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"The Score" — sometimes crime does pay...


Ella Milano & Logan Pierce in The ScoreIn the mood for some smooth, moody, and evocative SexArt erotic entertainment? Hold it right there, wise guy, and prepare yourself for something completely different. And don't make a move until I say so!
A hail of bullets and the squealing tires of a getaway car. A gorgeous gun moll and a Tommy gun-toting gangster. If that doesn't sound like typical SexArt fare, you're right, it's not. At least not as it begins. And that's part of the art and beauty of it. We, and certainly I, don't expect a SexArt production to begin with a robbery in progress, and yet that's exactly what we have in "The Score."
Hot-shoeing his emerald green Caddy from the scene of the crime, Logan Pierce high-tails it to a peaceful hideout in the hills where he can lay low for a while. Laying low, in this case, involves doing what comes naturally with Ella Milano. To express her admiration for a job well done, Miss Milano provides a job well done — blowjob that is. This is thorough and thoughtful oralism, and one gets the sense that Ella is enjoying the act as much as her partner in crime.
There's nothing like armed robbery to work up an appetite and Logan next feasts hungrily on Milano's sweet treats. As skilled with his tongue and fingers as he is with his trusty Thompson, Ella is transported to ecstasy in short order.
While the set-up may be something of a surprise, the actual action here is what we've come to expect of SexArt, and by that I mean it's well paced, passionately performed, and skillfully captured. Although the entire tryst takes place on a relatively small couch, Hiro's camera moves freely and acrobatically around the lovers. At one moment we're viewing an insertion from eye level. Soon after we're crouching down, looking up. And moments later we're soaring over the copulating couple for a beautiful bird's-eye view.
Contrary to common wisdom, orgasms are a girl's best friend, and Pierce treats Milano to several of them before coming to his own conclusion, which he does on her beautiful belly. Surprising and satisfying, "The Score" is a solid success.

"Concierge" — room serviced...


The SexArt HD erotic feature, "Concierge," unfolds at a gentle, relaxed pace while building steadily to several satisfying peaks of intensity. The soundtrack music, backed by the sounds of wind and surf, contributes much to the mood and ebbs and flows with the on-screen action.
That action begins in a picturesque setting. Redhead Dani Jensen relaxes on the patio of her hotel room overlooking the sea. The sights, the sounds, and the solitude inspire her mind to wander. Her fingers follow suit, and before long she's doffed her hat, disposed of her dress, and dispensed with her pretty panties. Soon those fingers are hard at work in the crimson-thatched paradise between her creamy thighs. Two insistently thrusting digits bring her to the first climax of the afternoon.
As the flame-haired temptress drifts off into post-orgasmic sleep, Tommy Reeves, the hotel employee who gives the film its title, approaches. Is he a figment of the sleeping beauty's imagination, summoned to satisfy her in the dream state? Or is he real, a diligent worker ensuring the satisfaction of a valued customer? Those questions are never answered in "Concierge," and this ambiguity imparts a bit of erotic intrigue to the proceedings.
A loving, leisurely session of fellatio follows. The pace may be slow, but the levels of passion and skill Dani displays are both extremely high. While we're denied the pleasure of witnessing the first insertion, the redheaded starlet assumes the reverse cowgirl stance and rides with enthusiasm and energy. The choice of position not only allows Dani to control the speed, depth, and intensity of each thrust, it also provides unobstructed views to what will certainly be an appreciative audience.
When the lovers roll slightly into a modified spoon position Tommy takes control and treats Dani to another orgasm. To heighten and ensure her own pleasure, Jensen applies fingers to clit as her climax approaches. Then she demonstrates further manual dexterity by coaxing spurts of satisfaction from her lover's cock. "Concierge" ends with a couple of brief comic outtakes — the cinematic equivalent of a mint placed on a pillow by a thoughtful concierge.



"New Love" — the physical expression of emotional connection...


