter of time: I am working too hard to have the time to start shooting and reaching a satisfactory level, and I would need more time to edit the videos, too. I always have a very thoughtful approach when it's about starting something I really care about, but then when I start I work very hard and it's difficult to stop me. You can consider the wish of starting to shoot videos my resolution for 2015.

You had a severe misfortune last summer — all your photographic gear and the laptop with your latest work was stolen. How did you recover from this devastating blow, and has this experience changed anything in your approach to shooting?

D: The theft of all my gear last July was a real shock. Now, so many months later, I still think about the few seconds when I was distracted by a man crying out and running to me as someone grabbed my backpack with everything inside and ran away.

I had just come back from one of my most successful shootings in Prague, four days of hard work with Sapphira, Nici Dee, Vanessa Angel, Paula Shy, Dido A, Celeste A and a couple of other models, shooting about twenty-five sets, mostly for Metart and Sexart, and a few for TLE. In few seconds I lost everything: my photo/video gear, my laptop, the hard disks and memory cards with all the work, making the time and expenses for the entire trip a total waste. I saw the robbery on the CCTV the day after, and it was very hard to take. I stayed in bed for a couple of days, trying to get some sleep, staring at the ceiling, hoping to have some news from the police or from friends searching the markets, or from Internet, but nothing.

I stopped being a photographer for some days, suspended in a very uncomfortable situation, but already the day of the misfortune things started happening: my wife let my closest friends know about the robbery, she even wrote to [Metart Network Photo Editor] K to let her know what had happened, and then a post on Facebook kick-started the reaction of some of my most loyal fans, especially from the US, supporting and offering help, easing the shock and giving me back self-confidence little by little. My "Number One" fan in particular also alerted [Metart Network owners] Jon and Niko about the theft. In a very short time I was offered an incredible amount of support by Metart which allowed me to get back to shooting with new gear and with an appropriate budget.

In the end, although that was a very hard lesson for me, it turned out to be also an important occasion which showed me how much Jon and all the Metart staff believed in me and in my work, as well as an opportunity to find real friends from the community of regular commentators, especially from Metart. It felt like belonging to an extraordinary family. Now I am in touch with several members of this great community on a regular basis, we speak about a range of things besides erotic photography, and it's all so fun and interesting.

The first sets released right after this disaster were with Connie Carter, first on TLE, and then on Sexart, followed by Lauren Crist on Metart, which kept me "alive" on the Network and made me experience the unexpected, incredible support from the members through the comments. I would like to thank all of them for giving me strength during those hard days.

I have also started being in touch with other Metart Network photographers, like Catherine, Luca Helios and Flora, after already being friends with Peter Guzman, Ken Tavos and Balius. I think that the exchange of ideas and points of view between artists is very fruitful, bringing the overall level of the entire Metart Network higher and higher, while the interaction with members keeps the Network evolving and facing the new challenges of modern erotic still and motion pictures.

This experience made me rethink all of my work and reconsider everything I did so far, being more aware of the actual value of all the equipment and the work itself, therefore giving more value to the efforts I do to carry out a shooting and produce a set.Venice panorama at sunset by Deltagamma

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Censorship in the UK

Last week, an amendment to the 2003 Communications Act was passed through UK parliament. The Audiovisual Media Services Regulations 2014 states that video-on-demand (VoD) online porn is now subject to the same guidelines – implemented by the British Board of Censors (BBFC) – as DVDs sold in UK sex shops.

There is no restriction on people watching pornography shot in other countries, so in actual fact British folks will still be able to watch whatever the hell they want. It’s the content creators who will really feel this restriction on their creative freedom – especially those that cater to more specialist or fetishistic tastes.

Two major criticisms levelled at the restrictions are that they appear to make no distinction between consensual and non-consensual acts between adults; and that they seem to target acts from which women in particular derive pleasure.

The list of things now considered unacceptable, and so which cannot be depicted by UK pornography producers, includes:

  • Spanking
  • Caning
  • Physical or verbal abuse (regardless of whether consensual)
  • Urolagnia (known as “water sports”)
  • Physical restraint
  • Humiliation
  • Female ejaculation
  • Strangulation
  • Facesitting
  • Fisting

Now, there are several things on this list that I have no particular interest in watching, and one or two that I might quite enjoy (spanking – ooh, yes please!). But as a Brit myself, what I really object to is being told what I ought to consider ‘nice’ or ‘normal’ sex. It’s patronising… and I rather fear it’s the thin end of the wedge. 

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Ariel Piper Fawn talks about shooting for the MetArt Network!

Filling the shoes of legendary filmmaker Viv Thomas might seem like a daunting task, but not when you have the inspired team of director Andrej Lupin and producer Ariel Piper Fawn on hand!

Andrej is a renowned director here at SexArt; Ariel needs little introduction, having been one of our most popular models before moving into her highly creative production role. There is no doubt her understanding of female sensuality and eroticism has played a huge role in reinvigorating the Viv Thomas brand since it became part of the MetArt Network.

The dynamic duo came in with a bang with the compelling ‘Sexpresso,’ and followed it up with the even more impressive ‘Domestic Desire.’ We’re now seven movies in, at the time of writing, and each has been entirely individual in terms of plot and production style. I can’t wait to see what they come up with next!

I was lucky enough to bag the enviable task of chatting to Ariel about the vision she and Andrej have for VivThomas.com. Here’s what the delightful redhead had to say:

Ariel, you shot with Viv Thomas several times – and you were an incredibly popular model on the site! What was it like working with Viv?

APF: I loved every shoot I did with Viv. It had a lot to do with their style – clothing, make-up, different locations, storylines – the kind of thing Andrej and I enjoy shooting now. I liked that the scenes fitted into a story, it was so different from the work I did with other directors. What I really remember most from the shoots was Viv himself. I always loved him, I felt like he was family to me.

Which was your favourite of the movies you appeared in?

APF: Summer Camp Secrets. I really enjoyed the whole experience. Work, girls, crew, dinners, fun, locations – we had a great time!

How do you and Andrej feel about taking over the reins and shooting movies for VivThomas.com?

APF: It is an honour for us! A lot of members on the site have been worried that we would just make the movies similar to the work we do for SexArt, but we don’t want to do that. We already see a lot of differences in the way we shoot for VivThomas, and we have more changes planned. The offer to shoot content for VivThomas came very fast, and I think we are improving our work with every production. We want to bring our own vision, but combine it with the magic from the classic VivThomas movies.

Do you think having worked with Viv gave you a better idea of what the VT fans like to see?

APF: I’m not sure about that, because tastes have changed over the years. When I worked with Viv the equipment and production methods were quite different from what we use now. Also, we always had very strong make-up; I would love to bring back the old-fashioned make-up and styling, but I’m afraid people would not like it!

Can you give us any hints about what we will see next from you?

APF: We are busy planning our next shoots, but I don’t want to give away too much! We read all the feedback from members, we want to learn from it and do our best to make people happy!

Classic Viv Thomas magic, Andrej Lupin’s brilliant direction, and the super-sensual vision of the exceptional Ariel Piper Fawn? Sounds like a recipe for extraordinary erotic art to me!

 

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"Love for Sale" — Mr. Locanta's Erotic Opus...

Collaborating with a visionary filmmaker takes a writer on a trip from the vastness of outer space to the intimate, intricate confines of the human heart and soul.

