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'What Happens When' – Ariel Piper Fawn talks about major new series!

 

One moment can change everything. That’s the theme of ‘What Happens When,’ an incredible new six-part series from acclaimed director Andrej Lupin. The story, which spirals out from a vibrant party into diverse erotic encounters, demonstrates how one little thing can influence how events unfold, with multiple possibilities all coexisting up until that moment. It’s an extremely complex and satisfying idea, and one of the most ambitious projects yet seen on SexArt!

“What Happens When’ brings together some of the hottest new girls – Eva Berger, Kiara Lord, Bella Blond and Cristal Caitlin – along with a bevy of horny guys and cool supporting actors (see who you can spot!). The action takes in steamy boy-girl and girl-girl sex in various locations, and with a different mood to each scene. You’ve certainly never seen anything like it.

I asked producer Ariel Piper Fawn whether it was the most difficult shoot that she, Lupin and their talented team had yet embarked upon. She told me, “We don’t really have difficult shoots; maybe only from the point of view of getting the emotions we need from the actors to create the mood of the movie. As far as the technical side of shooting goes, our most difficult movie was ‘The Game.’ It took four days, 20 hours a day in the middle of the woods – sleeping in caravans, not too much water! But all of us remember this shoot as one of our best and most fun!

“The most difficult thing about ‘What Happens When’ was to think of really great coincidences and create them on screen so that everyone could understand the concept. We came up with the idea a while ago, and then when we were shooting in Lanzarote, we saw a location that really fitted the story. And to tell the truth, the script was created one night before the actual shoot! All of us had to come up with at least one coincidence and then we took the six best ones and used them.

“What I like most about the movie is how complex it is. The story all takes place in one night, at the same time, in alternate realities. I hope people will like it.”

I think it’s sensational – exciting, creative and very arousing. I’d love to hear what you think!

A new director for Viv Thomas!

Breaking news! Viv Thomas has a new director at the helm… and when I say new, I really do mean new. I’d like to introduce Guy Ranieri Sblattero, an amazing Spanish filmmaker who has an incredible vision for the future of VivThomas.com.

Sblattero was discovered by Jonathan, creator of SexArt and co-owner of the Metart Network, and has been lucky enough to be mentored by renowned SexArt director Alis Locanta, who acted as production designer on his first VivThomas shoots. The creative direction, however, is all Sblattero’s own; though already very successful in other fields, this is his first foray into erotica, and he brings a fresh eye to his artistic endeavours. While holding true to the VivThomas ethos of beauty, sensuality and love of the female form, I think you’ll notice a raw energy and immediacy that is extremely invigorating!

The first movie from Sblattero and his talented crew is called Look at Me, and it will be released on VivThomas.com at the end of the week. It has an incredible cast of delightful new discoveries – Jimena Lago from Spain, Ana Rose from the Czech Republic, Ava Courcelles from France – and a fan favorite, the inimitable Suzie Carina, who takes her skill in pleasuring her female partners to a whole new level in this production.

Sblattero has the camera take a voyeuristic role in Look At Me, capturing many titillating and unique moments as his beautiful girls share the enjoyment of their sexuality with each other, and with us. It feels natural, real and so satisfying – and I hope that like me, you’ll experience a jolt of pure pleasure when you watch it!

 

The DeltaGamma Interview: an erotic artist opens up...

If you've a member of Sexart (or Metart or The Life Erotic) you're most likely familiar with the photographer known as DeltaGamma. As I write, the artist has published 126 erotic photo galleries across the three sites — 39 at Sexart, 67 at Metart, and 20 at The Life Erotic — and he's earned an enthusiastic and vocal fan following. The fact that he's also an active participant in the comment sections has only added to his popularity and reputation — DeltaGamma isn't content simply to create a photo set, he's also keenly interested in the way it's received by the audience.

As it happens, my first contact with DeltaGamma was in the comments section at the Metart blog. After chatting, online and off, I suggested we do an interview. He agreed, I prepared an extensive list of questions, and then things got complicated. In the interview that follows DeltaGamma discusses his background, his inspiration and evolution as an artist, and the unforeseen event that profoundly effected his career as an erotic photographer. And what's included here is only part of the DeltaGamma story, Part 2 of the interview will appear here in the near future.

First of all, why "DeltaGamma," what's the significance of the name?

D: I simply picked the initials of my real name from the Greek alphabet, as a tribute to the classic beauty concept developed in ancient Greece, the reference and inspiration for my earliest work and my art in general. The name I used when I started with nude photography was actually "DeltaVenus," which was inspired by the novel "Delta of Venus" written by Anaïs Nin, and later adapted as a movie that was directed by Zalman King and released in 1995.

What's your background?

D: I was born in a small seaside city on the eastern coast of central Italy, forty years ago. Since then I have lived in several different Italian towns, from the north to the south of the country, and now I'm living in Rome. I attended an international Art Academy after showing some unusual drawing skills when I was very young, at the primary school, where I had also started studying English. And I attended a scientific high school, studying not only scientific subjects but also philosophy, Latin, and the arts. I can't go too deep in details about my life and my "regular" job since it's outside the world of photography and very far from erotic art, but I can say that I've worked for twenty years in a very professional and challenging environment that has allowed me to travel a lot and learn many different skills, meet many people from all over the world — including my wife — and learn to adapt myself to different situations, react quickly, and plan my activities efficiently. I would describe myself as a self-made, happy and lucky man, an artist, a photographer, a traveler, a biker, a sailor in love with the beauty of this world and the beauty of women.