I became familiar with filmmaker Bo Llanberris through his first contributions at MetArt. Now that he's a member of the core creative team at SexArt, I've had the pleasure of viewing his most recent work and I continue to be impressed. This artist has a smooth, sophisticated style — both on the set and in the cutting room — that is impressively polished yet unassuming and unobtrusive. His is a style that doesn't draw attention to itself. We can appreciate his technique, but it never distracts us from the performers and the action.
That action is well summarized by the title of this SexArt release: in "New Love" we look on as a young couple explore and express their blossoming romance through passionate and sincere physical means. While this is "New Love," I don't particularly sense that this is their first time together. They are at that stage in their relationship where any initial clumsiness has been replaced by passionate intensity and the ease of experienced familiarity. Tyler Nixon knows what Molly Bennet wants, and he goes about giving it to her with the kind of confidence that implies he's given it to her before. In this case it's an extended session of focused and enthusiastic cunnilingus. Focused and enthusiastic is equally descriptive of Molly's enjoyment of the act — I particularly appreciate the way the music fades out as her vocal expressions of orgasmic delight increase in volume.
Molly is a pleasure to watch. She has a plush, shapely body with soft curves and a ripe, squeeze-worthy ass. That ass looks particularly good when she straddles Tyler and teases his stiffness with her well-lubed slit. Even before the first single-hand-assisted insertion it's clear this girl knows how to move. And move she then does in a prolonged bout of cowgirl coitus — those bouncing boobies and the rhythmic banging of the bed frame providing visual and sonic counterpoint. "New Love" pumps vigorously to its explosive conclusion in a second position. Now Bennet is on her back, knees up, for a toe-curling thrill ride. Passionately performed and skillfully executed, "New Love" will never get old.

"Brothel" — specialty of the house...


Imagine that you've just entered a very elegant, very exclusive, very expensive "house of ill repute." The madam escorts you as you consider your options. And what an libido-pleasing array of options they are! Any one of these luscious, lingerie-clad working girls could make your wildest dreams come true, which makes your decision all the more difficult. The you see "Her." You make your selection and retreat to the hushed privacy of a luxurious boudoir for a session of shared pleasure and mutual satisfaction.
That's the simple and expertly executed story of "Brothel," but knowing what happens isn't nearly as pleasurable as watching it happen in artfully rendered detail.
Here the artists and actors of SexArt are at the top of their form. Malena Morgan and a handful of supporting strumpets appear in what are essentially cameo roles as a madam and her stable. Holly Michaels is the shapely harlot that catches the eye of discriminating customer William Corazon. And it's director/editor Bo Llanberris calling the shots and Hiro who mans the optical apparatus.
Although this is a cash transaction there is nothing mechanical or perfunctory about the action. Indeed, the twosome begin their tryst with a prolonged session of kissing and caressing — their passion has a particularly genuine look and feel that generates considerable heat even before they get down to business.
And when they do get down, it's the john who goes down, working his voluptuous playmate into an orgasmic lather with a combination of enthusiastic oral and probing digital stimulation.
The viewer may next expect her to return the oral favor, but the paying customer does not. He's ready to feel what he's just been tasting and after a slide and a smooth push he's soon pumping deep into her hot, wet center. Again, there's nothing mechanical here, there's a sincerity to the physicality. We never sense that the prostitute is giving the customer what he's paid for. Honestly, she enjoys the experience every bit as he (and we) do.
Of course, after several changes of position, even this good thing must come to an end. That end may begin inside, but it finishes with a creamy spill on clitoris and labia. In "Brothel" passion is abundant and satisfaction is guaranteed.

Malena Morgan: From contract star to cover girl...


MetArt Contract Model Malena MorganMalena Morgan is a star. The owners of the MetArt network recognized Malena's potential instantly and signed her to an exclusive contract before anyone else in the adult entertainment industry could. And almost immediately after making her debut in a MetArt erotic photo series she shot straight to the top of the Top Models list. The MetArt membership loves Ms. Morgan and her sets and HD erotic movies are among the highest rated and most popular on the site.
And when SexArt was launched, Malena Morgan was a huge part of the new site's overnight success. Not surprisingly, she quickly became the most popular performer at SexArt based on the votes of the membership at large.
When the creators of Touch me Magazine, an innovative new erotic entertainment e-zine, published their premiere issue what erotic superstar did they choose for the cover? Malena Morgan. And Malena isn't simply an eye-pleasing cover girl, she's also featured in a photo-illustrated Q&A that's filled with biographical background and more than a few tantalizing tidbits of trivia. Did you know that Malena likes to sing Christmas songs in the shower? Neither did we!
The second best thing about Touch me Magazine — the Malena Morgan cover and interview is obviously the first! — is that individual issues as well as subscriptions are totally free of charge. The magazine can be viewed in a browser, but it's completely cross-platform and Mac, PC, smartphone, and tablet users can enjoy all its interactive goodness anywhere they go.
Touch me Magazine, Volume 1, #1 also includes a detailed and extremely favorable review of SexArt. This comes as no surprise since the editorial team at the magazine obviously have excellent taste. And as a bonus — some might consider it a bit of a tease — Touch me Magazine also devotes a page to SexArt model Sinia A.
If you'd like to see more of Malena Morgan (and read about her, too) you don't want to miss this. And if you'd like to learn what an independent critic thinks of SexArt, the newest site in the MetArt network, you'll want a copy, as well. You'll find your free copy at:

"Enchantress" — touched by an angel...