I've just seen the first episode of Alis Locanta's soon to be released four-part series, "Love for Sale." When the director told me this was, and I'm quoting directly, his "best work to date," he was not exaggerating. And I have to agree with him. But there's a story that needs telling before I tell you more about the film itself. And that story helps explain why Alis Locanta and I were having a conversation in the first place.

In addition to my weekly posts over at the Metart blog, and my more sporadic contributions in this space, I've been writing the synopses that accompany every Sexart erotic feature for nearly two years. And after watching and describing well over two hundred films I decided to write a Sexart screenplay of my own.

That screenplay was well received, I'm happy to say. And, in fact, it's already been produced, and should be released in the near future. It's called "The Morning After," it's the first feature Alexa Tomas ever shot for Sexart, by the way, and I'm very pleased with the film and the entire experience of seeing it to completion.

But, more importantly than all that, writing "The Morning After" served as my introduction to Alis Locanta. And it opened the door to a unique and rewarding opportunity.

During the production of "The Morning After" Alis casually mentioned a project he'd been working on for some time. I was intrigued, of course. Then he asked if I'd be interested in collaborating on the project with him. It took me much longer to type this sentence than it did to answer: "Yes!"

This led to a round of lengthy conversations during which Alis described, in minute detail, his creative process and the way he structures and executes his productions, with a bit of biographical info, philosophy, and film theory thrown in. He

 also told me, in the broadest of outlines, about the project titled "Love for Sale." Then he sent me his original screenplay for Episode 1.

Once I'd read Locanta's script we had further conversations about his vision and what he hoped I could contribute. I wrote and revised. He read, wrote some more, and revised. And so forth, until we had a polished final draft we were both happy with.

That first episode was the heaviest lift for me. Once Alis and I were both on the same page — both figuratively and literally — getting Episodes 2. 3, and 4 finished was a lot easier. And that ease came in handy because I was rushing to complete the final episodes while Alis was already shooting the first one.

But what, exactly, is "Love for Sale," and what's it about? Well, in addition to being Alis Locanta's most conceptually and stylistically ambitious work for Sexart to date, it's a story about a woman, and the universe, and what is sometimes called "the oldest profession."

Tracy Lindsay plays the lead, and she does an exceptional job. It's safe to assume that this is the most complicated and elaborate role she's ever taken on, and she acquits herself brilliantly. She has quite a lot of dialog to deliver, in English, dealing with sophisticated, challenging, and nuanced subject matter, and she delivers a wonderful performance. She's as naturally beautiful as ever, perhaps even more so. And her sex scenes? Unbelievably hot. The hottest of her career-hot.

I could go on, of course. But a detailed plot synopsis would not enhance your enjoyment of "Love for Sale." It is, as you'll soon see, complex. Please, expect the unexpected. Be prepared to be challenged. But also prepare yourself for a beautiful, powerful, intriguing, surprising, and intensely erotic experience.

"This has easily been my biggest step since I started shooting for Sexart," Alis Locanta explains. "I've been thinking about a project like "Love for Sale" for a long time, but I was waiting for the right chemistry. In the last few months many things have changed: Estelle Adams is 

now my producer, and she has been helping me a lot with shooting better films. And then my collaboration with Adam really helped improve my story structure. I felt the need of a great writer and he did a great job. Last but not least...well...Tracy! I was the first to shoot her for Sexart, in "Valentina," then our paths separated. When we met again — to shoot "Be My Slave 2" — we were both 'upgraded.' We'd both grown and gotten better. I think we were able to use our experience to help each other do our best work. She was perfect for "Love for Sale," she was perfect for my most complex project." 

"Love for Sale." One ambitious project, masterfully realized. Four episodes, each one unique, each one breaking new ground, but all four pieces combining to create a cohesive whole. It was my honor and privilege to be a part of it.

 
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Touch your breasts, save a life!

 

How many words for breasts can you think of? Once you get started, you might surprise yourself with how many there are – and you can always make a few up! Sloane Steel, one of the hot posse of writers who keep the MetArt Network buzzing, has put together this super-cute video all about our many names for boobies. I’m always happy to watch a hot girl talk about titties, so this put a huge smile on my face.

There is a serious side to Sloane’s video, though. October is Breast Cancer Awareness month, and she has persuaded the fine folks at MetArt (who have a great fondness for breasts of all shapes and sizes) to donate 100% of proceeds from all new subscriptions for the entire month to the campaign to find a cure. Sloane’s campaign, “Touch Yourself, It Could Save Your Life,” is about reminding women that self-examination is the best way to increase the rate of early detection.

If you want to get involved, you can make a video where you name all the words for breasts you can think of, upload it, and submit it to the Twitter account @MetArt. If you don’t already have a MetArt membership, what better time to subscribe, get access to all those gorgeous babes, and do some good at the same time?

Most importantly of all, encourage the ladies in your life to touch themselves regularly… it feels good, and it could save a life.

 

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“My First” – Agatha’s exciting girl-girl debut!

Agatha looks like a European fashion model. With her sharp angles, striking green eyes and stylish flame-red hair, the Italian beauty exudes natural sexuality and palpable confidence in her physical presence.

How fitting, then, for director Alis Locanta to allow Agatha the opportunity to explore her sexuality on camera by capturing her first lesbian liaison. “My First” finds Agatha almost overwhelmed with anticipation as pretty blonde Whitney Conroy introduces her to this brand new experience. Whitney – all soft curves and sweetness – makes the most delicious contrast to Agatha. The two together are in perfect harmony.

Agatha’s initial stillness melts away and she responds with avid kisses as Whitney’s gentle touch stirs her arousal. It’s an exceptionally charged moment as she leans back to gaze into Whitney’s eyes, and then pulls her close to kiss her again. Whitney seems utterly lust-struck as she slides Agatha’s panties down to reveal her tempting smooth-shaven pussy. The sight encourages her to take off her dress, revealing her fabulous round, squeezable bottom framed to perfection by a lacy G-string.

The new lovers move to the bed, and Agatha is eager to fully experience these fresh sensations. Naked, she spreads her legs to allow Whitney to slip a couple of fingers inside her pussy. Her body undulates, riding the waves of pleasure coursing through her as Whitney licks her, pausing every so often to suck on her clit and stroke it with sticky fingers. Whitney builds the pressure, her fingers moving faster and harder; then glances up to enjoy the sight of Agatha experiencing her first orgasm at the hands of another girl.

Naturally Agatha wants to know what it feels like to give another girl sexual pleasure too. Although inexperienced, she responds instinctively to Whitney’s signs of arousal, feasting on her soft, sweet body and savouring every moment. Whitney is soon lost in the ecstatic storm of sensation that engulfs her.

The visually stunning epilogue to the scene suggests that Agatha’s lesbian awakening has truly begun. Although Whitney’s blonde prettiness is usually more to my taste, I found myself enthralled by Agatha’s raw sexuality and willingness to expose herself to the camera’s gaze. There’s a sense that this is just the first step on a new path towards self-exploration and sexual fulfilment for her – and it feels like a privilege to have witnessed this private moment.

 

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"Sexpresso" introduces a new era of erotic excellence for VivThomas.com

The acquisition of VivThomas.com by the MetArt Network heralds a new era of groundbreaking erotica for the renowned brand. MetArt are committed to honoring the vision of innovative auteur Viv Thomas, and to that end are taking the brand to new heights with the release of a stunning new movie, “Sexpresso.”

The outstanding artistry of director Andrej Lupin puts you right there in the middle of the action; and the sex, shot on location in Portugal, is visually beautiful but also natural and very real. Rising star Tracy Lindsay is the ideal girl to launch the new dawn of VivThomas.com movies. She perfectly embodies the ideals of natural beauty and unabashed sexuality.

