On The Set Blog: "Enchantress" — touched by an angel...

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  • garyk: Please a video of this lovely lady satisfying herself preferablt with just her fingers.

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  • Wolvie: Never naked and ghastly shoes.

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  • Wolvie: Pretty girl, but keeping her half-clothed throughout the entire shoot ruined it for me.

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  • womenlover: NIKA you make me so glad I am a man twice today. Thank YOU!

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  • Cameo: This girl looks like an angel...a beautiful erotic angel, and those breasts...amazing

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  • simonas: Couldn't agree more. She is a seriously sexy lady and the way she opens up her pussy for the camera (and us) seems so natural for her.... My favourite pic is 94 where you can see her body and a lovely gentle smile as she opens up her pussy - this is SO sexy. In all a terrific set.

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  • Tuleriver: They are a sexy pair...but it is obvious there is no "chemistry" between them...a lot less "mugging for the camera" and more intimacy between them would have been preferable.

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  • Valentino: I see it as enhancing the fantasy - you're getting someone who is already spoken for. Its an engagement ring but since its on her left hand it appears that she is married. Pics 51-52 are interesting, in that they appear to be from her perspective, thus she is on on the fantasy, or indescretion, whichever...

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  • anonymous: Very great body and especially a very nice anus. I would love to explore that part of her.

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  • Snowfall: I took it to be an engagement ring, but either way, it makes you wonder what her partner thinks. Pride and love would be good...
    Or, maybe, it's just costume jewellery!

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"Enchantress" — touched by an angel...

Posted by Jon
29 Jun 2012

 

Jessie Andrews in EnchantressBo Llanberris starts off his latest effort with a subtle and skilled homage to the swimming pool scene in Amy Heckerling's Fast Times at Ridgemont High. He's deleted the Judge Reinhold character, however, and instead of Phoebe Cates emerging in from the crystal waters in sensuous slow motion we have Jessie Andrews, the "Enchantress" who gives this film its title.
 
The sight of this petite siren, hair slicked back, her body wet and glossy in the sun, is arresting, and pulls the viewer directly into the flow of the film. The lush landscaping and the exotic flavor of the soundtrack add a bit of middle eastern mystery and creates the perfect setting for some intense and involving alfresco autoeroticism.
 
The pace is languid, with a smooth, particularly fluid progress. This aspect is emphasized by Hiro's camera which rises and falls, pans, slides, and tracks with silken, buttery grace. While we might have an idea of what is about to happen, Jessie takes her sweet time and savors each emotion and every physical sensation as she begins to unwind and undress.
 
She's only wearing a bikini, but it does take nearly two minutes before the top comes off, and that adds considerably to the tease factor. And even after she slides off the bottoms we still have some waiting to do before Jessie sends her fingers in search of self-made pleasure. It is made quite clear, both through Jessie's pace and the cinematic style, that this is an experience she intends to savor.
 
And savor she does. Using only her fingers, she works herself into an ever-increasing state of arousal. And as her arousal increases, the music diminishes and soon the soundtrack consists solely of a flowing fountain, the birds in the trees, and Jessie's moans and sighs of erotic enjoyment. She begins in a seated position and later rises up on her knees. In both postures we're offered ample intimate close-ups and an eye-filling view of the increasingly fevered action. The reward of the measured pace and leisurely build-up? A prolonged and powerful climax.
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