Jessie Andrews in EnchantressBo Llanberris starts off his latest effort with a subtle and skilled homage to the swimming pool scene in Amy Heckerling's Fast Times at Ridgemont High. He's deleted the Judge Reinhold character, however, and instead of Phoebe Cates emerging in from the crystal waters in sensuous slow motion we have Jessie Andrews, the "Enchantress" who gives this film its title.
The sight of this petite siren, hair slicked back, her body wet and glossy in the sun, is arresting, and pulls the viewer directly into the flow of the film. The lush landscaping and the exotic flavor of the soundtrack add a bit of middle eastern mystery and creates the perfect setting for some intense and involving alfresco autoeroticism.
The pace is languid, with a smooth, particularly fluid progress. This aspect is emphasized by Hiro's camera which rises and falls, pans, slides, and tracks with silken, buttery grace. While we might have an idea of what is about to happen, Jessie takes her sweet time and savors each emotion and every physical sensation as she begins to unwind and undress.
She's only wearing a bikini, but it does take nearly two minutes before the top comes off, and that adds considerably to the tease factor. And even after she slides off the bottoms we still have some waiting to do before Jessie sends her fingers in search of self-made pleasure. It is made quite clear, both through Jessie's pace and the cinematic style, that this is an experience she intends to savor.
And savor she does. Using only her fingers, she works herself into an ever-increasing state of arousal. And as her arousal increases, the music diminishes and soon the soundtrack consists solely of a flowing fountain, the birds in the trees, and Jessie's moans and sighs of erotic enjoyment. She begins in a seated position and later rises up on her knees. In both postures we're offered ample intimate close-ups and an eye-filling view of the increasingly fevered action. The reward of the measured pace and leisurely build-up? A prolonged and powerful climax.

"The Cove" — thrill waters squirt deep...


SexArt Movie - The CoveConsidering all the actions, passions, and explosive erotic eruptions it contains, "The Cove" unfolds at a restrained, mellow, and moody pace. The blue waters of the Pacific are framed by three picture windows as it begins. This isn't simply a pleasing image, it's also a visual clue and a metaphor, as well.
A shapely silhouette moves across this background and joins her partner on the bed. Passionate kissing and caressing ensues. As the lighting and focus shifts we discover that it's Malena Morgan and Tyler Nixon, and their Frenching and fondling builds, gradually, in its passion and intensity. Even without live sound (at this point) the attraction and interaction between this couple has a genuine look and feel, and it's a pleasure to watch them pleasure one another.
It's well worth noting that this is — by far and away — Malena's most extensive and explicit erotic interaction with a man in her entire film career. Ms. Morgan made her reputation as a skilled specialist in the Sapphic arts, and those who have hungered to see her play with a male partner will be both surprised and satisfied by this performance.
The second of several enjoyable surprises occurs when Malena turns and beckons to an off-camera someone. That someone is Riley Reid — let the threesome begin!
Not so fast. We do have three participants, but how they participate isn't entirely expected. Riley and Tyler pick up where Tyler and Malena left off. And Malena strips down, takes a seat overlooking the bed, and proceeds to get her voyeur on. It doesn't take much watching before Malena lets her fingers do the walking (and wanking).
Passion is building. Live sound appears while Riley enthusiastically and skillfully fellates her lover. Malena, no less enthusiastic, is now working a curved probe deep into her center. Riley assumes the cowgirl position and begins riding. As the sky outside grows dark, the heat inside raises.
Even though this threesome is divided into a couple and a single, all three participants are listening, watching, and feeding off of each other. The erotic intensity climbs, reaching several explosive peaks in the process of reaching a roundly satisfying conclusion.
Now I'm torn. I don't want to spoil the surprise(s), but I will say this: Tyler isn't the only member of this torrid trio who ejaculates. Want to know the who, what, how, and when? See for yourself in "The Cove."

Red Light District — desire on display...