As “Sexpresso” starts, we discover that Tracy loves her coffee – but not as much as she loves spending time with desirable women. Her seductive manner ensures that she gets her fill of pleasure whenever she craves it. The story unfolds with pretty Aiko Bell paying a visit to Tracy as she enjoys her coffee. Immediately, attraction is in the air; Aiko is a little shy at first, but Tracy’s insistent kisses soon warm her up. The flirtatious smiles the pair exchange hint at an intimate connection, and their sensual kisses, captured in luscious close-up, bear a promise of rapture to come. Tracy’s clever fingers know exactly how to hit Aiko’s sweet spot as she caresses her through her panties, and then slides her hand inside to feel the wetness.

Tracy is dominant at times, slapping Aiko’s ass and handling her roughly, but she’s also a sensitive and intuitive lover who makes Aiko gasp and moan with pleasure. Her fingers are a blur as she drives Aiko to a frenetic orgasm. Then she sits astride Aiko’s face so she can enjoy the sensations of Aiko’s tongue exploring her delectable pussy. Her orgasm has her whole body quaking with bliss.

Later, Tracy looks irresistible in a hot pink robe as she teases pretty Daniella Rose with the froth from her cappuccino. Her perfect bottom in the air, she straddles her lover, before Daniella flips her onto her back so she can suck on her stiff nipples. The couple seem delighted with each other’s beauty and sexuality as they kiss and touch. Tracy grabs Daniella’s hand to work the fingers harder and faster in her pussy, rubbing her own clit in a frenzy of lust as she approaches orgasm. Then her teasing tongue-strokes on Daniella’s clit reveal how completely she controls her lover’s response. The pleasure of tasting Daniella, and licking her pretty ass, has her rubbing her own sticky honeypot at the same time. The pair move into a scissors position, grinding on each other, their juices mingling as they climax in unison.

The following day, Tracy asks Daniella to invite her cute friend over for coffee. After a little small talk, she asks Stacy Snake whether she’s ever had sex with a girl. The answer is no, but the little sweetie is ready to let Daniella seduce her. Tracy watches avidly, sipping her coffee, as her girlfriends get better acquainted. Stacy’s hesitation turns to desire as Daniella kisses and caresses her, leading her along the path from curiosity to arousal, and then all the way to sweet ecstasy. Then Daniella teaches Stacy exactly how she likes to be touched, and the adorable neophyte finds she has a natural talent for giving as well as receiving lesbian pleasure.

Daniella leaves Stacy alone with Tracy so she can continue to explore her newly awakened sexuality. Stacy looks a little overwhelmed at the idea of having sex with such a goddess, but the touch of Tracy’s soft lips soon has her convinced to revel in the experience. Tracy is hungry for sensation after watching her girlfriends make love, and it only takes moments for her to bring Stacy to climax again. After she’s drawn out the pleasure to a string of orgasms, Tracy lets her new girlfriend get a taste of her sweetness, and finds that the novice is a quick learner. Tracy jiggles her world-class ass up to meet the strokes as Stacy licks her ass and fingers her to an earthshattering climax.

“Sexpresso” is a proud declaration that VivThomas.com is ready to rock your world with a new wave of sensational lesbian erotica. Prepare to enjoy the ride!

 

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"Haute Couture" – fashion meets sexual expression in a stunning SexArt series

Fashion models are the new rock stars – sexy, charismatic and alluring, but always just out of reach. They tease, but never quite reveal their most intimate moments... until now. "Haute Couture" is a unique movie project that brings us three incredible girls, beautiful enough to be fashion models, and confident enough to let us witness their sexuality in full flow. Three stunning, color-themed scenes capture each in turn talking and getting ready on set, before they are let loose to express their physical desires in intimate detail. The climactic scene brings the trio together to take their budding friendship to another level.

Director Alis Locanta explains: "Haute Couture is a different project compared to my previous films. Let's forget my personal 'cine eye' because Haute Couture is a tribute to the fashion television reporting world. There's no fiction, there's no faking; here you are going to see a real fashion shooting day. Models arrive in the morning, they have coffee, meet the crew and start the make-up session. You are going to get to know them better, thanks to a personal interview. Then let's go to the fitting room to put on their color-themed outfit. The shooting style and language is pretty different to a classic film: you'll think you are looking at a fashion TV channel."

The individual color themes are a distinctive element of "Haute Couture" that give it a unique and unforgettable flavor. For those who understand the technical expertise required to create such an adventurous piece of work, Locanta reveals some artistic secrets: "Haute Couture is the very first 4K MA project. All the footage you are going to see has been shot on red cameras (one red, one red scarlet and one red epic) at 4K resolution with different frame rates (23,98fps and 96fps). The real power of this workflow is not the extremely high resolution, but the RAW codec: all the footage was post-produced on a RED CINE-X workstation to obtain a high quality color correction. So… no more H264 codec!"

The girls of "Haute Couture" 

Of course, the most important element of "Haute Couture" is the girls who bring this vision to life. Each has her own personal style and sensuality to share.

Baby Blue: Mango. This Russian beauty has incredible long legs, pert breasts and an adorably pretty face. She looks every inch the fashion diva in her sheer, nipple-skimming top and tight panties that showcase her perfect bottom. Overcome by erotic feelings, her fingers wander down into her baby blue panties to explore her sweet pussy. She seems utterly lost in the act of self-love, the camera forgotten as she masturbates. It's a wonderful moment when she finally turns her shapely bottom towards us and lets us watch her slide a finger deep inside her pussy. She pauses to taste herself from her fingers, then continues. Her legs are visibly shaking, her body trembling as she reaches her orgasm.

Yellow: Alyssa Reece. Canadian firebrand Alyssa is a force of nature – one of those rare girls who brings a feeling of raw energy to everything she does. Here, the soft yellow of her pretty lingerie brings out the delicious olive tones of her skin. Alyssa is lively and charming on set, but as she focuses inward and begins to touch herself, everything else seems to just melt away. You feel every gasp, every tingle of arousal, every tremor of unstoppable pleasure, as she stimulates herself. When she orgasms, it's so powerful you'll swear the earth moved.

Pink: Margot. A gorgeous Czech girl with the looks of a pure Irish farm colleeen – all freckles and raven hair and natural freshness – Margot is a treat to be savored. She enjoys caressing the sumptuous curves of her breasts, teasing the nipples to stiffness, delighting in every shiver of sensation. The pink panties come off and her coltish long legs are spread wide for us to admire that pretty pussy as it gets pinker and wetter. There's no mistaking her mounting excitement as she strokes and fingers herself to new heights of pleasure.

Black and white: Mango, Alyssa Reece and Margot. It's breathtaking as the trio of fashion starlets come together for the climax of the series. You see them having fun together before shooting begins, the sparks of attraction already flying. Then the procession of three perfect bottoms in tiny tight panties making their way onto set is quite something to behold. A rear view like Mango's deserves to be worshipped and that's precisely what follows, her amorous partners kneeling to adore her. The music is hypnotic, the mood potent with lust as Alyssa begins to lick Mango's smooth, sweet sex. Later we witness Mango sucking hungrily on Alyssa's nipples as she and Margo join in pleasuring their new friend. Alyssa's hips buck frantically as she orgasms; and she's a greedy girl when it comes to sex, she can never settle for just one climax! Once she's caught her breath, Margo's wonderful natural breasts become the focus of her attention, while Mango uses her saliva-slick fingers and questing tongue to explore between Margo's thighs. The sensory overload has Margo shaking and gasping in utter abandon. The scene builds to a crescendo of mutual ecstasy, all three girls sexually satiated.