What first got you interested in the artistic potential of photography?

D: Back in 2000, during the longest of my travels — an unforgettable experience spending six months at sea — I had brought with me a photo camera. At the time I had been on a break from oil painting due to lack of time and therefore inspiration, and in a way approaching photography awakened my inspiration again. Photography perfectly integrated my paintings and drawings, which were already oriented towards the search for harmony and beauty in reality without too much intermediation/manipulation of forms and colors, but rather a realistic interpretation of existing subjects, which were mainly female nudes.

How long had you been working as a photographer before you began to shoot nudes?

D: The beginning of my career as a photographer could actually be identified with shooting nudes, except for the very first steps when I transitioned from drawing/painting to shooting photos. I learned the basics of photography by myself, trying to catch the subject the way it was in my mind already before taking the picture, according to my own personal vision coming from my artistic path and from observing other photographers' work.

I started using my first photo cameras in 2000 and I got my first DSLR — a Canon EOS 350D — in 2007. In my early years I shot mainly reportages of my travels and then I started shooting portraits/glamour with a Czech girl I met in my hometown during her summer holidays with her parents. That's probably when my special feeling towards Czech girls and their country started. I went there many times, first in 1992 on a school  trip to Prague — soon after the country's first democratic elections after the fall of the Berlin wall — and I was fascinated by the beauty of the town and its unique atmosphere, and a few years later also by the beauty of the local girls, my favorite subjects for my nudes.

I shot my first amateur art nudes in 2003 with an Italian girl I met on a train, then I started with soft erotic shootings in a couple of workshops in Venice  in 2006, and then in 2007 I finally started with my first semi-professional erotic shootings in Czech Republic and Poland — both countries I was familiar with due to my several trips riding my motorbike in the summer across central-eastern Europe.

You started contributing photo sets to Metart in early 2012, later that year you began contributing work to Sexart, and to The Life Erotic in 2013. Had you published any of your erotic photography before your work for the Metart Network?

D: Publishing my work at Metart had always been my aspiration since the beginning of my erotic shootings and I never really thought of submitting to any other website. Although my very first exposure to soft nudes was with Playboy magazine — I bought my first issue in August 1990 — my view of erotic nudes was shaped and influenced by Metart some years later. I had created my first e-mail account in 2000 and a few months later I subscribed to the Metart newsletter, soon after discovering the site. I remember I saved all the 16 preview images of the featured sets and was amazed by the beauty of models and their erotic attitude captured by the perfect photography. Metart has been my leading influence in erotic photography and one of the biggest influences on my erotic vision.

My early erotic work was closer to The Life Erotic's style in terms of lighting and models' facial expressions, then evolved towards Sexart's main features in a way, while I was still a bit distant from the average Metart style, with crystal clear images and brighter lighting and models smiling and in a happy mood.

Paradoxically I started publishing on Metart first, with "Presenting" Grace C, then Sexart with Mia Sollis,  and finally on The Life Erotic, also with Mia.

I only decided to give publishing a try in 2010, when I sent my first submissions to Metart. After the first feedback (good work/style but models not interesting or already published) I let some time go by, then tried again in 2011 with a few other submissions which were not interesting enough, and then finally had my first sets published in April 2012, with Grace C.

In the summer of 2011 I actually collaborated with a Metart photographer who got in touch with me, Peter Guzman. We arranged a few combined shoots to share costs and models, and I integrated some of his sets with Edwige A, As well as Mia Sollis, and Marjana A.

By the end of the summer 2011 I decided to start shooting and submitting alone, and I started with Mia Sollis and Edwige, two of the models I knew better.

Back to the question: I have actually thought of expanding  and publishing my work on other erotic websites, especially when I didn't have many sets released on the Metart Network. But recently, when I had my work released on a more frequent basis, I started thinking to be loyal to the Network for a number of reasons. One of them is that I consider Metart the top erotic website, the first and only for me, which keeps evolving in a thoughtful way, taking into account ideas and suggestions by members. The other reason has to do with a fact which happened this summer and made me reconsider several things in my life and my career, I'll explain later.

Metart, Sexart, and TLE each have a distinct, unique style, focus, and format. Your work has appeared on all three sites. How do you adjust your style and approach when you're shooting for Metart as compared to TLE, or TLE compared to Sexart?

D: When I shoot a model for Metart my main goal is to simply bring out the model's beauty and her happiness of showing her intimate beauty to the viewer, connecting with him, using a location and a lighting that match this overall feel, possibly in a simple and not too distracting setting. The focus is on the model's beauty and sensuality. One of the first sets embodying this aesthetic feel is my first with Mia Sollis, Voile, which was also reviewed by you in the Metart blog,  and that's where I actually started exchanging comments with some members back in February 2013.

For my TLE work, if we speak about open legs style, the focus is not only on beauty and sensuality but also on a more intriguing side of the model's mood, or  a fetish such as shaving, sometimes combined with the silver mirror insertions, like the one with Tess B, along  with an overall "darker" feel given by the lighting, with lower intensity and higher contrast, making the setting look a bit more undefined and mysterious, like in my first set with Mia Manarote.

For TLE masturbation, and some fetish sets, the model also has to appear involved in the erotic action showing her sexuality in an almost dramatic way, the darker side of her erotic potential, pretending to be aware that someone is watching hidden in sort of a voyeuristic situation.