Molly & Tommy in Red Light DistrictWhen I received this assignment, based only on the title, I immediately imagined some sort of pay-for-play prostitution scenario. But when I clicked "Play" I was in for a pleasant surprise -- and a quick lesson in the risks of jumping to conclusions.
Rather than the street walker and customer I'd imagined, "Red Light District" takes its inspiration from Amsterdam's famed De Wallen, the internationally notorious sex-for-sale zone where working girls solicit business while seated behind the picture windows of red-lit rooms.
A man and woman -- Tommy Reeves and Molly Bennet -- stand next to a round sofa such as one might find in a hotel lobby. The room drips with atmosphere and her skin-tight dress as well as the light are rich shades of red. As Hiro's camera pulls back we find that the couple are standing before a window -- and that passersby on the crowded sidewalk are looking in on them. This introduces the clever device which gives the film its potent voyeuristic punch.
As the action unfolds we switch between the two perspectives. We're either "in the room" with the amorous twosome, or standing outside, serenaded by sounds of the street, looking in. As I said: a clever device. Watching an erotic film is voyeuristic by definition. And by cutting between the two points of view director and editor Bo Llanberris not only underscores our role as "watchers," he also adds another twist: we're watching this couple have sex, yes. But they're well aware they're being watched. They're performing for our pleasure as well as their own. And they're also watching us and feeding off of our reactions. Clever, interesting, and extremely effective.
Despite the red lights and shadowy setting we're treated to plentiful graphic detail. Whether receiving oral pleasure or eagerly returning the favor, Molly Bennet is a skilled and passionate performer. Reverse cowgirl provides optimum views for all on-lookers, and two approaches to rear entry add visual variety. An oral climax provides a satisfying conclusion for all concerned -- the watchers and the watched, alike.  Releasing Thursday, June 21st



Girls Love Sex: Just Jasmine - an intriguing introduction.


Girls Love Sex - Season 2, Episode 15 Just JasmineGirls Love Sex:
This is my first encounter with Jasmine W, and it's also the first SexArt Original Series episode I've viewed. And I can say, without reservation, that both these "firsts" were entertaining and enjoyable.
As an introduction to an erotic performer and model, "Just Jasmine" covers a lot of territory in a relatively short span of time. It combines interview footage, still images from some of Jasmine's other SexArt offerings, nude modeling in the studio and outdoors, some al fresco sex play with Charlotte Stokely, and an intimate and subtly intense session of machine-assisted masturbation - we even get to look through the provocative contents of Jasmine's handbag.
But despite of the volume and variety of materials included here, the episode doesn't feel cluttered or rushed, there's a pleasant pace that lets you enjoy what you're seeing at any given moment even as you anticipate what might be coming up next.
"Just Jasmine" begins with just that: Jasmine W, fully dressed, seated on a sofa answering questions posed by an off-camera interviewer. After getting some background and sense of her cheerful and uninhibited personality the scene changes. This beautifully lensed segment finds Jasmine, totally nude under a man's coat, on the rocks of jetty on a deserted stretch of beach.
Additional bits of the Q&A serve to set up or explain ensuing scenes. We view a snippet of Jasmine's strawberry-enhanced scene with Rilee Marks, for example. And a question about her home furnishings leads to lighthearted poolside lesbianism including face-sitting. 
"Just Jasmine" reaches its peak of intensity when the starlet, now totally nude on the same couch where she's been interviewed, puts a Rabbit vibrator to its intended use. Jasmine's performance here is impressive. Not because it is a "performance," but for the natural, spontaneous, and entirely genuine quality of what she shares with us.

"Ivory" starring Charlotte Stokely — water makes it hotter...


Charlotte Stokely in IvoryA time-lapse shot of fog shrouded mountains sets the tone and serves as something of a palate cleanser as "Ivory" opens. Once the serene mood is established we move indoors — into a spacious shower lined with eye-pleasing sea foam green tiles. Hiro's camera mimics the flowing, falling water and we take a leisurely trip down an undeniably beautiful body.

The first few minutes of this Bo Llanberris production provide an exceptionally enjoyable introduction to Charlotte Stokely. The fluid camerawork, the languid flow of the edits and dissolves, and Charlotte's obvious and unforced enjoyment of the experience create moments that look as good as they must feel. A subtle undercurrent of voyeurism — Charlotte doesn't acknowledge or play to the camera here — adds the spark of anticipation to this sequence that is rewarded when the nubile starlet reaches down and begins pleasuring herself with her fingers.

When, at the 3:00 mark, the scene transitions to a low, wide, circular bathtub, the mood is somewhat lighter, a bit more playful, but no less enjoyable. Here Charlotte seems the slightest bit more aware of the camera, but this is still very much a private interlude. The addition of live sound at around the 6:00 mark not only brings the sounds of dripping, splashing water, but Charlotte's own natural and entirely genuine sounds of sexual delight.

Our voyeuristic enjoyment of Charlotte's bathtub interlude receives and unexpected but most welcome jolt when she slides down into the water after vigorously masturbating and looks directly into the lens — it's a beautiful and involving moment. Beyond Charlotte's physical beauty, the fluid pacing of the film and the ebb and flow of autoerotic intensity makes "Ivory" effortlessly enjoyable.

IVORY in theaters on Monday, June 4th, 2012 - come check it out!