"Haute Couture" will be released on SexArt over the next four weeks. I think it occupies that exceptional space where powerful sex meets erotic art. I'd love to hear what you think about the concept, the style, and of course, the girls!

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"Cafe" – new erotic movie delivers undeniable chemistry

Ivana Sugar Sabrina Moore sexart cafe
Real sex. Isn't that what we all really want to see? Genuine heat, passion and chemistry that allows us to share the sensation of every look and smile, every touch and caress. Andrej Lupin's new erotic movie for SexArt, Cafe, delivers a powerful sense of this heightened sexual connection. I felt tingles down my spine as the two beautiful stars, Ivana Sugar and Sabrina Moore, began their gentle flirtation.
 
Seemingly casual chat leads to sexually charged smiles, and more intimate touching and stroking. As elegant brunette Sabrina's fingers caress Ivana's thigh, there is no doubting her intention. A whispered invitation from Ivana encourages her to go further...
 

Cafe: the public liaison leads to private pleasure-giving

 

Ivana Sugar Sabrina Moore SexArt CafeIt's been said that kissing is the most intimate act of all. It certainly reveals how much two girls truly desire each other. Once behind closed doors, the flirtatious games between the two beauties give way to a more urgent expression of mutual lust. Ivana is so aroused that as Sabrina begins to lick and suck her perfect breasts, she is almost overcome by the waves of sensation. Her gasps dissolve into giggles of pure pleasure, leaving you in no doubt that you are watching something utterly genuine. For me, it's one of the most special moments of the movie.
 
Those two delicious bodies are pressed together as the girls continue their exploration of each other. By the time the panties come off, the anticipation is almost unbearable. Then the gentleness falls away as we get to see what a firebrand Ivana is in bed, and how skilfully Sabrina makes her hover at the brink of orgasm. The vigorous scissoring brings the pair to an ecstatic mutual climax.
 
With every nuance so perfectly captured, Cafe arouses strong sensations of shared pleasure. It's one of my must-see erotic movies of the year so far.
 
 
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Metart Acquires VivThomas.com

Metart Acquires VivThomas.com

Metart COO, Shaun Lenihan, is pleased to announce that the company has acquired VivThomas.com for its Metart Network of adult entertainment properties.

Metart and Viv Thomas entered into a website management agreement in March 2013. When Viv Thomas recently announced plans for his retirement, negotiations were opened, culminating in the outright purchase of VivThomas.com by Metart. The change of ownership will have no effect on existing affiliates as they are already in the Metart program.

A fixture in the international adult market since the early 1980s, Viv Thomas has created an instantly recognizable style and crafted a massive catalog of high end erotica.

In collaboration with his wife and a support crew of artists and technicians, the VivThomas brand delivers beautiful people in wonderful places and combines passionate, explicit action with intense, pure emotion. Long recognized as a leader and innovator of lesbian erotica, VivThomas.com also offers boy/girl content, further broadening the appeal of the brand.

The Viv Thomas motto - "A Cut Above The Rest" - is a guiding principle of the company that has earned it a large and loyal fan base as well as numerous awards and the respect of leading industry professionals.

Viv Thomas was delighted to hand over the reins to Metart who will carry the VivThomas brand forward as their own, while honoring the style and vision of its creator.

Speaking from his base in Portugal, Viv Thomas said: "My career has been a roller coaster ride with all the thrills and joy, ups and downs, and the pure pleasure of working at something I loved. VivThomas.com and Metart is the perfect match, I can't wait to see what the future holds."

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Sexart named "Oscar Quality Porn" — The cream does "RISE" to the top!

Rabbit's Reviews Rise AwardsRabbit's Reviews is one of the biggest and most respected adult entertainment review sites in the world. For five years running they've evaluated erotic sites in a broad range of categories, ultimately awarding their coveted RISE Award to the very best of the best. Last year Sexart won the Best New Site in the RISE Awards. This year Sexart scored another, perhaps even more impressive, RISE Awards victory when it was declared Oscar Quality Porn site of 2014.

A statement issued by the RISE Awards judges explained the rationale for their choice: "[Sexart] really puts into practice what it sets out to do — and that is to marry sex and art...[Sexart] continues to produce scenes that are more engrossing than many movies and television shows. Featuring narratives that only add to the sex instead of detracting from it, you could have their scenes playing on a television without anyone noticing (well, until the sex starts)...This award honors the sites that put in the extra time and effort to craft compelling pornography and Sexart does that in spades."

The owners, operators, and artists at Sexart are, of course, flattered, humbled, and honored to receive this or any other respected award. But this specific RISE Award is particularly significant and satisfying, and the award's title says it all: Sexart is "Oscar Quality Porn."

Sexart Co-Owner and Creative Director Jonathan explains: "Since Sexart launched I've been on a soap box of sorts saying that we're different, we're not like any other site. From the beginning I've been trying to do something completely different. Sexart is about creating a genuine cinematic experience. Not just a better or a different porn experience, but a completely new experience, and that starts with a love of movies, and with a love and respect for the art of cinema."

A lot of ink has been spilled, and a lot of words have been spoken about adult cinema, but the comparison to the ultimate achievement of mainstream movies doesn't come up often, if at all. That's why the RISE Oscar Quality site Award is so meaningful.

Savoring this milestone achievement for Sexart, Jonathan continues: "From the birth of the idea to where Sexart is today, we've come a long, long way. It's still a work in progress, we're not there yet, but it feels so good that we are getting that critical recognition and getting people to actually recognize that what I've been saying all along about Sexart is true — we are different! We are blazing our own trail. I don't even look at sites in the so-called 'glam/couples' genre — that's just marketing, a gimmick. With Sexart I'm doing my own thing, staying true to my vision. To win an award for that, for staying true to my original concept, that means so much. And it inspires me to keep pushing the limits, pushing myself, and pushing my creative team to continue making Sexart everything it can be."

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Simply Sapphira

On set with Alis Locanta again! Sapphira shooting for Sexart in her first solo scenes. Many of our Metart members know Sapphira as an exclusive Metart model. Photographer Luca Helios brought her to life for us through his photographic genius. Well, the wait is over, and Sapphira has decided to bless us with her presence on Sexart, and only in the tasteful, cinematic style Sexart can bring. More to come, stay tuned...

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On Set With Alis Locanta

Behind the scenes at SexartOn set today with Alis Locanta. He’s shooting new Metart Model, Eva. Alis sent me these photos, saying her first solo scene went extremely well. Alis stated, “She’s a natural in front of the camera, it was a beautiful scene”. I for one can’t wait to see the first edits of this all natural beauty.

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SexArt Now Accepts Bitcoin — a new way to pay...

The MetArt story is inextricably connected to the evolution of digital technology. We pioneered the online digital erotic art photography marketplace, and we've embraced every meaningful technological advance — whether it was multi-mega-pixel imagery, HD video, or streaming technologies — in our content as well as in the features and user interface of the site itself. Now that MetArt has grown into the MetArt Network, an expanding family of premium quality erotic sites, our ability to harness and employ the latest technological developments is more important than ever.

It is in this spirit of ongoing technical advancement that the MetArt Network has become the first adult entertainment company to accept the revolutionary digital currency bitcoin.