For Sexart I ask my models to "make it real." Once I show them the setting and the outfit I tell them what the story is about and to believe in it, acting in a continuous action as if I was shooting a video, so that the flow of the action looks more natural, only stopping for the single shot. I also ask them to pretend I am not there and to concentrate on their own pleasure in a natural/realistic way, without exaggerating with facial expressions, but they're allowed to glance at the camera from time to time, when they feel like or when I tell them to do it, in order to keep the contact with the viewer and remind him that the action is for him and also to give a flirty taste to some headshots which I include to let the viewer see what's in the eyes of the model while feeling the pleasure. One of the most satisfying sets is my second with Sapphira.

Have you ever shot something for, say, Metart, but then ended up submitting it to Sexart, instead?

D: When I plan a shooting with some model in a certain location of course I already have an idea of what site I'm going to submit it to. If I had to give a priority that would be Metart, Sexart, TLE for a number of reasons, and this also reflects the number of sets. But sometimes when I am actually shooting it happens that some factors make me change my mind and switch to a style suitable for a site which is different from the initial idea. But it also happened that after taking a look at the photos before editing I realize that the overall feel of a certain set is more suitable for another site, but that's possible from Metart to TLE, or from Sexart to TLE, seldom vice-versa (for lighting reasons) and never from Metart to Sexart (because of the poses/style). Once, after initially scheduling a Metart shooting with some models who had never done masturbation in photos, we ended up giving a try to a Sexart or TLE set (none of these sets has yet been published). And I've submitted sets to Metart and Sexart but then it was suggested I submit them to TLE because the photo editor found the set or the model more suitable for that site, like in the case of the first sets with Paula Shy, Sunshine, and Chloe Coco, and there are a few more.

In the studio or on location — which do you prefer?

D: I generally prefer to shoot indoor with a soft natural light from the window and a realistic setting, because I have everything in control, the ambience is relaxed  with some good music, and posing is generally more comfortable for the model.

I set up a small studio in my old apartment, with a few backdrops in front of a big window, so I could use it either with natural light or with studio light, or combining the two. I have in mind my own private studio for the future, it would be halfway between a painter's and a photographer's studio, with plenty of natural white light during the day.

When the weather is nice and the temperature warm enough for the models, I have a nice location nearby that's also a great option to go shooting outdoor, but it depends also on how happy the model is, because posing is usually not as comfortable as indoor, then there may be some interruptions for various reasons — the lighting conditions may change more dramatically than indoor, then there may be some logistic issues that could distract from me from focusing on the model and the posing.

But basically it's the light of the moment that inspires me and drives me.

A typical set has about 120 images, give or take. How many total images do you shoot during a single session? And how do you approach the task of editing a set for submittal? 

D: I usually shoot 160-200 images, depending on the model's skills/attitude (beginner/experienced, willing/bored) and the lighting conditions (affecting shutter speed, therefore risk of motion blur). When I have the feeling I have at least 130-140 good images I check quickly on the display the variety of poses and if I think it's enough I stop. But there are times when the model is so good that I just can't stop, when we are both in good mood and the poses keep coming different and sexy. I know that I am not going to use all of the images but I can't help, I still shoot for the fun of it. And I also like to show the model many nice pics of herself, especially portraits.

I start editing the set usually after my regular job, at night, or in the weekends, when I am not too tired. I take a look at the whole set, deleting the bad pictures, separating the repetitive shots, and selecting the good images, usually no less than 120. Then I work on the RAW files, starting to give the image the light temperature/tone that best matches the model, the setting and the feel of the set.

My wife Phi — a member suggested this nickname, the ancient Greek letter for "F," because it's the initial of her real name — is there for this phase. She both helps me find the right settings — sometimes it gets too subjective, especially when the lighting during the shooting varied — and she also does most of the editing herself, especially when the photos also need to be retouched. I prefer not to retouch unless it's necessary to comply to the standards of photography on Metart or other sites in the Network. So there are tattoos to get rid of and skin imperfections to fix, as well as details in the setting which are not nice to be seen, in order to make the image look pleasant and eliminate unnecessary small details distracting from the main subject. This phase, for the most complicated sets, can even take up to two or three days for just one set.

Lately, as you may have noticed, my sets have become larger. I've started to extract some images that inspire me for artistic black and white and desaturated color treatments. These are usually images that normally would look like repetitions or be too serious in the set, but that are good for a different image style. I also include close-ups and interesting details. I decided to add these shots as a bonus to a standard set, because I felt the need to let the viewer see the model in other ways, like I do whenever I shoot, trying to imagine the photos in different styles as if they were different techniques of painting or drawing.

It's still kind of an experiment for me, especially if you consider that I started working on black and white and desaturated images not so long before including this type of work in my sets, although B&W is very close to pencil and charcoal drawing, which are one of my favorite techniques.

Members seemed to have appreciated enthusiastically so far, so I consider it kind of a trademark and even if it takes time to do it I will keep doing it willingly. The first set where I included some extra images was my first with Michaela Isizzu, although it was mostly some plain black and white backstage images, so actually the very first attempt was with one of my sets with Sunshine, also reviewed by you in the blog.

All your work for the various sites in the Metart Network have been still galleries. Do you have any interest in shooting motion pictures?

D: I would really love to start shooting movies. I did shoot a few videos with my DSLR a couple of years ago, but I haven't edited them, and anyway I don't consider them good enough yet. I have also shot some backstage video for fun. Videos are very challenging, and I think I have the eye to shoot them, but at the moment it's a matter of time: I am working too hard to have the time to start shooting and reaching a satisfactory level, and I would need more time to edit the videos, too. I always have a very thoughtful approach when it's about starting something I really care about, but then when I start I work very hard and it's difficult to stop me. You can consider the wish of starting to shoot videos my resolution for 2015.