Bitcoin, the first widely circulated and accepted digital currency, has the potential to completely revolutionize ecommerce on a global level. The MetArt Network made the decision to accept bitcoin for a variety of reasons, but chief among these are the benefits the new payment method offers our members. Bitcoin offers unparalleled levels of anonymity, confidentiality, and protection to the consumer. Customers who would prefer not to use personal bank accounts, checks, or credit or debit cards can now purchase site memberships with the safety and security of digital currency.

While payments in bitcoin provide MetArt Network customers with a secure and convenient alternative payment method, bitcoins also pack a lot of bang for the buck (bang for the bitcoin?) because monthly memberships in all the MetArt Network sites are currently offered at a half-off discount for those who pay with the cryptocurrency. For a newfangled payment method that's old fashioned value.

Whether you choose to purchase your MetArt Network access with bitcoin or any of the other methods offered, MetArt's embrace of the cyber cash proves, once again, the company's dedication to constant and ongoing improvement of our products and commitment to providing the highest level of service to our customers.

Click here to join with BitCoin!

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Behind The Scenes Look - Lanzarote 2013

Original Post By Ariel Piper Fawn

Hello Everybody,
We just completed our first big SexArt production and I wanted to share the experience with you. We choose Lanzarote, the beautiful Island off the coast of Spain, one the Canary Islands. 
 
Immediately after the crew and I landed we started to search for nice places to shoot on the Island. We found beautiful locations and our villa we stayed and worked in was incredible. For fourteen days, we filmed, ate, slept and most importantly had an absolute blast.
 
The Island of Lanzarote is known for its black sand, rock beaches created by volcanic eruptions. You will see some great movies that we shot on these unique beaches. I am sure you will enjoy watching them as much as we enjoyed shooting them. 
 
Instead of the expected 25 degree celsius weather normally felt on the Island this time of year, we experienced rainstorms which is very unusual. Even after all these problems that make filming so difficult we were able to make films that we were extremely proud of. For example, Love From A Bottle, The Sea Mousse, Señora and Jorge just to name a few.
On the first day everybody was full of energy, so we aggressively shot 4 scenes. We finished at 3am, exhausted and sleep deprived. After this marathon shooting, I understood that I can not destroy my team before we get started, we immediately slowed the pace down going forward.
 
Shooting in the bungalows were without troubles. We enjoyed all our new equipment, actors were great and the production was without hassle. Our cinematographer John Humble learned fast as his new role of jib operator. If I wouldn't of known this, I would have never guessed that he was not already a seasoned veteran.  
     
During shoots on the beaches, we wanted to tryout a super-slow-motion camera for the first time. The camera guys did not hesitate to jump right in the water to get the shots planned in our pre-production meetings. They enthusiastically jumped into the water and began filming, not always being able to avoid getting smacked by a giant wave.  No matter what hurdle we faced the beauty of the Island kept our moods lifted. 
 
Everyones favourite model Lorena, shot her first Girl/Girl scene and gave us the most incredible performance as you will soon see. We are finishing the final editing on her scenes.
 
 
Next scene we shot was a scene with Whitney Conroy. Originally, we were going to shoot a Girl/Girl scene with her, but during our stay she got really close with Matt Ice and she told me she wanted to make love to him on camera. Who would say no to her? To unexpectedly be asked to make love to the beautiful Whitney Conroy.  Obviously Matt was“feeling” her too, so the decision was made by the couple to do a love scene together, and we went with it. The outcome was EMOTION, and it was one of the best scenes we shot.  You can see this scene on SexArt now. It was released last Saturday on the 20th of April.
 
I can say, without a doubt, the Lanzarote production was the most amazing experience we’ve ever had as a film crew.  MetArt’s hands off approach, letting the artist have 100% creative control has allowed us to experiment with our craft in ways I never imagined. It was at times exciting, exhausting, relaxing, but always hot and sexy!
 
Everybody was sad when the production was over.  On the last day of the trip we had fun with Silvie Deluxe to extend the fun. The crew wrapped her in plastic foil used for the film equipment, and they tried to ship her back with the luggage :). The crew told her they thought she could use better sun protection for the ride to the airport.
 
As the flight home got closer we started to dance the Harlem Shake. If you want to see a very embarassing moment of the European SexArt team dancing like fools, check it out here: 
Because we are sticklers for perfection, we made a better one at the airport.  There was a lot of angry people at the airport because their flights were canceled, we thought it would be appropriate to lighten the mood.  We switched on the music from my laptop and started to dance in the middle of the airport like crazy people. We began to see people smile, it was a great feeling to make people happy in a stressful situation. I want to make you happy too, so here is the video from the airport: 
I would like to thank everybody, from the crew to the actors that made this trip such a success. We love SexArt.com and MetArt for allowing us to bring the members content we are extremely proud of. 

 

 

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"Intensify" — vivid visions of explosive passion...

Intensify Starring Maddy O’Reilly & Danny MountainThe SexArt HD erotic movies I've evaluated thus far have all had, to one degree or another, a story or some narrative arc. To tell any story within the short running time of the typical SexArt production takes great skill on the part of the film makers — they don't have a lot of time to waste on dialog or exposition when the emphasis, rightfully, is on creating erotic atmosphere, tension, and action.

"Intensify" dispenses entirely with plot. There is no story. None. The concept came from a random thought, and was made possible by ultra-high speed photography. But that's only the mechanical, technical aspect. The driving force behind "Intensify" is the burning passion the stars have for one another. If Maddy O'Reilly and Danny Mountain aren't lovers off-camera I would be highly surprised. And if they are only coming together to perform in a scene — two professionals, two strangers — their performance is truly award-worthy. This is not cookie-cutter, tab A/slot B sex — this is raw, sincere, passionate, driven, explosive passion. And that passion — stunning in its own right — is elevated to the level of erotic art by the technical premise Bo Llanberris and his technical crew have so brilliantly executed here.

 

The film begins with super-slow motion footage of Ms. O'Reilly standing nude, the wind subtly blowing through her hair. She jumps, gleefully — but very, very slowly! — on a mini-trampoline. Mountain's hand playfully swats O'Reilly's ass and the camera captures the energy as it ripples through her flesh. Water splashed on Maddy from off-camera shimmers as it moves through the air returning to its source. My descriptions can't do this footage justice, you've really got to see it to fully appreciate it.

And that's even more true of the sexual performance that follows. Shot entirely on a stark, seamless white set, the emphasis is completely on the actors. As I mentioned before, I don't think for a minute they're acting — this is a couple making love without a thought of the outside world or the cameras tracking, panning, and soaring over them. The multiple orgasms O'Reilly experiences between the eight minute and the nine minute mark are one extended highlight — and the film has only reached the halfway point, with copious thrills yet to come.

Please don't consider this a spoiler, and forgive the pun(s) when I suggest that most keen-eyed viewers will have seen it coming, but when Mountain finally reaches his peak, the high-speed camera is returned to duty and captures his multiple eruptions in ultra-slow motion. By the look on Maddy's face, she's enjoying the action as much as her partner. After the end credits you'll find some extra footage. If that's how this couple spends their break time, no wonder "Intensify" is so intense.

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"Prince of the Full Moon" — things that go bump in the night...

 

Halloween has always been — despite the candy and kiddies in cute costumes — the most "adult" holiday on the calendar. And the emphasis on the erotic aspects of the holiday has grown dramatically over the last decade. On the night when ghosts, ghouls, goblins, monsters, mutants — and sexy nurses — gather to celebrate, it's worth noting that many of the classic tales of horror, from vampires to werewolves, have a distinctly erotic element. So, in the Halloween spirit, the mad scientists at SexArt have concocted a very special treat.
 