You had a severe misfortune last summer — all your photographic gear and the laptop with your latest work was stolen. How did you recover from this devastating blow, and has this experience changed anything in your approach to shooting?

D: The theft of all my gear last July was a real shock. Now, so many months later, I still think about the few seconds when I was distracted by a man crying out and running to me as someone grabbed my backpack with everything inside and ran away.

I had just come back from one of my most successful shootings in Prague, four days of hard work with Sapphira, Nici Dee, Vanessa Angel, Paula Shy, Dido A, Celeste A and a couple of other models, shooting about twenty-five sets, mostly for Metart and Sexart, and a few for TLE. In few seconds I lost everything: my photo/video gear, my laptop, the hard disks and memory cards with all the work, making the time and expenses for the entire trip a total waste. I saw the robbery on the CCTV the day after, and it was very hard to take. I stayed in bed for a couple of days, trying to get some sleep, staring at the ceiling, hoping to have some news from the police or from friends searching the markets, or from Internet, but nothing.

I stopped being a photographer for some days, suspended in a very uncomfortable situation, but already the day of the misfortune things started happening: my wife let my closest friends know about the robbery, she even wrote to [Metart Network Photo Editor] K to let her know what had happened, and then a post on Facebook kick-started the reaction of some of my most loyal fans, especially from the US, supporting and offering help, easing the shock and giving me back self-confidence little by little. My "Number One" fan in particular also alerted [Metart Network owners] Jon and Niko about the theft. In a very short time I was offered an incredible amount of support by Metart which allowed me to get back to shooting with new gear and with an appropriate budget.

In the end, although that was a very hard lesson for me, it turned out to be also an important occasion which showed me how much Jon and all the Metart staff believed in me and in my work, as well as an opportunity to find real friends from the community of regular commentators, especially from Metart. It felt like belonging to an extraordinary family. Now I am in touch with several members of this great community on a regular basis, we speak about a range of things besides erotic photography, and it's all so fun and interesting.

The first sets released right after this disaster were with Connie Carter, first on TLE, and then on Sexart, followed by Lauren Crist on Metart, which kept me "alive" on the Network and made me experience the unexpected, incredible support from the members through the comments. I would like to thank all of them for giving me strength during those hard days.

I have also started being in touch with other Metart Network photographers, like Catherine, Luca Helios and Flora, after already being friends with Peter Guzman, Ken Tavos and Balius. I think that the exchange of ideas and points of view between artists is very fruitful, bringing the overall level of the entire Metart Network higher and higher, while the interaction with members keeps the Network evolving and facing the new challenges of modern erotic still and motion pictures.

This experience made me rethink all of my work and reconsider everything I did so far, being more aware of the actual value of all the equipment and the work itself, therefore giving more value to the efforts I do to carry out a shooting and produce a set.Venice panorama at sunset by Deltagamma

Amarna Miller talks about her life and her passions!

Amarna is the kind of girl you could fall in love with. It’s not just her looks, although she is deliciously pretty, with sparkling eyes and a smile that can melt your heart. It’s her attitude – she’s vivacious, playful, thoughtful and utterly captivating. She’s also open and uninhibited about her sexuality. Amarna embraces life, and maybe that’s what makes us want to embrace her! I was lucky enough to get to ask Amarna all those questions on the tip of my tongue – and now I adore her even more, and I’m pretty sure you will too…

Can you tell us a little about yourself, and what you enjoy doing?

AM: Of course! I’m a Spanish model, porn actress and writer. I spend my life traveling around the world shooting for the companies that I like and having as many adventures as I can! I consider myself an adrenaline junkie and I love to be out of my comfort zone. I suppose that’s one of the reasons that led me to work in this business. As you can imagine, I love outdoor sports, hiking, scuba diving, traveling to unexplored locations while searching for antique stuff as if I was Lara Croft… and all the things your mom tells you not to do.

I studied Fine Arts, specialized in photography and cinema, and I lived in the US for almost a year while I was still at university; that’s why I know how to speak English! I founded my own porn production company when I was 19 years old and I closed it six months ago. I’m 24 now, and I spend most of the time planning how to conquer the world. From time to time I give talks related to sexuality or how to open your mental frontiers.

When I’m free I also write about my crazy life if the editors are crazy enough to let me do it! At the moment I collaborate with Vice, Playground and Primera Linea magazines. I also publish in the Spanish newspaper El Periodico de Catalunya. In my last column I wrote about how much I hate the ‘Fifty Shades of Grey’ trilogy. Oh, yes: I’m also very direct and I value sincerity above everything in this world. 

I’m the opposite of a materialistic person and I save each cent I earn to spend it on having as many experiences as I can. Mostly going to crazy places (last year I was living in a tent while doing a road trip around Australia) but also enjoying good food to feed my stomach (I especially enjoy Korma chicken) or for my soul (books! books! books!). I love the work of Jack Kerouac, Ginsberg, Burroughs and most of the beatnik generation. Meanwhile, I do porn. Why? Because I love sex, I’m an exhibitionist and I love to show the world that you can have brains and live because of your body. And also because it allows me to travel, of course!

I have a polyamory relationship and I’m a very open minded person. I believe in free love and I think that you should not tie down the people you love! For this same reason I don’t practice monogamy and I don’t have sexual or emotional exclusivity with my partner.

I’m surrounded by people I love, I mostly do what I want in this life and I truly love my job. So, as you can see, I’m a very happy person!

Your look is quite distinctive for a Spanish girl – pale skin and red hair. Do you think that makes you stand out? What is your favorite thing about your appearance?

AM: My favorite part of my body is my eyes, because they are blue and that’s not something very common in my country. About the red hair and the distinctive appearance, it can be something good or not, depending what company you want to work with. Some productions want a ‘girl next door’ look and they complain about my crazy hair!

What inspired you to get into nude modeling?

AM: I’ve always been an open minded person, and because I was studying Fine Arts I was surrounded by painters, photographers and people related to the artistic media. I met a guy and he asked me to model for him; at first I hesitated but when I finally did it… it was amazing! Not just because the final pictures were great, but also because I was able to prove to myself that I was capable of being pretty on camera. At that time I had very low self-esteem, so starting to do nude modeling became some kind of therapy for being happy with my style of beauty and my body.

 Did you do a lot of stills photography, before starting to make movies?

AM: Yes, I’ve been working as an artistic model since I was 18 years old so I was already comfortable in front of the cameras when I started in porn. Here is my model portfolio, if you want to take a look! http://www.amarnamiller.com/portfolio/?lang=en

 What do you enjoy about making movies?

AM: Basically I love to experiment with my sexuality and I enjoy trying new things! This business allows me to try practices and recreate situations that I would not do in my normal life, so it’s quite exciting. I also love to travel, meet new people and have new experiences every day; each day of your life becomes an adventure because you can play different characters, different styles…

You have worked a lot with Alis Locanta – what do you enjoy about working with him? How is it different to other movies you have made?

AM: Alis and his team are professional filmmakers in the biggest sense of the word. When you work in porn you usually don’t find such a high quality in terms of aesthetic, image and technical level and as a Fine Arts graduate it makes me happy to participate in their works of art. 

I mean, when you work with Alis you are doing a real movie, not only shooting sex! That’s what makes him stand apart from other directors: he doesn’t film porn, he shoots movies in which there are sexual encounters.

You seem to enjoy making movies with themes of dominance and submission. Is this something that turns you on? Are you more dominant or submissive by nature?

AM: Yes! I enjoy exploring the limits of my sexuality and experimenting with new horizons… I suppose that’s why I love BDSM both in front of and behind the cameras. It allows me to know my limits and find pleasure in things that I wouldn’t have expected.

I switch, which means that I can be submissive or dominant depending on the person, the practices and the situation. For example, with women I tend to be more dominant while with boys I like to be the bottom part of the play. But it depends a lot!

I especially love an artistic type of Japanese bondage called shibari, which involves tying your partner’s body doing intricate, beautiful patterns. You can suspend the person from the ceiling or just play with the feeling of the power exchange. The rope becomes an extension of your own body and as you’re tying your partner he/she falls into a semi-meditative state called ‘subspace.’ Time and space just stop and when you wake up from the trance it’s just amazing. If you haven’t heard about this before I would recommend you to take a look at the pictures of the Japanese photographer Nobuyoshi Araki… I did a lot of articles related to his work while I was studying for my degree, and I can say I’m in love with what he does!

Which is your favorite of the movies you have shot for SexArt, and why?

AM: That’s a hard question! I especially like the ‘Waltz With Me’ series for the way in which Alis recorded it… when I first heard about the idea of doing a circular traveling camera with the sex scene as the center of the rotation, I called him almost shouting, “PLEASE LET ME APPEAR IN THIS FILM!” When he chose me as one of the actresses I was jumping with excitement! 

Which was your favorite partner?

AM: My shoot with Ariel Rebel (‘Pour Toi Mon Amour 4’) was absolutely incredible. Not only because she’s extremely hot (and a very good lover, I have to say), but also because she’s interesting as a person. We were talking for hours before and after filming and I really felt attracted to her for more than the physical aspect. Regarding girls, I also fell in love with Tracy Lindsay, Samantha Bentley and Gina Gerson.

As for the boys, I love to work with Franck Franco. We’ve always had a special connection and you can feel it when you watch our films together: there are lots of kisses, passion, chemistry… Juan Lucho is also amazing: incredible sex and always taking care of you during the shoots.

By the way, I want to say that I cannot wait to work with Alexa Tomas and Julia Roca! Please, directors of SexArt, organize a shoot with the three of us.

Do you enjoy shooting scenes more with girls or boys? Do you have sex with girls in your personal life?

AM: Yes, I’ve had both emotional and sexual relationships with girls in my personal life. I consider myself completely bisexual and I like men and women equally…. Having said that, I have to tell you that sometimes I have a period in which I feel more attracted to one gender than the other, but usually I like the person rather than their sex. On screen it is exactly the same: sometimes you have a lot of chemistry with someone and sometimes not, and it doesn’t depend on what they have between their legs. 

You also write scripts, including ‘Que es la Pasion,’ your scene with Juan Lucho. Can you tell us about this movie – what inspired it?

AM: We wanted to do something related to love, sex, chemistry… but it was just an abstract idea. Alis wanted something special, a definition of passion, narrated by me for the beginning of the video, so I started to write and the words just flowed. I read a lot of poetry and I also write my own work so it was easy to just imagine how I feel when I really like someone, and translate that into words.

What are your ambitions?

AM: I take a lot of care in becoming the person I want to be. I manage my emotions, learn how to avoid the unhealthy people and the toxic situations and live the life I want to have. It seems simple but it’s not!