"Prince of the Full Moon" begins with a voice-over narration that not only establishes the film's premise, it also offers a symbolic tip of the hat to classic horror films of yore, as well as the creature-feature shows that were once a staple of late-night TV.
 
Yes, it's a dark and stormy night. And we have a voluptuous and exotic young woman in peril — Aria Salazar making her erotic film debut. Add a mysterious mansion in the middle of nowhere, and its even more mysterious inhabitant, played by William Corazon, and we have all the elements necessary for a night of chills and thrills.
 
Candles flicker in the dimly lit space. The atmosphere is heavy, ominous, and the attraction between the lost lamb and the mysterious man is instantaneous and overwhelming. Even though one can sense the chill in that vast, gloomy space — a feeling enhanced by periodic flashes of lighting and booming thunder — the sheet the twosome occupy is soon stained with the free-flowing sweat of ravenous passion.
 
The action here isn't only moody and evocative, it's also particularly athletic — the couple push each other's buttons and each other's limits while transitioning through a plethora of positions ensuring not only their mutual satisfaction, but that of the viewer, as well.
 
"Prince of the Full Moon" offers many erotic treats, along with a trick or two. Consider yourself warned.
 
Prince of the Full Moon releases this Thursday, October 25th.
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"Melancholy" — overcoming heartache with overwhelming ecstasy...

 

Melancholy by Paul and Ilona Black Starring Emily JWhile the star and creators of "Melancholy" are well known to members of TheLifeErotic.com, one of our sister sites in the MetArt Family of sites, this film marks their debut at SexArt. And what a stunning debut it is!
 
From the moment it starts, through each transition as the story unfolds, and as the sexual, emotional, and visual intensity builds, I am riveted to the screen. Truly, this is bravura filmmaking artfully scaled down to fit within a scant eight minutes of run time. It tells a richly nuanced story, complete with voice over narration, helpful subtitles, and powerful flashbacks. It is beautifully performed, shot, and edited. And it is absolutely one of the flat out hottest solo female productions I've ever experienced.
 
Don't, under any circumstances, let the film's title put you off. While it's true that a heartbreak sets the story in motion, the "Melancholy" of the title is a passing phase, a challenge to be dealt with. And Emily J deals with it in no uncertain terms! Now, I can tell you that this is, at the most basic level, a female masturbation movie. But it's the realism, the emotion, the electricity, the raw hunger of a woman alone that elevates this to such staggering erotic heights.
 
With such a beautiful and gifted performer to work with, the director/editor team of Paul and Ilona Black might have hung back and let their star work her magic. Instead they've employed a dazzling array of cinematic techniques to enhance and intensify the on-screen action — "Melancholy" is packed with images and effects that combine to create an erotic visual thrill-ride, with eye-popping surprises around every turn.
 
Physically, facially, emotionally, and erotically, Emily J is a wonder, a true star. And the concept, execution, and technique employed by Paul and Ilona Black is masterful. Engaging, moving, surprising, and profoundly satisfying, "Melancholy" is nothing less than a masterpiece of short form erotic movie making.
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"The Promise" — making love, as only lovers can...

 

The fundamental skills required of erotic performers couldn't be more basic. The sex drive is instinctual and even the most inept or ignorant individual can figure out the basics quite easily. But take what happens in a private bedroom and put it at the center of a movie set, and things quickly get more complicated. Not only are the performers required to deliver the action, they're also supposed to make it look genuine to the camera while surrounded by onlookers and equipment. Furthermore, they may be having sex with somebody they've only just met, or somebody they know and don't particularly like, or someone they find personally or physically unappealing. The point I'm attempting to make is this: you may have done what the performers are doing, but that doesn't mean you could do the same thing in an erotic film.
 
Let all that serve as background to the premise of "The Promise." The two stars of the production — Jasmine W. and Logan Pierce — are both adult industry pros. And even a newcomer to SexArt is probably familiar with some of the films they've performed in. But what you may not know, and what I've only just learned, is that the twosome are in a committed, romantic relationship in what's commonly known as "real life." Although they work — and work well — with others, in "The Promise" they work together — in this setting they're not simply skilled and polished professionals, they're genuine, actual, lovers. That fact is abundantly evident here, and gives the production a sense of passion, attraction, connection, and realism that simply can't be faked.
 
Here's another notable bit of background information: Jasmine W.'s lent star quality sizzle to her numerous girl/girl performances, but here, for the first time, she makes love to a man who happens to be her actual lover. That fact, in and of itself, is reason enough to schedule a viewing.
 
With all these facts in my mind, I approached "The Promise" with high expectations. And those expectations were immediately met, and quickly exceeded. Jasmine's solo masturbation scene that opens the film is the perfect prelude. When Logan Pierce arrives, shortly after the seven minute mark, the sparks begin to fly. It's immediately clear that these two are happy — delighted, thrilled — to be together, and they enjoy every moment of it. The shared smiles, the subtle, fleeting looks, the prolonged eye-contact, are all clues to the bond the couple shares. And the sex reflects that connection. I get the sense that they're very much in a world of their own, that they're alone, together, and the lights, cameras, and crew members surrounding them have been tuned out entirely so that they can satisfy their own passionate desires. This production could only have come from SexArt, but it's the "LoveArt" aspect that makes "The Promise" so powerfully engaging.
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Mainstreaming Porn -- By Bo Llanberris

 

On The SexArt Set With Elle AlexandraWhat do you think would happen if you went to the latest Spielberg movie and in between the guys saving Private Ryan and the crazy scientist stuffing garbage down the flux capacitor to head Back to the Future, there were also graphic love scenes.  Intro SexArt.
 
My name is Bo Llanberris and I am a mainstream filmmaker and director.  I was trained in one of the finest film schools in the world. I set out to make great movies and to work with the world’s top filmmakers - and I did both.  I’ve rubbed shoulders with some of the biggest names in Hollywood, and I’ve been down in the trenches with the nitty-gritty crew of independent filmmaking with no real money, just the goal of getting into Sundance or the like.
 
Over a year ago I was contacted by the guys over at MetArt.  They had this crazy idea about making high quality, cinema worthy, adult love scenes, in a site they wanted to launch called SexArt, a sister site to MetArt.  They didn’t want to make silly parodies and hire people who couldn’t and shouldn’t act, they wanted to do much more. You can call what they wanted to do porn, but somehow that word does not really describe what they had in mind.  They wanted to take MetArt, keep the high quality, and go graphic.
 
I have to tell you, although I felt the idea was worthy and somewhat lofty, as a mainstream filmmaker I didn’t want to be a part of it.  All I could see was “me doing porn,” which is not exactly why I spent all that money and effort to go to film school.  But after some further discussions we decided to give it a try and do one short film shoot as an experiment to see what it would be like.
 
Mind you now, I had never done porn before.  Sure, I watched it, but I never imagined being a part of it as a filmmaker, and certainly not as a director.  But in a very real way I was intrigued by the idea of making a love scene that was graphic and a turn on, but not like you’d see on a Tube site.  I wondered what would happen if I brought in a world class cinematographer, a top Hollywood composer and a professional Hollywood film crew, and approached a graphic love scene like it was in “An Officer and a Gentleman” or “The Titanic,” or “Pretty Woman.”
 