Beyond that, my biggest ambition is to travel around the world. At some point I would love to sell everything and just live while traveling… I will photograph everything and write about my life on my website.

Is there anything else you would like to tell your fans?

AM: Yes! If you like me and you want to know more about me or follow my adventures around the world you should definitely check out my personal blog http://www.amarnamiller.com. I write every day, not only about porn (that would be pretty boring…), but also about my ideas, plans, my way of seeing life… I really hope you enjoy it, and thank you for this opportunity to share my thoughts.

A celebration of beauty

Once in a while, a movie comes along that resonates perfectly on an emotional as well as a physical level. Tomorrow’s film from Andrej Lupin and Ariel Piper Fawn is so strikingly lovely that I think it deserves to be recognized as an instant classic. ‘Together’ begins with an extended tracking shot worthy of any big-budget Hollywood movie – and way more creative than most – as we follow Spanish firecracker Alexis Tomas through the streets of Sitges towards the train station, where she is meeting her lover. In a simple white dress and sandals, Alexa exudes a natural sensuality even though we only see her from behind. The evocative music and sun-drenched location add to the sense of identification with this willowy figure. When we do see her face at last, she is so exquisite, the anticipation so plainly written on her expressive features, that if I weren’t already utterly enamoured with her, it would be love at first sight.

Gorgeous Lexie Dona emerges from the station, and the girls embrace with such genuine passion, it’s a truly romantic moment. Their affection is evident as they stroll through the streets hand in hand, stopping for a steamy kiss that hints at the delights to come.

The lovemaking is every bit as visually stunning – and emotionally, as well as erotically stirring – as the prelude had led me to hope for. Both girls have a physical confidence and lack of inhibition that is very arousing, and the attraction between them is palpable. Lexie, already deliciously naked, wakes Alexa from her nap with delicate caresses that build in intensity until they are kissing passionately once again. Lexie’s fingers slide between her girlfriend’s parted thighs, exploring the wetness she finds there. Every lingering touch, every gasp and quiver, is lovingly captured by the superb camerawork – and the sex that follows is explosive.

I think this movie has got it all – romance, passion, beauty, and thrilling eroticism. What do you think?

New Year, hot new girls!

January 2015 has been an amazing month for gorgeous new girls at SexArt, hasn’t it? Layla Sin is probably my favorite new face of the month (I say ‘probably’ because I am notoriously fickle and I’m easily won over by a pretty smile or flirty look!). This delicious olive-skinned Israeli stunner charmed me with her playful attitude and oral fixation in ‘Io Ballo Da Sola 3.’ Her vibrant, uninhibited dancing and masturbation was a joy to watch, and her powerful orgasm rocked my world as well as hers! I really want to see more of her…

We’ve also had perky blonde Kiara Lord, who has already made a terrific impression in a couple of girl-girl movies over at VivThomas, showing a softer side to her sexuality in boy-girl movie ‘e-Memories 3.’ Kiara has a very warm and approachable manner that creates an instant chemistry with her man.

Voluptuous French fox Anissa Kate, bursting out of her shirt and then pressing her dripping wet curves against the glass of the shower stall made for an incredibly sensual debut in ‘Incandescence.’ Anissa has also shot a scene with the incredible Ariel Rebel, which I am awaiting with baited breath!

Uruguayan beauty Carol Vega brought a sizzling Latin flavor to her scene with Franck Franco, ‘Breathless.’ There was a lot of appreciation for this statuesque babe with her tiny waist and perfect bottom, dark eyes and cute braces on her teeth – especially for the way she teased her man before pleasing him!

Cristal Caitlin is a girl I’m a little more familiar with, as she is the star of a recent movie at VivThomas. She is wonderfully dominant in her girl-girl scenes there, but watching her SexArt debut in a boy-girl scene, ‘Volcano,’ I was struck by how pretty and sweet she really is. The sensational outdoor setting brings a delightful freshness and naturalness to the romantic and erotic connection between these lovers. 

Tomorrow’s movie, ‘Incandescence – Chloe Amour,’ introduces another new star to SexArt. Texan sweetie Chloe is a willowy Hispanic honey, so you know she already has me hooked! Her embodiment of sexual awakening is enhanced by her sultry aura, which brings heat and intensity to her masturbation. Her shaken expression as she catches her breath after her climax is priceless. One to watch, for sure!

I’d love to know, who was your favorite among SexArt’s new January babes?

 

Introducing Bella Blond

I’m delighted to introduce a beautiful new girl who has made a huge impression on everyone here. Bella Blond is a sweet, sexy and stunningly gorgeous babe who is notorious in her native Germany for shooting public ‘flashing’ movies. When the dynamic duo of director Andrej Lupin and producer Ariel Piper Fawn spotted her, they knew she would be a perfect fit for the MetArt Network, and whisked her away to Lanzarote to shoot ‘The Bet,’ which will be released on VivThomas next week. She appears in two fantastic scenes, a lingerie liaison with cute newcomer Cristal Caitlin, and a superb shower hook-up with lovely Kiara Lord, who has recently received a very warm welcome both here and on VivThomas.

Bella has a sensational slender-yet-stacked body and a pretty face with the most incredible eyes. When she looks at her sexual partner, you can practically hear their pulse start to race! Andrej and Ariel were so impressed they also shot her for another future VivThomas release, as well as a SexArt series and a scene for their Vintage Collection. “She is a really lovely girl, we will shoot her again soon for sure!” Ariel told me.