The result was awesome, but completely untested and no one, not even the wise folks at MetArt, knew what was going to happen.  Would the masses like it, or is everyone just interested in porn for the porn and damn everything else.  Did I make a mistake as a mainstream filmmaker and produce erotica that no one really wants to see?  As it turned out, people started to respond and respond well.  Comments like, “It’s about time” and “Finally, quality adult entertainment” came out of the blogosphere.   Our efforts were rewarded by sign-ups and great reviews and requests for more.
 
So now we all realized we did something right and the guys at MetArt were on to something.  And I realized that porn isn’t just a thing on “Youjizz” or behind a closed door in some dark alley.  Everyone has sex, and lots of people, although not all, make love, and those people like to see other people make love too.  Some of the greatest pleasures in my short life have been making love to a beautiful woman, where sex was really hot but it was our hearts that drove the passion.    And that, for the most part, is what I strive to show in SexArt - real cinema quality graphic love scenes that are shot like mainstream movies and are also hot and honest.  Looking back at the 100 plus films I’ve completed for SexArt, I realize I am a changed man.  Where once I was aghast at the idea of doing porn, I am now proud to say this is what I do, this is who I work with, and, until I’m asked to stop or no one likes it, I will continue on doing it.
 
Bo-
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Malena Morgan: From contract star to cover girl...

 

MetArt Contract Model Malena MorganMalena Morgan is a star. The owners of the MetArt network recognized Malena's potential instantly and signed her to an exclusive contract before anyone else in the adult entertainment industry could. And almost immediately after making her debut in a MetArt erotic photo series she shot straight to the top of the Top Models list. The MetArt membership loves Ms. Morgan and her sets and HD erotic movies are among the highest rated and most popular on the site.
 
And when SexArt was launched, Malena Morgan was a huge part of the new site's overnight success. Not surprisingly, she quickly became the most popular performer at SexArt based on the votes of the membership at large.
 
When the creators of Touch me Magazine, an innovative new erotic entertainment e-zine, published their premiere issue what erotic superstar did they choose for the cover? Malena Morgan. And Malena isn't simply an eye-pleasing cover girl, she's also featured in a photo-illustrated Q&A that's filled with biographical background and more than a few tantalizing tidbits of trivia. Did you know that Malena likes to sing Christmas songs in the shower? Neither did we!
 
The second best thing about Touch me Magazine — the Malena Morgan cover and interview is obviously the first! — is that individual issues as well as subscriptions are totally free of charge. The magazine can be viewed in a browser, but it's completely cross-platform and Mac, PC, smartphone, and tablet users can enjoy all its interactive goodness anywhere they go.
 
Touch me Magazine, Volume 1, #1 also includes a detailed and extremely favorable review of SexArt. This comes as no surprise since the editorial team at the magazine obviously have excellent taste. And as a bonus — some might consider it a bit of a tease — Touch me Magazine also devotes a page to SexArt model Sinia A.
 
If you'd like to see more of Malena Morgan (and read about her, too) you don't want to miss this. And if you'd like to learn what an independent critic thinks of SexArt, the newest site in the MetArt network, you'll want a copy, as well. You'll find your free copy at: TouchMeMagazine.com.
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"Enchantress" — touched by an angel...

 

Jessie Andrews in EnchantressBo Llanberris starts off his latest effort with a subtle and skilled homage to the swimming pool scene in Amy Heckerling's Fast Times at Ridgemont High. He's deleted the Judge Reinhold character, however, and instead of Phoebe Cates emerging in from the crystal waters in sensuous slow motion we have Jessie Andrews, the "Enchantress" who gives this film its title.
 
The sight of this petite siren, hair slicked back, her body wet and glossy in the sun, is arresting, and pulls the viewer directly into the flow of the film. The lush landscaping and the exotic flavor of the soundtrack add a bit of middle eastern mystery and creates the perfect setting for some intense and involving alfresco autoeroticism.
 
The pace is languid, with a smooth, particularly fluid progress. This aspect is emphasized by Hiro's camera which rises and falls, pans, slides, and tracks with silken, buttery grace. While we might have an idea of what is about to happen, Jessie takes her sweet time and savors each emotion and every physical sensation as she begins to unwind and undress.
 
She's only wearing a bikini, but it does take nearly two minutes before the top comes off, and that adds considerably to the tease factor. And even after she slides off the bottoms we still have some waiting to do before Jessie sends her fingers in search of self-made pleasure. It is made quite clear, both through Jessie's pace and the cinematic style, that this is an experience she intends to savor.
 
And savor she does. Using only her fingers, she works herself into an ever-increasing state of arousal. And as her arousal increases, the music diminishes and soon the soundtrack consists solely of a flowing fountain, the birds in the trees, and Jessie's moans and sighs of erotic enjoyment. She begins in a seated position and later rises up on her knees. In both postures we're offered ample intimate close-ups and an eye-filling view of the increasingly fevered action. The reward of the measured pace and leisurely build-up? A prolonged and powerful climax.
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Girls Love Sex: Just Jasmine - an intriguing introduction.

 

Girls Love Sex - Season 2, Episode 15 Just JasmineGirls Love Sex:
 
This is my first encounter with Jasmine W, and it's also the first SexArt Original Series episode I've viewed. And I can say, without reservation, that both these "firsts" were entertaining and enjoyable.
 
As an introduction to an erotic performer and model, "Just Jasmine" covers a lot of territory in a relatively short span of time. It combines interview footage, still images from some of Jasmine's other SexArt offerings, nude modeling in the studio and outdoors, some al fresco sex play with Charlotte Stokely, and an intimate and subtly intense session of machine-assisted masturbation - we even get to look through the provocative contents of Jasmine's handbag.
 
But despite of the volume and variety of materials included here, the episode doesn't feel cluttered or rushed, there's a pleasant pace that lets you enjoy what you're seeing at any given moment even as you anticipate what might be coming up next.
 
"Just Jasmine" begins with just that: Jasmine W, fully dressed, seated on a sofa answering questions posed by an off-camera interviewer. After getting some background and sense of her cheerful and uninhibited personality the scene changes. This beautifully lensed segment finds Jasmine, totally nude under a man's coat, on the rocks of jetty on a deserted stretch of beach.
 
Additional bits of the Q&A serve to set up or explain ensuing scenes. We view a snippet of Jasmine's strawberry-enhanced scene with Rilee Marks, for example. And a question about her home furnishings leads to lighthearted poolside lesbianism including face-sitting. 
 
"Just Jasmine" reaches its peak of intensity when the starlet, now totally nude on the same couch where she's been interviewed, puts a Rabbit vibrator to its intended use. Jasmine's performance here is impressive. Not because it is a "performance," but for the natural, spontaneous, and entirely genuine quality of what she shares with us.
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Pre-Release Peek: MetArt Model Milena D - Goddess in a cave...

Milena D: Untitled, by AntaresFor my second contribution to the SexArt blog I've been given a unique opportunity: I get to evaluate an explicit photo gallery before it has been added to the site. In fact, it is so new that it hasn't even received a title yet. Additionally, as far as I know, it doesn't have a scheduled release date, either.

SexArt contributing photographer Antares has chosen a particularly interesting and evocative location for this erotic pictorial. It's actually a cave, located high on a bluff overlooking a scenic stretch of coastline and the deep, blue sea. While Antares certainly knows a worthy location when he sees one, he also has an expert eye for modeling talent.

His subject here, Milena D, is a model I've had some experience with - I've critiqued no fewer than three of her MetArt erotic galleries over at the MetArt blog. While every set I've seen has been different in one way or another, her nubile body and blue-eyed beauty is irresistible no matter what the setting.