Of course I grabbed the opportunity to ask Bella a few questions – who wouldn’t want to find out more about a babe this hot? Here’s what she told me…

Bella, can you tell us a little bit about yourself?

BB: I am 24 years old. I live in Munich, Germany. I enjoy going swimming, I like cooking very much and I travel very often.

You are the first German girl ever to work with SexArt and VivThomas – is modeling an unusual choice for a German girl?

BB: It is very nice that I am the first German girl ever to work with SexArt and VivThomas. But it’s not unusual for a German girl to work in this industry.

What inspired you to get into nude modeling?

BB: I am very fine with my body and I like showing it to other people while they’re enjoying seeing me!

What is your favorite thing about your appearance?

BB: My favorite thing has to be my breasts, they are 70D (32D).

Did you do a lot of stills photography, before starting to make movies?

BB: No, I started filming directly. I also used to dance, but I don’t any more.

You are known in Germany for making public ‘flashing’ movies, such as on the subway. Do you get recognized by your fans in Germany?

BB: Yes, all the time!

How did the experience of working with Andrej Lupin in Lanzarote compare with your previous work?

BB: There were huge differences in working with Andrej Lupin... I mean like very wonderful big differences, which I can’t compare to anything I have ever seen. The location was awesome.

Did you enjoy getting dressed up for the shoots?

BB: I loved being dressed up, this was wonderful! My personal style is ‘elegant classic.’

Do you enjoy sex with girls in your personal life? Had you had sex with a girl before you did it on film?

BB: It is a wonderful experience having sex with girls, and I had already had sex with a girl before I started shooting movies.

If you could only have sex with boys or girls for the rest of your life, which would you choose?

BB: I’ll always choose boys... because I would miss them too much!

I think you are going to like this amazing girl A LOT... I can't wait to hear what you think of her!

Preview – Ariel Rebel and Amarna Miller come together!

Tomorrow’s SexArt movie release is ‘Pour Toi Mon Amour 4’ – and moments into this delicious piece of erotic art, I was hooked. Amarna Miller’s flame-haired pussy, her vibrant eyes and softly parted lips, and the sensuality of her movements, all conspired to mesmerising effect. When that was followed by the first glimpse of Amarna and Ariel Rebel together – something I’ve been eagerly anticipating ever since Ariel mentioned it in her recent blog post – I really felt like I’d hit the erotic jackpot.

Ariel’s first appearance, in December’s ‘Incandescence 2,’ took SexArt by storm, and her debut on MetArt a couple of days ago has met with a similarly rapturous reception. This petite French-Canadian beauty has everything you could wish for in a star – a fascinating cute-but-sexy look, great body, and a really fun and friendly personality. She’s absolute dynamite to watch. What an inspired move for director Alis Locanta to pair her up with Spanish sweetheart Amarna. Ariel described the experience as “my coolest scene ever!”

The girls kiss tenderly on a breezy balcony overlooking the Barcelona skyline, looking so fresh and pretty in their heels and summer dresses. As Amarna unzips Ariel’s dress and lets it drop, Ariel turns to let us gaze at her spectacular bottom. We cut to inside, Ariel straddling Armana’s lap to kiss her, their passion building. Ariel pinches Armana’s nipples, making her giggle with delight, then shimmies down and spreads her thighs so she can taste her sweetness. If you’ve never seen Ariel eat pussy before, you are in for a treat; her attention is focused like a laser beam on that slippery pink slit, tongue and fingers moving rapidly. Amarna is delightfully vocal, her moans growing in intensity as she approaches an earth-shattering orgasm.

When it’s Ariel’s turn to receive pleasure, her puffy, engorged clit is lavished with rubs and licks, Amarna driving her absolutely wild with the powerful sensations she stirs up. The postlude is equally enchanting. It has to be said, the chemistry between this pair is off the charts!

Both of these amazing girls love to communicate and interact with their fans (yup, you can count me among that number!) so I look forward to hearing what they have to say about filming this scene. It certainly looks like it was an incredibly erotic experience. 

My SexArt Girl of 2014

My choice for Girl of the Year is entirely subjective, and I make no apology for that. It’s almost impossible to define why a certain girl gets under your skin – it could be a look, a smile, the way she says something, the way she touches herself... so many little things that grab your attention. Objectively, my girl of the year isn’t even really ‘my type.’ I like exotic olive skinned beauties – you already know about my major girl-crush on Spanish stunner Alexa Tomas, and I cannot resist Michaela Isizzu, Lorena or Alexis Brill – all sexy brunettes who have made my pulse race like crazy. We’ve also seen some standout movies from sizzling redhead Amarna Miller, closet dominatrix Suzie Carina, and blonde bombshell Tracy Lindsay – her four-part series ‘Love For Sale’ was surely the most controversial offering of 2014. It’s been a good year for amazing girls! No doubt you are already listing the names I’ve missed out here.

But… it’s my choice. And my Girl of 2014 has to be the irresistible force of nature that is Whitney Conroy.

It wasn’t love at first sight. I thought Whitney was cute when I first saw her in ‘Hotel Eden’, a Viv Thomas love story that cast her as the adorable girl who led Lorena astray. She was funny, sweet and softly curvy. She looked like the kind of girl you’d want to date or hang out with, for sure. But there were few clues that she would blossom into Diva Whitney. Dominant Whitney. Sexbomb Whitney. The 2014 version of Whitney Conroy is a girl who could effortlessly reduce me to putty in her hands (I wish!).