Milena's costume - fringed leather wristlets and a leather apron (sort of the front third of a Breechcloth) - fits perfectly with the primitive location. And it does a very bad job of covering or concealing that scrumptious body, which is a very good thing.

As an admitted admirer of Milena D's work at MetArt, it's a singular pleasure to view her in a SexArt gallery. I've always hungered to see a bit more of what Milena has to offer, and I'm pleased to say she offers up lots of luscious goodness in the plentiful assortment of explicit images in the collection.

#092 is a particular favorite. With two fingers of her right hand inserted to the second knuckle, and with a stiff nipple captured between two fingers of her left, Milena looks directly at the camera. Those plump, barely parted lips, and those bedroom eyes project a profound and powerful sensuality. The heavy-lidded eyes in #051 (pictured here) deliver another steamy message. And the parted lips and open mouth in #042 offer an enticing invitation.

Among the less explicit (but no less erotic) shots I like #006 (for the way it captures Milena's body from head to toe while also revealing the exotic locale); #016 and #018 (love that ass-length hair); and #013, a beautifully posed and composed headshot.

Although I haven't been told when, exactly, this series will be added to SexArt, I can surmise that it will be soon. And, based on my impressions, it will be worth the wait.  I'm sneaking a few more images for our Members and releasing them on the Members home page inside. So, if you're not a Member, now is a good time to join >>.

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Welcome to SexArt

SexArt Shoot: Rilee Marks

SexArt by the creators of MetArt — the revolution in erotic entertainment. When I refer to SexArt as revolutionary I'm not exaggerating.  There's never been anything like it on the Internet, there's really nothing to compare it to. But I find it useful to think of the radical transformation of television that occurred with the arrival of premium cable channels. Can you even imagine TV without premium cable? Neither can I.

The premium cable channels completely changed the landscape of TV and rewrote the rules of televised entertainment. Now SexArt is going to do the same thing for the world of online adult entertainment. It's a big idea, a completely new concept, and it carries a certain amount of risk — all revolutionary advances do. But the creators of SexArt have the vision, the background, the skills, and the resources to take the risk.

SexArt offers an unprecedented range of high-end erotica — from soft-core to explicit hard-core, from nude pictorials to big budget adult feature films. SexArt offers erotic reality programming, eye-opening sexual documentaries, and original erotic dramas. No other site can claim to — or even dream of — offering a fraction of what SexArt presents. But what makes SexArt truly unique and completely revolutionary is the way it combines Sex and Art in all its programming. SexArt brings erotic cinema to a whole new category of consumers, with woman and couples centric programming at the forefront.  Adult entertainment is a male dominated market but SexArt has set out to change the landscape.  SexArt understands there is a dearth of erotic entertainment that appeals to the majority of possible consumers and has brought new sensibilities to all its programming.

MetArt wanted to make sure to deliver on this promise and collaborated with the Zalman King Company producers of mainstream erotic cinema. Writer/Director Zalman King, the creator of the romantic/erotic genre with "9 1/2 Weeks," "Wild Orchid" and "Red Shoe Diaries" — real stories, gorgeous people, beautiful photography, all of the qualities that an audience expects from mainstream motion pictures are now being applied to erotic story-telling in SexArt.

If you're satisfied by the online adult entertainment you currently enjoy, that's great. But, if you currently don't have a source for sensual erotic content you feel is worthy of your money, something infinitely better, something that's distinctly different — something, well, revolutionary — SexArt is going to change the way you enjoy and experience erotic entertainment forever.

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Latest Comments

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    loosebruce 2 hours ago

    So perfect!

    on Karda
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    tigerwoods 3 hours ago

    so enjoy seeing women pee........

    on Be My Slave II
    C

    Crackerman75 5 hours ago

    Thank you sexart!!!! I've waited forever to see this girl spread her beautiful pussy and finally!!!

    on Karda
    C

    Crpaddct 16 hours ago

    A creampie for each of the ladies at the end would have made this scene way more erotically powerfull. And as group creampies are surprisingly rare in porn, it would have made this scene a true epic. As it is it's more like any other well shot erotic porn scene.

    on Siesta
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    dArtagnan 18 hours ago

    Sybil is effing gorgeous, and a star fucker to boot. What a lucky guy, even if it's just for porn. The camel toe slide was a special treat.

    on Undress
    C

    Crpaddct 19 hours ago

    One of the most beautiful & sexy brunettes to appear in porn anywhere & anytime. And that beauty and sex appeal combined with Iwia's willingness to do creampie scenes, made her a particularly enjoyable model to watch while masturbating.

    on Iwia A
    R

    Ratman 22 hours ago

    Wonderful fun day. If I had a pussy Alexis would be my first choice to munch it. She appears to really enjoy doing that and I am so envious these young ladies having so much fun together. A really cute pair.

    on Crazy Day
    R

    Rose 1 day ago

    Two really cute, high energy girls. Gorgeous!

    on Crazy Day
    b

    beetle 1 day ago

    Wintertime - winter pictures. Delightful.
    A nice little story that begins with a sleigh ride and ends with an intense loving play of the two girls on the couch.

    on Crazy Day
    I

    INXSOFU 1 day ago

    I really loved the final orgasm. The closeness where Clea & Thomas are wrapped in each other and hold on tight to each other because there's nothing else that matters more than experiencing the final explosion of passion. But it doesn't stop there as they continue to touch, hold, kiss and then Thomas helps Clea to sit up and move on top of him for more touching and kissing. They take their time with each other and I notice the beautiful arch of Clea's back as she passionately moves into Thomas to caress his body and lips. Just sensational.

    on Retrospect
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    Ratman 1 day ago

    Very pretty lady. I love her pussy. The lips open up like a beautiful butterfly. Not a lot of extra labia.

    on Eldina
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    Tristan Heart 2 days ago

    I liked most parts of this one, but I think I might be getting too mature or old for all this fake pleasure moaning, to be honest at this point I find it more of a turnoff than a turnon, well truthfully spoken I have always had it like that, but it just seems to annoy me more now than it have before :-/

    That natural heavy / rapid breathing accompanied by the occasional low spoken words of encouragements or excitement is just way more erotic to me :-)

    on Morning Stretch
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    beetle 2 days ago

    MARVELLOUS. Gracy is really marvellous. I love every inch of her hot body.

    on Eldina
    R

    Rose 2 days ago

    I will pass on the request, Benny – I agree, she's gorgeous!

    on Girls Love Sex - Lily LaBeau
    B

    Benny Back 2 days ago

    Hi Rose,
    is it possible to shoot another movie with Lily?She is so beautiful!!
    May be with Belle Claire,Henessy,Dorothy or Alexa Tomas,that would be wonderful.
    Gladly for Viv.Thomas directed by Sandra Shine

    on Girls Love Sex - Lily LaBeau
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    Nate 2 days ago

    I don't really enjoy anal play too much but oh man I enjoyed the video anyway. What a great orgasm! She had some fantastic pussy play too with wetness. Mango is so sexy and hot! It's a pleasure to see her going at it.

    on Girls Love Sex - Exhibitionist
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    tigerwoods 3 days ago

    One of the best models and films on sexart................brilliant

    on She Princess
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    John Galt 3 days ago

    Very, very lovely!

    on Morning Stretch
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    beetle 3 days ago

    A very harmonious pair. Watching them during sex is a pleasure.

    on Morning Stretch
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    Nate 3 days ago

    You get two things, her showering(soaping herself, seeing it all run down her body) then the sweet sweet masturbation! All put together in a nice little package.

    on Feminine