Over the past twelve months, Whitney has emerged as the girl to watch. She can play it all: seductress in ‘My First,’ fetishistic beauty in ‘The Approaching,’ insatiable temptress in ‘The Writer’ – she’s fascinating in every role. She’s especially hot when she’s expressing her inner dominatrix. ‘Lift’ is certainly a contender for best movie of the year, as Whitney spanks and ravages Margo in an elevator before succumbing to her lust for orgasm; there are so many killer moments in this movie I was inspired to write a whole blog post about it. I’ve watched it countless times.

Hot as she is in lesbian scenes, Whitney’s solos are equally compelling; ‘In Your Eyes’ is particularly delicious, as she flirts and teases us before putting on a spectacularly sexy show. And wow, does Whitney know how to turn up the heat! Whatever her acting skills may be when it comes to assuming a role, her orgasms are overwhelmingly, mind-blowingly, crushingly REAL. You’d have to be made of stone not to feel it right down to your core when this girl cums.

So to me it seems perfectly fitting that the final movie of the year, on the final day of 2014, gives us the most candid portrait of this multi-faceted star that we’ve seen to date. ‘Girls Love Sex – Mistress’ lets us get up close and very personal with Whitney as she opens up and shares an intimate sexual experience. She’s charming, and more shy than one might expect, as she reveals her story – an experience of being submissive that has clearly left a profound impression on her. Telling us about it gets Whitney so wet before she even begins to touch herself... I wonder what effect it will have on you?

I’m thrilled to see 2014 end with a bang – it makes me so excited to find out what the new year will bring. More movies from Whitney, I hope! Now I’d love to know, who would you pick as your SexArt Girl of 2014?

Ariel Rebel: my first experience of shooting for SexArt!

I masturbated in the bathroom, on the plane, on my way to Barcelona…

It’s not something I do often, but I was fighting the urge to do it right under the warm blanket, while sitting in my seat. It wouldn’t have been fair on the lady beside me trying to sleep. If it had been a hot guy, I would have probably take the risk, but you know... boundaries *^_^* lol! 

When I came out of the bathroom, I realized there were a few people waiting, and it made me wonder... did they hear my scream of pleasure through the bathroom door? Maybe. Did I care? Not really!

Looking through the window as we ascended through the sky, I fantasized about all the naughty things I was going to do to Lola Reve, Anissa Kate and Amarna Miller. A lot of dirty sex dreams had emerged from my first encounters with Lola and Anissa back in July 2013, while shooting my first DVD features under the Dorcel banner. We all had such a connection from the first glance, such desire and passion, which made the shooting even more exciting than I expected. I knew seeing them again would be incredible, and it was an opportunity that I couldn’t resist. When the talented director Alis Locanta contacted me about the possibility of shooting for SexArt, my heart jumped inside my chest and my tummy started to tingle. Ok, maybe not just my tummy! *^_^* Nervous, excited, anxious, overwhelmed… a lot of sensations went through my head and then down my spine. I felt all the little hairs on my body rising, leaving behind a warm and intense feeling of joy and excitement. After all, I had been a huge fan of SexArt for ages, and always wondered if one day I would also have the chance to shoot for the site. 

There is something about erotic and sensual pornography that really grabs me more than any other type of adult entertainment. It is for this very reason that I was happy to take control over my official website – ArielRebel.com – and my career, seven years ago. It meant I could start shooting the type of scene that is so exciting for me to perform, while pleasing my creative spirit by still keeping a very artistic, yet dirty twist. I would like to take this opportunity to say a big thank you to the SexArt crew for giving me my first chance… Now let’s all keep our fingers crossed so it happens again, ok?

As I anticipated, the scenes with Lola Reve and Anissa Kate were amazing. Lola, with her cute and spunky attitude, made me laugh so much while we were on set and off set. I also loved having another opportunity to taste her again. I was even more excited to know that she came down to Barcelona for this single scene, just because she wanted to fuck me again… So hot, right?  

Before she went back to France, on the last night, we cuddled for the longest time in our shared bedroom, enjoying some girly chat like two best friends that haven’t seen each other in a while. It was sweet and intimate, and I miss her already.

Funnily enough, Anissa Kate has always intimidated me a little. When I look at her gorgeous figure, AMAZING tits and beautiful eyes, I can’t help being envious of her sex appeal. She is more experienced than me and I wonder if I’m good enough for her when we shoot. I want her to dominate me, to tell me what she wants me to do to her, and direct me in realizing her hottest fantasies. I’m just her little sex toy. I let her use me as she wanted and it was awesome.

On my last day, I had the chance to meet the incredible Amarna Miller. Let me say this first – this was my coolest scene ever! Amarna is a natural, she loves sex, loves to eat pussy and it really shows. From the first second we met online, about a year ago, I knew we could be great friends, and it was confirmed when I had her in front of me. She has the cutest little manga voice and everywhere she goes, she seems to spread a little ray of sunshine that keeps everybody in a great mood. It makes sex with her very memorable. Too bad we live so far away from each other, because I would absolutely hang out with her every day if I could. I would gladly fuck her again on camera and off camera, any time! I cannot wait for you to see the chemistry we shared during our scene; I really think this one will be the hottest of the bunch.

Once again, I would like to thank everybody at SexArt for giving me the chance to spread my wings (and legs) for your awesome website. I hope you guys will enjoy the fruits of our hard work and I’m looking forward to meeting you all on the site!

Love,

Ariel xxxx